dnc-emails

dnc_email_16221.txt

dnc-emails 3,723 words email
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" id=""> <div style="border-top: 1px solid #000; padding: 19px 0 0 0; font-size: 15px;"> <div style="margin: 0 0 14px 0; font-size: 18px; font-family: arial,helvetica,sans-serif; font-weight: bold; line-height: 22px; color: #000;"> Movie Reviews</div> <table width="500"> <tbody> <tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZshWG8e7rL7VLWGqrMFPidIzwDhFCC0Bs4oDmaVDWcxDbFHlgDP1A0tbxwoBL4AAISmB5wmO+PdPVhWCmKJ7ZYJJ5bTVc03Z2bdRoRPWcE1mmliLdelfaoOU&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/05/04/arts/04BIGGER/04BIGGER-thumbStandard.jpg" alt="Ralph Fiennes and Tilda Swinton in " a="" bigger="" Splash.??=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZshWG8e7rL7VLWGqrMFPidIzwDhFCC0Bs4oDmaVDWcxDbFHlgDP1A0tbxwoBL4AAISmB5wmO+PdPVhWCmKJ7ZYJJ5bTVc03Z2bdRoRPWcE1mmliLdelfaoOU&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> Review: 'A Bigger Splash,' With a Speechless Tilda Swinton, Is Ready for Its Close-Up </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By MANOHLA DARGIS </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> This film, filled with beautiful people, is a reluctant thriller about a rock star, her current lover, her former lover and a pretty young thing. </p> </td></tr><tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQCB+J6RCR35RRVwX4X/sL84LsQjWsa044cavGunjJaW4ia9cFbXttNVfO4/H5TeZBEpW68atoLCW&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/05/06/arts/06DARKHORSE/06DARKHORSE-thumbStandard.jpg" alt="Brian and Jan Vokes with Dream Alliance in " DarkHorse.??=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQCB+J6RCR35RRVwX4X/sL84LsQjWsa044cavGunjJaW4ia9cFbXttNVfO4/H5TeZBEpW68atoLCW&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> Review: In 'Dark Horse,' a Real-Life Steeplechase Champion Inspires a Town </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By JEANNETTE CATSOULIS </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> Subtitled "The Incredible True Story of Dream Alliance," this documentary recounts the rise of a foal who restored a Welsh village's spirits. </p> </td></tr><tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQJC/zMc3xjYPw2tBAkZhlGBM1YJUfABcCLH4WgybhbLu/lJJJ0uVAWz2w62W57y9OkZXKmiQ5jYGkAsbBSW07Rb3EG9o6depAg==&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/05/06/arts/06BEINGCHARLIE/06BEINGCHARLIE-thumbStandard.jpg" alt="Nick Robinson in " BeingCharlie,?writtenbyNickReiner,sonofthedirectorRobReiner,withMattElisofon.?=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQJC/zMc3xjYPw2tBAkZhlGBM1YJUfABcCLH4WgybhbLu/lJJJ0uVAWz2w62W57y9OkZXKmiQ5jYGkAsbBSW07Rb3EG9o6depAg==&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> Review: 'Being Charlie,' a Rehab Story Directed by Rob Reiner </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By STEPHEN HOLDEN </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> The director's son Nick Reiner wrote the screenplay with Matt Elisofon, and it centers on a rebellious teenager whose father is a well-known entertainment figure. </p> </td></tr><tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQGfmm40ZGNo7vjnDnxokV47Ha14d5Uk9dn4o2ApdO5nBIiRjQiTq6CxLld1XuRe0T0BmB6baMBPD&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/05/06/arts/06THOSEPEOPLE/06THOSEPEOPLE-thumbStandard.jpg" alt="Jonathan Gordon, left, and Jason Ralph in " ThosePeople,?directedbyJoeyKuhn.?=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQGfmm40ZGNo7vjnDnxokV47Ha14d5Uk9dn4o2ApdO5nBIiRjQiTq6CxLld1XuRe0T0BmB6baMBPD&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> Review: 'Those People': Heartbreak Among the Upper Crust </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By ANDY WEBSTER </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> In Joey Kuhn's directorial debut, wealthy young men in Manhattan pine for one another and play coy. </p> </td></tr> </tbody> </table> </div> </td></tr> </tbody> </table> <table width="500" cellspacing="0" cellpadding="0" id="Content"> <tbody> <tr><td valign="top" style="color: #333;font-family: georgia,serif; " id=""> <div style="border-top: 1px solid #cbcbcb; padding: 19px 0 0 0; font-size: 