EFTA02527556.pdf

From: Jeffrey Epstein <[email protected]> Sent: 2:54 PM To: Subject: Re: the lay them on their side On Mon, Dec 7,=2009 at 9:38 AM, David Gelernter <c m> wrote: Fair enough. (Int thought: thanks.) But the double-concave lines of s=in & aleph, in a sense the "most important" letters, are bea=tiful insofar as they're female. (And as the Zohar says (admittedly=in aramaicJ, man-- genuine man--exists only at the moment of sexual union, =ale+female; so man isn't so much a creature as an event, flickering in=o life here & there, now & then.) --David On Mon, Dec 7, 2009 at 9:21 AM, Jeffrey Epst=in <[email protected] <mailto:[email protected]» wrote: 358 el brillo palm beach 33480.. I think you might consider focusing on =he negative spaces between the hebrew letters much more erotic a bul=ing shma, or throbbing ka On Mon, Dec 7, 2009 at 8:56 AM, David Gelernter wrote: Language as a=matter of binding forces, words as atoms (or hadrons), sentences as molecu=es or chains, paragraphs as more complex molecules, has fascinating implic=tions. Of course in language, we'd be talking about recursive molecule= as opposed to natural ones. (But "recursive molecule" is int=resting in itself; a chain of chains, a crystal of crystals of crystals.)=A0 You might imagine that two versions of one sentence w/ the same meaning=are two equally-stable conformations of one molecule, 2 separate local min=ma; but a nonsense-sentence is unstable; & translation would be a chem=cal transformation. In your canoe-view, moving horizontally from your stream to someone els='s is like moving from a mountain brook to the Hudson to the Niagara; =our sudden transit sideways to another stream, though it lands you in anot=er texture of time (a parallel time) (& smashes your canoe), puts you =t the exact same moment you were at. Time's texture changes, but you d=n't miss a tick.... Does it bother you that sexuality, once the driving force of art, has b=en suppressed? Modigliani the last erotic painter; de Kooning a farcial=encore; Giacommetti, whose early sadist surrealist pieces turn into a view=of women as immovable obstacles (men move; women stand in their way); then= silence (in the establishment), as if beautiful women were no longer the =uel source of all human creativity. (But they always will be.) EFTA_R1_01668248 EFTA02527556  Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art=Saint); works well as an object to look at. But I'm now making a mu=h larger version, approx 4x6 feet; & in a sense, it looks at you. 1= colors the space it occupies, instead of being a thing on a wall. Whol=y different feel. It was great to talk to you (When you get a chance pls give me a mai= addr so I can send you a bk.) David On Mon, Dec 7, 2009 at 2:44 AM, Jeffrey Epstein «= href="mailto:[email protected]" target="_blank">jeevacation@gmail=com> wrote: the annealing process applied to the story could only apply to switching chapters two and fo=r, with little change , if both chapters internally were bound together w=th a greater" weak "force. then they might pop as one. I know th=re is work on facial recognition to determine how much distortion one can =andle and still be able to recognize, I am unaware of a formula for storie= for both content and time.. I thought more about the idea that nightmares=are as a canoe moving orthogonally through moving streams. but reali=e the time components of the streams do not line up. maybe its more of lan=ing in the water after various streamfalls ( like abbot and costello , =lowly I turned , step by step -Niagra streams). and coming in contact with=many pieces of many streams with various times. even more interest=ng , would be to be in contact with the streams of others ).. Like a tr=p on Maid of the Mist. T=e information contained in this communication is confidential, may be a=torney-client privileged, may constitute inside information, and is int=nded only for the use of the addressee. It is the property of =effrey Epstein Unauthorized use, disclosure or copying of this comm=nication or any part thereof is strictly prohibited and may be unlawful= If you have received this communication in error, please notify us immediately by return e-mail or=by e-mail to [email protected] <mailto:[email protected]> , and destroy this communication and all copies t=ereof, including all attachments. The information contained in this c=mmunication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the a=dressee. It is the property of Jeffrey Epstein Unauthorized use, di=closure or copying of this 2 EFTA_R1_01668249 EFTA02527557  communication or any part thereof is strictl= prohibited and may be unlawful. If you have received this communication in error, p=ease notify us immediately by return e-mail or by e-mail to [email protected], =nd destroy this communication and all copies thereof, including all attachments. The information contained in this c=mmunication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the a=dressee. It is the property of Jeffrey Epstein Unauthorized use, di=closure or copying of this communication or any part thereof is strictl= prohibited and may be unlawful. If you have received this communication in error, p=ease notify us immediately by return e-mail or by e-mail to [email protected], and destroy thi= communication and all copies thereof, including all attachments. 3 EFTA_R1_01668250 EFTA02527558