📄 Extracted Text (13,094 words)
From: Office of Tetje Rod-Larsen
Subject: June 27 update
Date: Fri, 27 Jun 2014 15:18:19 +0000
27 June 2014
Article I.
The Washington Post
Shimon Peres, Israel's dreamer and doer
David Ignatius
Article 2.
WSJ
Obama's Foreign-Policy Failures Go Far Beyond Iraq
George Melloan
Article 3.
NYT
America and Iran Can Save Iraq
Mohammad Ali Shabani
Article 4.
The Carnegie Endowment for International Peace
Hezbollah's Iraq Problems
Alexander Corbeil
Article 5.
The Washington Post
Hillary Clinton's truly hard choice: Change or
continuity)
Fareed Zakaria
Article 6.
The Atlantic
Secrets of the Creative Brain
Nancy Andreasen
The Washington Post
Shimon Peres, Israel's dreamer and doer
David Ignatius
June 26 -- At a farewell dinner for Israeli President Shimon Peres in
Washington on Wednesday night, several of the American guests appeared
to approach him with tears in their eyes. This emotional display was a sign
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of Peres's personal impact on the U.S.-Israel relationship and the way his
departure marks the passing of an era.
Peres, at 90, is the last iconic figure of Israel's founding generation. All the
powerful elements of Israel's creation are part of his life story: He
emigrated from Poland in 1934; his family members who remained behind
were killed during the Holocaust, many burned alive in their local
LynagQgue. He worked on a kibbutz as a dairy farmer and shepherd, and at
the age of 24 he became a personal aide to Israel's founding leader, David
Ben-Gurion.
"Little did he know it at the time, but milking cows and herding sheep
prepared him well for a long career in Israeli politics," Israeli Ambassador
Ron Dermer told the gathering at the Israeli Embassy. Dermer cited the
astonishing statistic that Peres has been a public servant in Israel for nearly
67 years, including two stints as prime minister.
What has marked Peres throughout his career has been a liberal optimism
about Israel and its place in the world. The years of war and terrorism
made many Israelis darkly cynical about their state's survival and the
measures necessary to preserve it. A cult of toughness developed among
Israel's political elite, which has taken full flower in Prime Minister
Benjamin Netanyahu and his coalition partners. But Peres remained
outside the tough-guy circle. He spoke openly, perpetually, about his
yearning for peace.
Peres's gentle demeanor contrasted with the implacable, bulldozer style of
other members of the founding generation, from Yitzhak Rabin and Golda
Meir to Ariel Sharon and Menachem Begin. Peres sometimes seemed the
bridesmaid at the Israeli political wedding, never quite achieving the status
of some of his contemporaries. But he outlasted them all, and as Americans
began to wonder during the Netanyahu years whether Israel was really
committed to a two-state solution to the Palestinian problem, Peres was a
reassuring affirmation.
The optimistic side of Peres's character was captured by Susan Rice, the
U.S. national security adviser, in moving remarks. After saying that Peres
had often reached out personally when she had a "rough patch" the past
few years, she quoted her favorite Peres-ism: "There are no hopeless
situations, only hopeless people." In another man, this sunny sentiment
might seem soft. Not so with Peres. His was an earned optimism.
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Peres spoke after the laudatory tributes. Listening to him these days is like
hearing a favorite uncle or grandfather. The narrative wasn't a speech so
much as a musing. But his essential point was both clear and contrarian:
The United States' strength in the world is its values, not its military power.
It remains strong because it is a nation characterized by "giving, not
taking."
The United States didn't have to befriend the small, embattled country of
Israel, but it chose to do so because of its generosity, Peres said. He talked,
in a veiled way, about his farewell with President Obama that day. Peres's
message, as best I understood, was that Obama should be faithful to who
he is and not try to conform to demands about what he ought to be. Perhaps
that's the kind of advice that can be dispensed only by the world's oldest
living president.
The guests Wednesday night were testimony to the political power of the
U.S.- Israeli relationship. There were several dozen members of Congress,
plus Supreme Court justices, various Cabinet members and political
commentators. It was a bipartisan group, which was a reminder that,
however strained the relationship between Obama and Netanyahu, a core
element in the relationship transcends parties and administrations.
"Peres is that rare leader who is both a dreamer and a doer — talking about
the future and getting things done," said Dermer. It was very much in
Peres's style that he would strike up a personal friendship with Pow
Francis and show up at the Vatican this month for a meeting with the
pontiff and Palestinian President Mahmoud Abbas. Dermer joked that he
was the only Israeli president who might be a candidate for sainthood.
Peres's successor as president will be Reuven Rivlin, a respected right-
wing politician who opposes creation of a Palestinian state — the cause
Peres championed. However well Rivlin performs, it's unlikely Americans
will approach him at the end of his career wiping away tears.
