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From: "Holly Peterson" -Mil lMa>
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Subject: FW: Tina Brown's Column - The Washington Post
Date: Thu, 01 Apr 2004 18:06:44 +0000
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From: Kara Simonetti [mailto:
Sent: Thursday, April 01, 2004 6:23 AM
Subject: Tina Brown's Column - The Washington Post
washingtonpost.com
The Story That Puts Other 'News' In Perspective
By Tina Brown
Thursday, April 1, 2004; Page CO1
The best thing about Richard Clarke's testimony was that we were finally
shocked by something important instead of pretending to be shocked by something ridiculous.
After the Dean scream and the Jackson nipple and the
many TV hours invested in such incendiary issues as the rightness or wrongness of
reconstructive breast surgery for teenagers with self-esteem
issues, the Clarke Chronology was a sonic boom that will go on reverberating
through the op-ed classes, whether or not the Clarke Apology to the 9/11
families moves the polls.
We were about to OD on hearings, at least the courtroom kind -- Martha, Kobe, Michael, the
wacko trial of Tyco boss Dennis Kozlowski. Who, in the
end, can relate to the date-rape complications of a zillionaire basketball
giant, the financial finaglings of a domestic dominatrix-tycoon, or the alleged pedophilia
of a loony recording legend who makes up his face like
Joan Crawford and maintains a private zoo? For news junkies numbed by the
freak shows of celebrity justice, the Clarke story has been bracing.
"Mostly, TV languishes in an area that doesn't much please me, but once in a
while it rises to the occasion and moves beyond the 'Fear Factor' or
'American Idol' or 'Survivor' and becomes more or less what we thought it
would be when we all got into this goddamn business," Don Hewitt, czar of
"60 Minutes," said to me about Clarke's explosive debut on the show with
Lesley Stahl. "Dick Clarke taking on George Bush was a great big moment."
The stakeout culture needed this moral lift. Clarke suddenly restored our
definition of news. Instead of souped-up sound bites and personality smackdowns, we had
someone as credible as the national coordinator for counterterrorism in the White House
through four administrations emerging
from 30 years in his bureaucratic cave to speak on a matter of life and death.
This was a reality show, but it was also reality. People may have had a hard
time identifying with Paul O'Neill's abortive adventure at Treasury -- a
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high-priced CEO who made a bad career choice, he never lost the aroma of the
boardroom -- but Clarke, for all his scary IQ, is somebody we recognize.
Every office has someone like him, a super-competent guy whose big,
square,
argumentative head you learn to dread when it appears around the door
announcing bad news. The Bushies made the mistake of thinking the world
would see Clarke as they did -- arrogant, relentless, alarmist, fussy,
disloyal to the team, all of which might be true, but none of which
really
mattered against the gravity of the issue. The most famous office bore
of
the 20th century was Winston Churchill.
Thirty years of turf wars and PowerPoint strategizing served Clarke well
for
his succession of gladiatorial encounters. After "60 Minutes" and six
hours
of hearings, he was still hanging tough for the jabs of Tim Russert on
"Meet
the Press."
They want to declassify my transcript? Sure. Declassify Condi's too, and
my
e-mails and my memos, while we're at it. Want to talk about my letter of
resignation? Here's the letter the president wrote me. Pikes. Who knew
this
off-the-radar guy would turn out to be such a star? The Bushies clearly
didn't. Or else they might have paused before demoting him and cutting
him
loose.
It's his Tom Clancy quality that gives Clarke dramatic resonance. In
Clancy's novels the heroes are always midlist guys like him, career
patriots
who are frustrated by the politicians -- except that in Clancy's usual
scheme the politicians are craven liberals and in this case they are
craven
conservatives. (In the movie version Clarke would be played by Gene
Hackman
or Robert Duvall.) The Bushies now recognize this, which accounts for
the
histrionic level of the counterattack. Sen. Bill Frist frothed about
Clarke's "appalling act of profiteering, of trading on insider access to
highly classified information," overlooking the inconvenient fact that
the
book went through the normal channels of White House approval, a process
that ironically was so bureaucratically sluggish it delayed the
publishing
date to the charged moment of the 9/11 hearings.
When Russert ominously replayed Frist's charge on "Meet the Press" and
asked
if Clarke would donate his royalties to the children of the dead, Clarke
imperturbably raised him again. "Tim, long before Senator Frist said
what he
said, I planned to make a substantial contribution, not only to them but
to
the widows and orphans of our special forces who have fought and died in
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Afghanistan and Iraq." Then expertly he lifted the discussion out of the
distasteful realm of big-bucks New York publishing back into the shadows
of
Clancyland: "I also have to consider the fact that friends of mine in
the
White House are telling me that the word is out . . . to destroy me
professionally. One line that somebody overheard was, 'He's not going to
make another dime in Washington in his life.' " To be continued
The Condi Rice hearings will supplant Clarke in sex appeal. The new
story
line of "Bush's best girl in trouble" has too much of a sweeps week
flavor
not to win the next round. No one really wants to focus on the most
uncomfortable part of what Clarke had to say at the hearings: that all
the
sacrifices of the war in Iraq have made the world less safe.
C2004, Tina Brown
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