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FYI
The Weisslers are bidding (so far $9.8- or around $1300 per sf) on the spec=house next to the Via Vizcaya lots. Here is an
excerpt iron the NY Times o= them.
It shows who the market is and what they are going for.
House Proud
Producers Put a Theater in Their Own Backyard=/h1>
chttp://graphics8.nytimes.com/im=ges/2010/08/12/garden/12weisslerspan-1/JP-WEISSLER-1-articlelarge.jpg>
Trevor Tondro for The New York Times
Barry and Fran Weissler's success as the pro=ucers of the musical "Chicago" enabled them to commission the artis=
Beverly Pepper to build an amphitheater at their Westchester home.
By GERALDINE F=BRIKANT
chttp://topics.nytimes.com/top/referen=e/timestopics/people/f/geraldine_fabrikant/index.html?inline=nyt-per>
Published: August 11, 2010
<http://www.nytimes.com/2010/08/12/garden/12weissler.html?scp=3D2&sq=barry%20weissler&st=cse#>
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<http://www.nytimes.com/2010/08/12/garden/12weissle=.html?scp=2&sq=barry%20weissler&st=cse#>
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• FOURTEEN years ago, Barry and Fran =eissler took "Chicago," a Broadway show that had done well at
the box office but was received coolly by critics, and turned the revival into a hit that generated front-page reviews and
drop-dtiEnlarge This Image
<http://graphics8.nytimes.com/images/2010/08/12/garden/12weissle=-2/Weissler-articleInline.jpg>
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Trevor Tondro for The New York Times
Barry and Fran Weissler. =/div>
As the roadshows of "Chicago" — a musical that glam=rizes, if not celebrates, getting away with murder — rolled out
around the globe,=the Weisslers made a fortune. "We never knew what hit us," Mrs= Weissler said. "We had been
successful before, but 'Chicago'=changed our lives."
There are many ways to measure success. On a trivial level, Mrs. Weissler, 82, recalled, it meant "I could actually get my
hair don= twice a week, instead of once a week." And there was the apartment=in Manhattan overlooking Central Park
and an estate in Waccabuc, in Westchester County, that the couple bought 11years ago.
But Mr. Weissler, 71, had yet another dream, one that would bring a dash of elitist razzle-dazzle to the staid
Westchester community.
"I though it would be great to have a private outdoor theater, =80 the trim, bearded producer explained. "When I first
saw the house in Waccabuc with its long run of meadow, I knew I had to do it." =/div> It took the Weisslers another 10
years, but today the estate includes a =80 land sculpture" by the artist Beverly Pepper
chttp://www.beverlype=per.neth , a work that serves as the amphitheater Mr. W=issler desired.
Beyond the home's formal French gardens are two massive, curved hand-carved panels, set into a grassy hillside like the
excavated wall of an ancient cave. Reaching 16 feet at their peak in the center, they create a backdrop for performers
when the space is used as a theater. The panels, made of granite powder, a binder and concrete, simulate enormous
granite stones.
Their slant "was the sculptural element that made the work as drama=ic as possible," said Ms. Pepper, 87, who visits
Waccabuc periodically=to check on her project. "The curve fits into that lush background as = counterpoint to the
formality of the garden."
The steps or seats are rows of concrete, with lighting supplied by six soaring steel pyramidal columns that flank them.
Additional lights, tiny ones, are tucked into the ground.
In June 2009, the Weisslers inaugurated the theater with an evening for pat=ons of the New Yor= Philharmonic
<http://topics.nytimes.com/top/reference/timestopics/=rganizations/n/new_york_philharmonic/index.html?inline=nyt-
org> , with music by the orchestra's principal brass. =hat October, with Marvin Hamlisch
<http://topics.nytimes.com/top/reference/times=opics/people/h/marvin_hamlisch/index.html?inline=nyt-per> and
others performing, the couple held another event, a fund-raiser for the conservatory of music at SUNY College at
Purchase. Nearly 200 guests sat on the steps and the remaining audience members used blankets on the lawn.
"We were exhilarated," said Mrs. Weissler. "I could=not believe it was so successful and it was in our own backyard."=09
But if the Weisslers think of Ms. Pepper's work primarily as an amp=itheater, Ms. Pepper does not.
'The site pieces are not designed to be literally theaters, =9D she said recently over coffee at the Weisslers' house,
gazing across the for=al gardens to her work.
"As I told Barry and Fran at great length, this is a sculpture that=can be used as a theater, but at least 10 months a year it
is a sculpture, =80 she said. If it were designed more as a theater than as a sculpture, =9Cit would have changed the
dynamics," she explained. 'The seat=ng would have been more individual, and it would not have been so narrow at the
top.
Both Ms. Pepper and Mr. Weissler are strong-willed, so the collaboration had its tensions. "Barry does not
accommodate in theater and I did=not want to accommodate in sculpture," Ms. Pepper said. Nevertheless, =E2 he was
creative enough to know that you have to have flexibility.
"He listens and then, more or less, he does what I want. I tell him=that in the end I will be blamed for what happened.
He has ownership, but I bear the responsibility and the blame. We can't leave a note that s=ys something is shorter
because Barry wanted it."
It is rare for private collectors to commission land sculpture, also known as land art, because the works can cost from
hundreds of thousands to millions of dollars and require a commitment to a particular site. =09
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