WSJ
Obama's Foreign-Policy Failures Go Far
Beyond Iraq
George Melloan
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June 26, 2014 -- 'What would America fight for?" asked a cover story last
month in the Economist magazine. Coming from a British publication, the
headline has a tone of "let's you and him fight." But its main flaw is that it
greatly oversimplifies the question of how the U.S. can recover from its
willful failure to exert a positive influence over world events. That failure
is very much on display as Iraq disintegrates and Russia revives the
"salami tactics" of 1930s aggressors, slicing off parts of Ukraine. Both
disasters could have been avoided through the exercise of more farsighted
and muscular American diplomacy. A show of greater capability to manage
"domestic" policy would have aided this effort. The U.S. is still militarily
powerful and has a world-wide apparatus of trained professionals
executing its policies, overt and covert. It has an influential civil society
and a host of nongovernmental organizations with influence throughout the
planet, not always but mostly for the better. It has a preponderance of
multinational corporations. Although confidence in America has waned
significantly, it is still looked to for leadership in thwarting the designs of
thugs like Russia's Vladimir Putin, Syria's Bashar Assad and Iran's
Ayatollah Khamenei.
Yet President Obama has followed a deliberate policy of disengagement
from the world's quarrels. He failed to bluff Assad with his "red line" threat
and then turned the Syrian bloodbath over to Mr. Putin, showing a
weakness that no doubt emboldened the Russian president to launch his
aggression against Ukraine. The errant Iraqi Prime Minister Nouri al-
Maliki, beset by a Sunni-al Qaeda insurgency, has been told, in effect, to
seek succor from his Shiite co-religionists in Iran. Meanwhile, Secretary of
State John Kerry amazingly urges America's only real friends in the area,
the Iraqi Kurds, not to abandon the ill-mannered Mr. Maliki in favor of
greater independence and expanded commerce (mainly oil) with our NATO
ally, Turkey. Mr. Obama cites opinion polls purportedly showing that
Americans are "war weary." Probably what the polls really reflect is
something else entirely, dismay at the wasted blood and treasure that
resulted from Mr. Obama's unilateral declaration of defeat in Iraq and
Afghanistan. Instead of whining about "war weariness," an American
president should understand his historical role. The U.S. can't just
withdraw from the responsibilities that have derived from its enormous
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success in making itself the look-to nation for peoples aspiring to safer,
freer and more prosperous lives. The costs of failure are too high, as we
have seen in the many thousands of lives lost in Syria. U.S. policy will
continue to be measured not only by its willingness to fight but by how
effectively it moves to counter troublemakers before trouble happens. An
effective president would call a halt to U.S. disarmament, rather than citing
it as an accomplishment. He would move to strengthen the hands of
America's friends, like the new Ukrainian government and the Kurds of the
Middle East, by providing them with economic and military aid. He would
abandon the disastrous policy of trying to schmooze and appease cutthroats
like Vladimir Putin. Although it might seem too much to ask, an effective
president would say to the world that the American politico-economic
system still works. That means acknowledging not only today's private-
sector achievements, like the boom in domestic natural-gas and oil
production due to homegrown technological advancements, but history's
lessons as well. In World War II, America quickly became the "Arsenal of
Democracy." Its great war machine was created by the inventive know-how
and productive skills of millions of private citizens who for generations
before the war had seized the opportunities available in a free-market
economy to build large mass-production business organizations.
At its best, foreign policy is the sum total of how a nation presents itself to
the world's peoples. That includes its quality of life and standard of living,
its know-how in producing goods and services, its organizational skills, its
cultural and economic creativity. All those things say, "Look at us. You can
be happier and healthier if you follow our lead." The American image has
been tarnished by the progressives who took control of the U.S.
government in 2009. They set about to expand the state's power, which was
exactly what had destroyed the productive drive and creative skills of the
post-World War II Russians and Chinese. They made a hash of health
insurance, grossly distorted finance and destroyed personal savings by
manipulation of the credit markets. They conducted a war on fossil fuels,
handing a victory to Russia, which uses its hydrocarbon exports to exercise
political influence in Europe. They weakened the dollar by running up
huge national debts and wasted the nation's substance on silly projects like
"fighting global warming." U.S. interests in the Middle East, Asia and
Europe are threatened as aggressors and terrorists become bolder. An
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American president doesn't have to sit back and watch. The Economist
asked a mischievous question, but it revealed a disappointment of the
world's expectations of America.
Mr. Melloan, a former columnist and deputy editor of the Journal editorial
page, is the author of "The Great Money Binge: Spending Our Way to
Socialism" (Simon & Schuster, 2009).
Artick 3.
NYT
America and Iran Can Save Iraq
Mohammad Ali Shabani
June 26, 2014 -- To save Iraq from Sunni extremists, Iran is mobilizing its
allies in Iraq and promoting collaboration between Iraq's government and
Syria. Washington, meanwhile, has dispatched military advisers to
Baghdad. On their own, these efforts are valiant. But without coordination,
they won't be fruitful.
Iraq was until recently a battleground between Iran and the United States.
A string of American military commanders battled Gen. Qassim Suleimani,
head of foreign operations for Iran's Islamic Revolutionary Guards, for
influence. At the height of the American occupation, Iran's handful of men
in Iraq wielded more power than the 150,000 American forces stationed
there.
Despite their largely adversarial past, the two countries can now save Iraq
if they act together. History has shown that Iran and the United States are
capable of pulling Iraq away from the abyss. The civil war that plagued the
country from 2006 to 2008 offers lessons in how to stop the current
bloodshed.
