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748 F.2d 602, *; 1984 U.S. App. LEXIS 15990, **;
1984-2 Trade Cas. (CCH) P66,311; 40 Fed. R. Serv. 2d (Callaghan) 954
National Independent Theatre Exhibitors, Inc. (NITE) is a trade association of independent
movie theatre exhibitors who own and operate some five thousand screens in the
continental United States. They formed NITE to protect and promote their interests.
James Thomas Patterson, Sr., an independent theatre owner-operator, is NITE's president
and a member of its board of directors.
In the early 1970's Independent theatres found themselves in a serious financial crisis.
Faced with growing competition [**3] from large circuit exhibitors, shrinking attendance,
and rising film rentals, they found it difficult to obtain top quality films for exhibition. In
1976, NITE decided that the solution for this problem was to increase the supply of quality
films to the independent distributors. A greater variety of movies, NITE assumed, would
foster more vigorous price competition by all distributors, resulting in lower film rentals, and
would permit the independent theatres to offer movies to their patrons that were not being
shown by most of their competitors. In addition, the lower admission prices and greater
variety would increase public interest in going to the movies. NITE concluded that the
major film producers lacked the economic incentive to cure the supply problem it perceived
and that it should enter the production and distribution market. NITE lacked the financial
resources to take this step, however.
In an effort to raise the capital that would be necessary to finance the production of high
quality films, NITE's board of directors, in April 1977, created a "Film Fund," to which its
members could make donations, and gave Patterson the job of soliciting their
['*
contributions. He, in 4] turn, devised the following plan. NITE's member theatres
would show several minutes of on-screen advertising before each feature film and
contribute revenues generated by this advertising to the Film Fund. A board of advisors,
chosen by the participating independent theatre owners, would select the movies the Fund
would finance. The Film Fund would then contract with independent motion picture
companies to produce the movies. The NITE members who participated in this voluntary
screen advertising program would receive a discount on the rental of these movies in
return for their contributions to the Fund. Daily Variety, a leading trade newspaper,
reported on the NITE Film Fund in a front-page story on April 26, 1977. The story related
strong interest in the program from film producers and exhibitors alike.
?605] In June 1977, NITE entered into a four-year contract with Cinemavision, Inc., a
company engaged in the selling of on-screen theatre advertising, for the sale of advertising
space on NITE's members' movie screens. The contract provided that at least fifty percent
of the net revenues Cinemavision collected from its advertisers for the participating
theatres would ["5] be paid directly to the Film Fund. The contract required NITE to use
its best efforts to solicit exhibitors to participate in the screen advertising program. NITE
anticipated that its Film Fund would generate $42 million from the program over the four-
year contract period.
NITE's board of directors decided that the Film Fund should be organized as a separate
legal entity and persuaded Patterson to incorporate Screen Advertising Film Fund
Corporation (SAFFCO). SAFFCO in turn contracted with NITE and Cinemavision to
administer the program. The contract provided that SAFFCO would receive the theatre
contributions generated by the on-screen advertising and would retain two percent of these
contributions as a profit margin to pay Patterson a salary. Cinemavision eventually
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CONFIDENTIAL - PURSUANT TO FED. R. GRIM. P. 6(e) DB-SDNY-0053253
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