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Inside Job (2010)
NYT Critics' PickThis movie has been designated a Critic's Pick by the fil= reviewers of The New York Times.
Sony Pictures Classics
Henry Paulson, Ben Bernanke and Timothy Geithner in the documentary =9CInside Job."
Who Maimed the Economy, and How
By A. O. SCOTT
"Inside Job," a sleek, briskly paced film whose title sugg=sts a heist movie, is the story of a crime without punishment, of
an outr=ge that has so far largely escaped legal sanction and societal stigma. Th= betrayal of public trust and collective
values that Mr. Ferguson chronic=es was far more brazen and damaging than the adultery in Nathaniel Hawtho=ne's
novel, which treated Hester more as scapegoat than villain.=20 The gist of this movie, which begins in a mood of calm
reflection and grow= angrier and more incredulous as it goes on, is unmistakably punitive. Th= density of information
and the complexity of the subject matter make =80 Inside Job" feel like a classroom lecture at times, but by=the end
Mr. Ferguson has summoned the scourging moral force of a pulpit-s=aking sermon. That he delivers it with rigor,
restraint and good humor ma=es his case all the more devastating.
He is hardly alone in making it. Numerous journalists have published books=and articles retracing the paths that led the
world economy to the precip=ce two years ago. The deregulation of the financial services industry in=the 1980s and
'90s; the growing popularity of complex and risky=derivatives; the real estate bubble and the explosion of subprime
lending=— none of these developments were exactly secret. On the contrary= they were celebrated as vindications of
the power and wisdom of markets.=Accordingly, Mr. Ferguson recycles choice moments of triumphalism, courte=y of
Lawrence H. Summers, George W. Bush, Alan Greenspan and various cabl= television ranters and squawkers.
Even as stock indexes soared and profits swelled, there were always at lea=t a few investors, economists and
government officials who warned that th= frenzied speculation was leading to the abyss. Some of these prophets
wi=hout honor show up in front of Mr. Ferguson's camera, less to glo=t than to present, once again, the analyses that
were dismissed and ignor=d by their peers for so long.
Dozens of interviews — along with news clips and arresting aerial=shots of New York, Iceland and other disaster areas —
are folded=into a clear and absorbing history, narrated by Matt Damon. The music (an=opening song, "Big Time," by
Peter Gabriel, and a score=by Alex Heffes) and the clean wide-screen cinematography provide an aesth=tic polish that is
welcome for its own sake and also important to the mov=e's themes. The handsomely lighted and appointed interiors
convey=a sense of the rarefied, privileged worlds in which the Wall Street opera=ors and their political enablers
flourished, and the elegance of the pres=ntation also subliminally bolsters the film's authority. This is=not a piece of
ragged muckraking or breathless advocacy. It rests its out=age on reason, research and careful argument.
The same was true of Mr. Ferguson's previous documentary, =9CNo End in Sight," which focused on catastrophic
policies carrie= out in Iraq by President George W. Bush's administration just after the overthrow of Saddam Hussein.
But whereas that film concentrated on=a narrow view of a complex subject — the conduct of the war rathe= than the at
least equally controversial rationale for fighting it =94 "Inside Job" offers a sweeping synthesis, going as far=back as the
Reagan administration and as far afield as Iceland in its ana=omy of the financial crisis.
Perhaps unsurprisingly, many of the highest-profile players declined to be=interviewed. Mr. Summers appears only in
news footage, and none of his pr=decessors or successors as Treasury secretary — not Robert E. Rub=n or Henry M.
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Paulson Jr. or Timothy F. Geithner — submit to Mr.=Ferguson's questions. Nor do any of the top executives at
Goldman=Sachs or the other big banks. Most of the interviewees are, at least from=the perspective of the filmmaker,
friendly witnesses, adding fuel to the=director's comprehensive critique of the way business has been do=e in the
United States and the other advanced capitalist countries for th= past two decades.
Both American political parties are indicted; "Inside Job"=is not simply another belated settling of accounts with Mr.
Bush and his=advisers, though they are hardly ignored. The scaling back of government=oversight and the weakening of
checks on speculative activity by banks be=an under Reagan and continued during the Clinton administration. And
with=each administration the market in derivatives expanded, and alarms about=the dangers of this type of investment
were ignored. Raghuram Rajan, chie= economist at the International Monetary Fund, presented a paper in
2005=warning of a "catastrophic meltdown" and was mocked as a="Luddite" by Mr. Summers.
Meanwhile, some investment bankers — at Goldman Sachs in particula= — were betting against the positions they were
pushing on their=customers. An elaborate house of cards had been constructed in which bad=consumer loans were
bundled into securities, which, were certified as sou=d by rating agencies paid by the banks and then insured via credit-
defaul= swaps. One risky bet was stacked on top of another, and in retrospect th= collapse of the whole edifice, along
with the loss of jobs, homes, pensi=ns and political confidence, seems inevitable.
How did this happen? Mr. Ferguson is no conspiracy theorist; nor is he incrined toward structural or systemic
explanations. Markets are not like tec=onic plates, shifting on their own. Visible hands write laws and make dea=s, and
in this case a combination of warped values and groupthink seems=to have driven very intelligent men (and they were
mostly men) toward fol=y. In addition to business and government, Mr. Ferguson aims his critique=at academia,
suggesting that the discipline of economics and more than a=few prominent economists were corrupted by consulting
fees, seats on boar=s of directors and membership in the masters of the universe club.
When he challenges some of these professors, in particular those who held=positions of responsibility in the White
House or in the Federal Reserve,=they are reduced to stammering obfuscation — Markets are complica=ed! Who could
have predicted? I don't see any conflict of interes= — and occasionally provoked to testiness. Mr. Ferguson, for his=part,
cannot always contain his incredulity or rein in his sarcasm. Occas=onally his voice pipes up from off camera, saying
things like, "Y=u can't be serious!"
But it is hard to imagine a movie more serious, and more urgent, than =80 Inside Job." There are a few avenues that
might have been ex=lored more thoroughly, in particular the effects of the crisis on ordinar=, non-Wall-Street-connected
workers and homeowners. The end of the film=raises a disturbing question, as Mr. Damon exhorts viewers to demand
chan=es in the status quo so that the trends associated with unchecked specula=ion of the kind that caused the last
crisis — rising inequality,=neglect of productive capacity, endless cycles of boom and bust —=might be reversed.
This call to arms makes you wonder why anger of the kind so eloquently exp=essed in "Inside Job" has been so inchoate.
And through=no fault of its own, the film may leave you dispirited as well as enraged= Its fate is likely to be that of other
documentaries: praised in some qu=rters, nitpicked in others and shrugged off by those who need its message=most.
Which is a shame.
"Inside Job" is rated PG-13 (Parents strongly cautioned).=Some drug and sex references and pervasive obscenity, though
not the verb=l kind.
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