Back then, Iran was the only country that could pressure Syria to block the
Sunni jihadist pipeline, while reining in the Shiite death squads that were
bent on ridding the Iraqi capital of Sunnis. And the United States, as an
occupying power, was able to approach and co-opt rebellious Sunni tribes.
Without coordination, these efforts would have failed.
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The head of the Islamic Supreme Council of Iraq at the time, Abdul Aziz
al-Hakim, and President Jalal Talabani struggled to get Washington and
Tehran to work together. Despite the collapse of the nuclear negotiations
that were then taking place between Iran and the European Union, the
United States and Iran managed to cooperate.
The first crucial step toward ending the violence was tacit American-
Iranian support for Nun Kamal al-Maliki. After becoming prime minister,
Mr. Maliki returned the favor. Within a year of his inauguration, in the
summer of 2007, Iranian and American diplomats met in his office — the
first senior-level meeting between the two adversaries in almost 30 years.
Mr. Hakim and Mr. Talabani are no longer on the political stage. But Mr.
Maliki is. Despite his authoritarian tendencies and his failure to integrate
Sunnis into the political process, he remains the least unpopular Iraqi
politician today. His success in the April 30 election is proof of that.
And Iran and America still agree on keeping Mr. Maliki in power —
largely for lack of better options. Despite rumblings in Congress, Secretary
of Defense Chuck Hagel has stated that "the question of whether Maliki
should step down is an internal Iraqi matter." And President Obama didn't
hesitate to send military personnel back into Iraq.
The outcome of the Sunni offensive is predictable. ISIS will fail in holding
and governing captured territory because Iraqi Sunnis are unwilling to
conform to the visions of state and society espoused by ISIS. America's
earlier success in turning some Iraqi Sunnis against militant extremists is
proof, and Mr. Maliki knows this. While Sunni political integration is
crucial, violence should not be rewarded with concessions. ISIS and its
allies must be repelled from major urban centers and border crossings
before any talks with pragmatic militants can occur.
Iraq's Sunnis must either accept the realities of the country's new political
order, which is dominated by Shiites and Kurds, or condemn themselves to
the perennial instability and violence brought on by the extremists in their
ranks and the foreign fighters who have joined them.
The Kurds also face difficult choices. For years they have lived in the
twilight between independence and federalism. The United States and Iran
must impress upon Kurdish leaders that using the current turmoil to gain
concessions from Baghdad on issues such as independent oil exports and
the future of the disputed city of Kirkuk will backfire. Washington is loath
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to take sides between Erbil and Baghdad. And if it does, it is unlikely to act
to antagonize Mr. Maliki. Neither will Tehran.
Iran and America must also manage external spoilers. Saudi Arabia has
long seemed unwilling to accept the realities of the new Iraq. But the
kingdom can be flexible when intransigence seems self-defeating.
Washington must impress upon the Saudis that the fire of extremism will
inevitably enter the heart of the Arabian Peninsula unless action is taken to
halt support for militancy. Indeed, in a twist of calculations, America may
actually now share Iran's interest in seeing ISIS's other major foe, the
Syrian regime of Bashar al-Assad, go after Sunni extremists. Mr. Assad's
warplanes are now bombing militants on the Iraqi border, which they were
not doing last week.
Iran and the United States should also seek to divide ISIS. If the group is
only confronted in Iraq, it will withdraw to Syria to return another day. The
United States can't and shouldn't act as Iraq's air force. But American
military and technological prowess — in the form of sales of drones,
helicopters and fighter jets — should be combined with Iranian and Syrian
intelligence to prevent the movement of extremists.
Finally, Iran and the United States must boost the Iraqi Army's strength and
prevent the rise of militias. Mr. Maliki claims that thousands of volunteers
who have signed up to fight ISIS will be the core of the next Iraqi Army,
but he needs enough political, military and intelligence help from America
and Iran so that he won't have to rely on irregular forces. Any shift away
from the army and toward the militias would be profound and
unpredictable.
Despite their differences, Tehran and Washington both need a stable Iraq. If
not for the good of Iraqis, they should cooperate for the sake of their own
interests.
Mohammad Ali Shabani is a doctoral candidate focusing on Iranian policy
toward post-Saddam Iraq at the University of London's School of Oriental
and African Studies.
Anicic 4.
The Carnegie Endowment for International Peace
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Hezbollah's Iraq Problems
Alexander Corbeil
June 26, 2014 -- Events in Iraq, where the Islamic State of Iraq and al-
Sham (ISIS) has routed government forces since June 10, have sent
reverberations across the region. In Lebanon, the ISIS victory has sparked
fears of increased attacks against Hezbollah for its role in propping up
Bashar al-Assad. It has also shifted the order of battle in Syria, increasing
Hezbollah's involvement in the conflict and leaving it vulnerable at home.
Since ISIS made advances in Iraq, rumors spread that the group was
plotting to attack hospitals and institutions affiliated with Hezbollah.
Intelligence collected by the CIA and shared with Lebanese authorities
pointed to a plot to assassinate parliament speaker and Hezbollah ally
Nabih Beni. Hezbollah and security forces have in response stepped up
pre-emptive measures, including border patrols, checkpoints, concrete
barricades, and raids against terrorist suspects.
These measures have thwarted two attacks aimed at the group. On June 20,
a suicide bomber detonated his payload at a checkpoint in Dahr al-Baidar,
on the road between Beirut and Damascus, killing a 49-year-old Internal
Security Forces officer and wounding 32 others, making it the first suicide
bomb to hit Lebanon in twelve weeks. The bomber had purportedly turned
back toward the Bekaa Valley after failing to pass other checkpoints into
Beirut. On June 23, another bomb detonated in the Tayyouneh area, near a
military checkpoint at the entrance to Beirut's southern suburbs,
Hezbollah's stronghold. Again, the assailant was unable to reach his
intended target.
Since July of last year, Hezbollah has been a frequent victim of car
bombings, six of which hit its stronghold of Dahyeh. Radical Sunni groups
carried out the majority of the attacks, and at least one was claimed by
ISIS. In November, a Syrian government campaign with the support of
Hezbollah allowed them to retake the town of Yabroud in Syria's
mountainous Qalamoun region, a crucial car-bomb-making hub for those
targeting Hezbollah in the Bekaa Valley and in Beirut. Combined with a
security plan enacted by Lebanese security forces in Tripoli and the Bekaa
to stop spillover from the Qalamoun offensive and pacify these areas,
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Lebanon witnessed a sharp reduction in attacks against Hezbollah. Yet this
latest uptick in violence indicates that events in Iraq have, at least
temporarily, breathed new life into the fight against the Lebanese militia.
A crucial component of the campaign to take Yabroud was the participation
of Shia militias from Iraq. Since May of last year—when Hezbollah took
an increasingly public role in defense of the Assad regime—the group has
quickly become interoperable with these Shia militias. At the behest of
Iran, Hezbollah militiamen have trained, fought alongside, and led these
Iraqi fighters. Their cooperation and integration have been crucial in
regime victories in Damascus, Homs, and Aleppo, key battlegrounds in
Assad's strategy of attrition. The presence of the Iraqi militias allowed
Hezbollah's smaller force, with remnants of Syria's elite and other loyalist
units, to spearhead assaults and then turn over captured ground to their less
experienced allies, who are now decamping for home.
Since late December, Shia militiamen have returned to Iraq to defend the
government of Nouri al-Maliki against the ISIS-led insurgency in the
country's west. Given the lightening-speed advance of ISIS this month,
threats to destroy Shia holy sites, and a call to arms by Grand Ayatollah Ali
al-Sistani, Iraqi militiamen are now flowing back into their home country
to stop the extremist advance. This coordinated exodus from the Syrian
campaign has already seen up to 1,000 Iraqi fighters depart, creating a gap
in the Syrian regime's battle plan, one which both Assad and Iran have
looked to Hezbollah to fill.
Hezbollah has already sent about 1,000 fighters to defend Shia shrines in
Syria, a cover story for its increasing involvement in the conflict. Because
Iraqi Shia fighters in Syria are estimated at around 8,000, including groups
such as Liwa Abu Fadl al-Abbas (LAFA) and Asa'ib Ahl al-Haq, replacing
these fighters will demand a much larger commitment from Hezbollah
cadres and will, in the interim, leave Hezbollah short on manpower in
Syria and at home.
Recently, Hezbollah has come under increased attack in the Qalamoun
region, likely a result of the exodus of Iraqi militiamen and the associated
security gap. The Syrian Observatory for Human Rights claimed on June
11 that fourteen Hezbollah fighters had been killed during a rebel assault in
the region, while rebels claimed the number stood higher, at 29. In
response to these attacks around Rankous and Asal al-Ward, the Syrian
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regime and Hezbollah launched an offensive on June 21 to clear
Qalamoun, where an estimated 3,000 rebel fighters remain. Tony Badran, a
Hezbollah expert with the Foundation for Defense of Democracies,
believes that the group will make use of its relationship with the Lebanese
Armed Forces (LAF) to secure the Lebanese side of the Qalamoun region.1
The joint Syria-Hezbollah assault on Qalamoun now looks in part to be a
pre-emptive move to make up for the current destabilizing shifts in
manpower and to secure the border area, at a time when Hezbollah's
involvement in Syria is becoming more important to the Assad regime.
While it is unclear how long it will take for this campaign to unfold, it is
clear that Hezbollah's contribution to capturing and holding these troubled
areas will increase and in turn become more flagrant as sectarian tensions
mount.
At home, Hezbollah will come to rely more heavily on its reserves to fill
the gap left by Iraqi groups, adding to its contingent of 5,000 fighters in the
country. This will further stretch the capacities of the group, many
members of which are already fatigued with the fighting in Syria, and it
will also renew the Shia community's fears of being targeted by Syrian
rebels and their Lebanese allies. Meanwhile, if the Qalamoun campaign
unfolds with the tacit involvement of the LAF, many within Lebanon's
Sunni community will point to Hezbollah-LAF cooperation as further
evidence of Shia dominance of the country's political system and its
security institutions.
Hezbollah's Secretary General, Hassan Nasrallah, recently boasted during
a leadership meeting, "We are ready to sacrifice martyrs in Iraq five times
more than what we sacrificed in Syria..." Given Hezbollah's deepening
involvement in Syria and the heightened state of security within Lebanon,
the group's ability to send any large contingent to protect Iraq's Shia holy
sites seems unrealistic. It now seems that Hezbollah will be dealing with its
Iraq problems more so at home and in Syria than in Iraq.
Alexander Corbeil is a senior Middle East analyst with The NATO Council
of Canada, and a regular contributor to Sada.
Anicic 5.
The Washington Post
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Hillary Clinton's truly hard choice: Change
or continuity?
Fareed Zakaria
June 26 -- Hillary Clinton's problem is not her money. Despite the media
flurry over a couple of awkward remarks she made, most people will
understand her situation pretty quickly — she wasn't born rich but has
become very rich — and are unlikely to hold it against her. Mitt Romney
did not lose the last election because of his wealth. Hispanics and Asians
did not vote against him in record numbers because he was a successful
businessman. Clinton's great challenge will be to decide whether she
represents change or continuity.
Clinton will make history in a big and dramatic way if she is elected — as
the first woman president. But she will make history in a smaller, more
complicated sense as well. She would join just three other non-incumbents
since 1900 to win the White House after their party had been in power for
eight years. She would be the first to win who was not the vice president or
the clear protégé of the incumbent president.
The examples will clarify. Since 1900, the three were William Howard
Taft, Herbert Hoover and George H.W. Bush. Six others tried and lost:
James Cox, Adlai Stevenson, Richard Nixon, Hubert Humphrey, Al Gore
and John McCain. Interestingly, even the three successful ones had only
one term as president.
A caveat: Beware of any grand pronouncements about the presidency
because in statistical terms there have not been enough examples, and if
you vary the criteria, you can always find an interesting pattern. The
Republican Party broke almost every rule between 1861 and 1933, during
which it held the presidency for 52 of the 72 years.
But the challenge for Clinton can be seen through the prism of her
predecessors — should she run on change or continuity? The three who
won all pledged to extend the president's policies. They also ran in
economic good times with popular presidents. That's not always a
guarantee, of course. Cox promised to be "a million percent" behind
Woodrow Wilson's policies, but since Wilson was by then wildly
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unpopular for his signature policy, the League of Nations, Cox received the
most resounding drubbing (in the popular vote) in history.
Some of the candidates had an easier time distancing themselves from
unpopular presidents. McCain was clearly a rival and opponent of George
W. Bush. Stevenson was very different from Harry Truman, but he was, in
effect, asking for not a third term for the Democrats but a sixth term —
after 20 years of Franklin Delano Roosevelt and Truman. Shortly before
the 1952 election, Stevenson wrote to the Oregon Journal that "the thesis
`time for a change' is the principal obstacle ahead" for his campaign. After
all, if the country wants change, it will probably vote for the other party.
"It's time for a change" was Dwight Eisenhower's official campaign slogan
in 1952.
The most awkward circumstance has been for vice presidents trying to
distance themselves from their bosses. Humphrey tried mightily to explain
that he was different from Lyndon Johnson without criticizing the latter.
"One does not repudiate his family in order to establish his own identity,"
he would say. Gore faced the same problem in 2000, though many believe
that he should not have tried to distance himself so much from a popular
president who had presided over good times. As Michael Kinsley noted,
Gore's often fiery and populist camign seemed to have as its slogan:
"You've never had it so good, and mad as hell about it."
Today the country is in a slow recovery and President Obama's approval
ratings are low. This might suggest that the best course would be for
Clinton to distance herself from her former boss. But Obamacare and other
policies of this president are very popular among many Democratic groups.
Again, the three people in her shoes who won all ran on continuity.
Clinton's recent memoir suggests that she has not yet made up her mind as
to what course she will follow. The book is a carefully calibrated mixture
of praise and criticism, loyalty and voice, such that she can plausibly go in
whatever direction she chooses.
The world today is different. And Clinton is in a unique position, especially
if she can truly mobilize women voters. But history suggests that choosing
change or continuity will truly be her hard choice.
Anicle 6.
The Atlantic
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Secrets of the Creative Brain
Nancy Andreasen
June 25, 2014 -- As a psychiatrist and neuroscientist who studies creativity,
I've had the pleasure of working with many gifted and high-profile
subjects over the years, but Kurt Vonnegut—dear, funny, eccentric, lovable,
tormented Kurt Vonnegut—will always be one of my favorites. Kurt was a
faculty member at the Iowa Writers' Workshop in the 1960s, and
participated in the first big study I did as a member of the university's
psychiatry department. I was examining the anecdotal link between
creativity and mental illness, and Kurt was an excellent case study.
He was intermittently depressed, but that was only the beginning. His
mother had suffered from depression and committed suicide on Mother's
Day, when Kurt was 21 and home on military leave during World War II.
His son, Mark, was originally diagnosed with schizophrenia but may
actually have bipolar disorder. (Mark, who is a practicing physician,
recounts his experiences in two books, The Eden Express and Just Like
Someone Without Mental Illness Only More So, in which he reveals that
many family members struggled with psychiatric problems. "My mother,
my cousins, and my sisters weren't doing so great," he writes. "We had
eating disorders, co-dependency, outstanding warrants, drug and alcohol
problems, dating and employment problems, and other `issues.' ")
While mental illness clearly runs in the Vonnegut family, so, I found, does
creativity. Kurt's father was a gifted architect, and his older brother
Bernard was a talented physical chemist and inventor who possessed 28
patents. Mark is a writer, and both of Kurt's daughters are visual artists.
Kurt's work, of course, needs no introduction.
For many of my subjects from that first study—all writers associated with
the Iowa Writers' Workshop—mental illness and creativity went hand in
hand. This link is not surprising. The archetype of the mad genius dates
back to at least classical times, when Aristotle noted, "Those who have
been eminent in philosophy, politics, poetry, and the arts have all had
tendencies toward melancholia." This pattern is a recurring theme in
Shakespeare's plays, such as when Theseus, in A Midsummer Night's
Dream, observes, "The lunatic, the lover, and the poet / Are of imagination
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all compact." John Dryden made a similar point in a heroic couplet: "Great
wits are sure to madness near allied, / And thin partitions do their bounds
divide."
Compared with many of history's creative luminaries, Vonnegut, who died
of natural causes, got off relatively easy. Among those who ended up losing
their battles with mental illness through suicide are Virginia Woolf, Ernest
Hemingway, Vincent van Gogh, John Berryman, Hart Crane, Mark Rothko,
Diane Arbus, Anne Sexton, and Arshile Gorky.
My interest in this pattern is rooted in my dual identities as a scientist and a
literary scholar. In an early parallel with Sylvia Plath, a writer I admired, I
studied literature at Radcliffe and then went to Oxford on a Fulbright
scholarship; she studied literature at Smith and attended Cambridge on a
Fulbright. Then our paths diverged, and she joined the tragic list above. My
curiosity about our different outcomes has shaped my career. I earned a
doctorate in literature in 1963 and joined the faculty of the University of
Iowa to teach Renaissance literature. At the time, I was the first woman the
university's English department had ever hired into a tenure-track position,
and so I was careful to publish under the gender-neutral name of
N. J. C. Andreasen.
Not long after this, a book written about the poet John Donne was
accepted for publication by Princeton University Press. Instead of feeling
elated, I felt almost ashamed and self-indulgent. Who would this book
help? What if I channeled the effort and energy invested in it into a
career that might save people's lives? Within a month, I made the decision
to become a research scientist, perhaps a medical doctor. I entered the
University of Iowa's medical school, in a class that included only five other
women, and began working with patients suffering from schizophrenia and
mood disorders. I was drawn to psychiatry because at its core is the most
interesting and complex organ in the human body: the brain.
I have spent much of my career focusing on the neuroscience of mental
illness, but in recent decades I've also focused on what we might call the
science of genius, trying to discern what combination of elements tends to
produce particularly creative brains. What, in short, is the essence of
creativity? Over the course of my life, I've kept coming back to two more-
specific questions: What differences in nature and nurture can explain why
some people suffer from mental illness and some do not? And why are so
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many of the world's most creative minds among the most afflicted? My
latest study, for which I've been scanning the brains of some of today's
most illustrious scientists, mathematicians, artists, and writers, has come
closer to answering this second question than any other research to date.
The first attempted examinations of the connection between genius and
insanity were largely anecdotal. In his 1891 book, The Man of Genius,
Cesare Lombroso, an Italian physician, provided a gossipy and expansive
account of traits associated with genius—left-handedness, celibacy,
stammering, precocity, and, of course, neurosis and psychosis—and he
linked them to many creative individuals, including Jean-Jacques
Rousseau, Sir Isaac Newton, Arthur Schopenhauer, Jonathan Swift, Charles
Darwin, Lord Byron, Charles Baudelaire, and Robert Schumann.
Lombroso speculated on various causes of lunacy and genius, ranging from
heredity to urbanization to climate to the phases of the moon. He proposed
a close association between genius and degeneracy and argued that both
are hereditary.
Francis Galton, a cousin of Charles Darwin, took a much more rigorous
approach to the topic. In his 1869 book, Hereditary Genius, Galton used
careful documentation—including detailed family trees showing the more
than 20 eminent musicians among the Bachs, the three eminent writers
among the Brontes, and so on—to demonstrate that genius appears to have
a strong genetic component. He was also the first to explore in depth the
relative contributions of nature and nurture to the development of genius.
"Doing good science is ... like having good sex. It excites you all over and
makes you feel as if you are all-powerful and complete."
As research methodology improved over time, the idea that genius might
be hereditary gained support. For his 1904 Study of British Genius, the
English physician Havelock Ellis twice reviewed the 66 volumes of The
Dictionary of National Biography. In his first review, he identified
individuals whose entries were three pages or longer. In his second review,
he eliminated those who "displayed no high intellectual ability" and added
those who had shorter entries but showed evidence of "intellectual ability
of high order." His final list consisted of 1,030 individuals, only 55 of
whom were women. Much like Lombroso, he examined how heredity,
general health, social class, and other factors may have contributed to his
subjects' intellectual distinction. Although Ellis's approach was
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resourceful, his sample was limited, in that the subjects were relatively
famous but not necessarily highly creative. He found that 8.2 percent of his
overall sample of 1,030 suffered from melancholy and 4.2 percent from
insanity. Because he was relying on historical data provided by the authors
of The Dictionary of National Biography rather than direct contact, his
numbers likely underestimated the prevalence of mental illness in his
sample.
A more empirical approach can be found in the early-20th-century work of
Lewis M. Terman, a Stanford psychologist whose multivolume Genetic
Studies of Genius is one of the most legendary studies in American
psychology. He used a longitudinal design—meaning he studied his
subjects repeatedly over time—which was novel then, and the project
eventually became the longest-running longitudinal study in the world.
Terman himself had been a gifted child, and his interest in the study of
genius derived from personal experience. (Within six months of starting
school, at age 5, Terman was advanced to third grade—which was not seen
at the time as a good thing; the prevailing belief was that precocity was
abnormal and would produce problems in adulthood.) Terman also hoped
to improve the measurement of "genius" and test Lombroso's suggestion
that it was associated with degeneracy.
In 1916, as a member of the psychology department at Stanford, Terman
developed America's first IQ test, drawing from a version developed by the
French psychologist Alfred Binet. This test, known as the Stanford-Binet
Intelligence Scales, contributed to the development of the Army Alpha, an
exam the American military used during World War Ito screen recruits and
evaluate them for work assignments and determine whether they were
worthy of officer status.
Terman eventually used the Stanford-Binet test to select high-IQ students
for his longitudinal study, which began in 1921. His long-term goal was to
recruit at least 1,000 students from grades three through eight who
represented the smartest 1 percent of the urban California population in
that age group. The subjects had to have an IQ greater than 135, as
measured by the Stanford-Binet test. The recruitment process was
intensive: students were first nominated by teachers, then given group
tests, and finally subjected to individual Stanford-Binet tests. After various
enrichments—adding some of the subjects' siblings, for example—the final
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sample consisted of 856 boys and 672 girls. One finding that emerged
quickly was that being the youngest student in a grade was an excellent
predictor of having a high IQ. (This is worth bearing in mind today, when
parents sometimes choose to hold back their children precisely so they will
not be the youngest in their grades.)
These children were initially evaluated in all sorts of ways. Researchers
took their early developmental histories, documented their play interests,
administered medical examinations—including 37 different anthropometric
measurements—and recorded how many books read during the past
two months, as well as the number of books available in their homes (the
latter number ranged from zero to 6,000, with a mean of 328). These gifted
children were then reevaluated at regular intervals throughout their lives.
If having a very high IQ was not what made these writers creative, then
what was?
"The Termites," as Terman's subjects have come to be known, have
debunked some stereotypes and introduced new paradoxes. For example,
they were generally physically superior to a comparison group—taller,
healthier, more athletic. Myopia (no surprise) was the only physical deficit.
They were also more socially mature and generally better adjusted. And
these positive patterns persisted as the children grew into adulthood. They
tended to have happy marriages and high salaries. So much for the concept
of "early ripe and early rotten," a common assumption when Terman was
growing up.
But despite the implications of the title Genetic Studies of Genius, the
Termites' high IQs did not predict high levels of creative achievement later
in life. Only a few made significant creative contributions to society; none
appear to have demonstrated extremely high creativity levels of the sort
recognized by major awards, such as the Nobel Prize. (Interestingly,
William Shockley, who was a 12-year-old Palo Alto resident in 1922,
somehow failed to make the cut for the study, even though he would go on
to share a Nobel Prize in physics for the invention of the transistor.) Thirty
percent of the men and 33 percent of the women did not even graduate
from college. A surprising number of subjects pursued humble occupations,
such as semiskilled trades or clerical positions. As the study evolved over
the years, the term gifted was substituted for genius. Although many people
continue to equate intelligence with genius, a crucial conclusion from
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Terman's study is that having a high IQ is not equivalent to being highly
creative. Subsequent studies by other researchers have reinforced Terman's
conclusions, leading to what's known as the threshold theory, which holds
that above a certain level, intelligence doesn't have much effect on
creativity: most creative people are pretty smart, but they don't have to be
that smart, at least as measured by conventional intelligence tests. An IQ of
120, indicating that someone is very smart but not exceptionally so, is
generally considered sufficient for creative genius.
But if high IQ does not indicate creative genius, then what does? And how
can one identify creative people for a study?
One approach, which is sometimes referred to as the study of "little c," is
to develop quantitative assessments of creativity—a necessarily
controversial task, given that it requires settling on what creativity actually
is. The basic concept that has been used in the development of these tests is
skill in "divergent thinking," or the ability to come up with many responses
to carefully selected questions or probes, as contrasted with "convergent
thinking," or the ability to come up with the correct answer to problems
that have only one answer. For example, subjects might be asked, "How
many uses can you think of for a brick?" A person skilled in divergent
thinking might come up with many varied responses, such as building a
wall; edging a garden; and serving as a bludgeoning weapon, a makeshift
shot put, a bookend. Like IQ tests, these exams can be administered to
large groups of people. Assuming that creativity is a trait everyone has in
varying amounts, those with the highest scores can be classified as
exceptionally creative and selected for further study.
While this approach is quantitative and relatively objective, its weakness is
that certain assumptions must be accepted: that divergent thinking is the
essence of creativity, that creativity can be measured using tests, and that
high-scoring individuals are highly creative people. One might argue that
some of humanity's most creative achievements have been the result of
convergent thinking—a process that led to Newton's recognition of the
physical formulae underlying gravity, and Einstein's recognition that
E=mc2.
A second approach to defining creativity is the "duck test": if it walks like
a duck and quacks like a duck, it must be a duck. This approach usually
involves selecting a group of people—writers, visual artists, musicians,
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inventors, business innovators, scientists—who have been recognized for
some kind of creative achievement, usually through the awarding of major
prizes (the Nobel, the Pulitzer, and so forth). Because this approach focuses
on people whose widely recognized creativity sets them apart from the
general population, it is sometimes referred to as the study of "big C." The
problem with this approach is its inherent subjectivity. What does it mean,
for example, to have "created" something? Can creativity in the arts be
equated with creativity in the sciences or in business, or should such
groups be studied separately? For that matter, should science or business
innovation be considered creative at all?
Although I recognize and respect the value of studying "little c," I am an
unashamed advocate of studying "big C." I first used this approach in the
mid-1970s and 1980s, when I conducted one of the first empirical studies
of creativity and mental illness. Not long after I joined the psychiatry
faculty of the Iowa College of Medicine, I ran into the chair of the
department, a biologically oriented psychiatrist known for his salty
1:ua e and male chauvinism. "Andreasen," he told me, "you may be an
., but that M. of yours isn't worth sh--, and it won't count
favorably toward your promotion." I was proud of my literary background
and believed that it made me a better clinician and a better scientist, so I
decided to prove him wrong by using my background as an entry point to a
scientific study of genius and insanity.
The University of Iowa is home to the Writers' Workshop, the oldest and
most famous creative-writing program in the United States (UNESCO has
designated Iowa City as one of its seven "Cities of Literature," along with
the likes of Dublin and Edinburgh). Thanks to my time in the university's
English department, I was able to recruit study subjects from the
workshop's ranks of distinguished permanent and visiting faculty. Over the
course of 15 years, I studied not only Kurt Vonnegut but Richard Yates,
John Cheever, and 27 other well-known writers.
Going into the study, I keyed my hypotheses off the litany of famous
people who I knew had personal or family histories of mental illness.
James Joyce, for example, had a daughter who suffered from
schizophrenia, and he himself had traits that placed him on the
schizophrenia spectrum. (He was socially aloof and even cruel to those
close to him, and his writing became progressively more detached from his
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audience and from reality, culminating in the near-psychotic neologisms
and loose associations of Finnegans Wake.) Bertrand Russell, a
philosopher whose work I admired, had multiple family members who
suffered from schizophrenia. Einstein had a son with schizophrenia, and he
himself displayed some of the social and interpersonal ineptitudes that can
characterize the illness. Based on these clues, I hypothesized that my
subjects would have an increased rate of schizophrenia in family members
but that they themselves would be relatively well. I also hypothesized that
creativity might run in families, based on prevailing views that the
tendencies toward psychosis and toward having creative and original ideas
were closely linked.
I began by designing a standard interview for my subjects, covering topics
such as developmental, social, family, and psychiatric history, and work
habits and approach to writing. Drawing on creativity studies done by the
psychiatric epidemiologist Thomas McNeil, I evaluated creativity in family
members by assigning those who had had very successful creative careers
an A++ rating and those who had pursued creative interests or hobbies an
A+.
My final challenge was selecting a control group. After entertaining the
possibility of choosing a homogeneous group whose work is not usually
considered creative, such as lawyers, I decided that it would be best to
examine a more varied group of people from a mixture of professions, such
as administrators, accountants, and social workers. I matched this control
group with the writers according to age and educational level. By matching
based on education, I hoped to match for IQ, which worked out well; both
the test and the control groups had an average IQ of about 120. These
results confirmed Terman's findings that creative genius is not the same as
high IQ. If having a very high IQ was not what made these writers creative,
then what was?
As I began interviewing my subjects, I soon realized that I would not be
confirming my schizophrenia hypothesis. If I had paid more attention to
Sylvia Plath and Robert Lowell, who both suffered from what we today
call mood disorder, and less to James Joyce and Bertrand Russell, I might
have foreseen this. One after another, my writer subjects came to my office
and spent three or four hours pouring out the stories of their struggles with
mood disorder—mostly depression, but occasionally bipolar disorder. A
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full 80 percent of them had had some kind of mood disturbance at some
time in their lives, compared with just 30 percent of the control group—
only slightly less than an age-matched group in the general population. (At
first I
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