15px;"> <div style="margin: 0 0 14px 0; font-size: 18px; font-family: arial,helvetica,sans-serif; font-weight: bold; line-height: 22px; color: #000;"> Video Features</div> <table width="500"> <tbody> <tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACJI2ZAaeUipVPK2DQLdwXm5p+KNz9FKbWBTEOP/OnaOSRfA4PDZ/zs72LKyUY5nJ1n8AUnLqKs778PCQQ0s0tTtqMxFGonNg/KQ5nxB77JbQ2d1OjXZCom2YmygNh9q7px/Q7s6Jb8vi&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/04/15/movies/video-the-angry-birds-movie/video-the-angry-birds-movie-thumbStandard-v3.jpg" alt=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACJI2ZAaeUipVPK2DQLdwXm5p+KNz9FKbWBTEOP/OnaOSRfA4PDZ/zs72LKyUY5nJ1n8AUnLqKs778PCQQ0s0tTtqMxFGonNg/KQ5nxB77JbQ2d1OjXZCom2YmygNh9q7px/Q7s6Jb8vi&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> Summer Movies Preview: 10 Trailers for May </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By ANITA GATES and MEKADO MURPHY </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> Superheroes, politicians and a few angry birds are coming to the big screen this month. </p> </td></tr> </tbody> </table> </div> </td></tr> </tbody> </table> <table width="500" cellspacing="0" cellpadding="0" id="Content"> <tbody> <tr><td valign="top" style="color: #333;font-family: georgia,serif; " id=""> <div style="border-top: 1px solid #cbcbcb; padding: 19px 0 0 0; font-size: 15px;"> <div style="margin: 0 0 14px 0; font-size: 18px; font-family: arial,helvetica,sans-serif; font-weight: bold; line-height: 22px; color: #000;"> <a name="features"></a><h6 style="font-family: arial,helvetica,sans-serif; font-weight: bold; font-size: 18px; line-height: 22px; color: #000; margin:0;">News & Features</h6></div> <table width="500"> <tbody> <tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZshbgcGzej2s4WGqrMFPidIzwDhFCC0Bs4rtBPBi3zGH4NXzJTEv7CA5a58wWCvJw87kNxvqOdBgeT5ypdUHrrDcWtSpDA/5c/CK3mGy3ggIHWozEUaic2D8pDmfEHvsltDZ3U6NdkKibZibKA2H2runH9Duzolvy+I=&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/05/08/arts/08SPLASH1/08SPLASH1-thumbStandard.jpg" alt="From left, Luca Guadagnino, who directed " a="" bigger="" Splash,?andthemovie?sstars,RalphFiennesandTildaSwinton.?=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZshbgcGzej2s4WGqrMFPidIzwDhFCC0Bs4rtBPBi3zGH4NXzJTEv7CA5a58wWCvJw87kNxvqOdBgeT5ypdUHrrDcWtSpDA/5c/CK3mGy3ggIHWozEUaic2D8pDmfEHvsltDZ3U6NdkKibZibKA2H2runH9Duzolvy+I=&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> 'A Bigger Splash': Sex and Angst and Rock 'n' Roll </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By JULIE BLOOM </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> The Italian director Luca Guadagnino places four people on a beautiful island, and all of their senses are pushed to the extreme. </p> </td></tr><tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZshbgcGzej2s4Qiv1DHL66cqhwTgGuK/4+nBp/JZ9W4IZZoDds4AlJE9Bio8J8PcrePr5ub6Q5GCuG9opdvSV9CRCZJKl31Qz4X9b/TY0WaLeRqNAj1zPQoD3gmPKkpNAohCjQBpaounxVObIpwxTWtB&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/05/08/arts/08STILLMAN2/08STILLMAN2-thumbStandard-v3.jpg" alt="Kate Beckinsale and Tom Bennett in " Love&Friendship,?basedon="" a="" JaneAustennovella.?=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZshbgcGzej2s4Qiv1DHL66cqhwTgGuK/4+nBp/JZ9W4IZZoDds4AlJE9Bio8J8PcrePr5ub6Q5GCuG9opdvSV9CRCZJKl31Qz4X9b/TY0WaLeRqNAj1zPQoD3gmPKkpNAohCjQBpaounxVObIpwxTWtB&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> Whit Stillman Discusses Austen's Sense and His Sensibility </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By ALEXANDRA ALTER </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> Mr. Stillman's new film, "Love & Friendship," is based on Jane Austen's "Lady Susan," and he talks about his love for Austen and the 18th century. </p> </td></tr><tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsjIHejmvZqfTZqtlFrC29B4rFHzyx95mIrm0Qkmo4wCgdusS9NRH/B7RpGw9Tveia8KEYB8MuciNnItxPjcvpBbukMRlwg2bEPJ1t9hAigLhv5SSSdLlQFs9sOtlue8vTpGVypokOY2BpALGwUltO0W9xBvaOnXqQI=&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/02/06/business/07redstone1/07redstone1-thumbStandard.jpg" alt="Sumner Redstone, then executive chairman of CBS and Viacom, was honored with the 2,467th star on the Hollywood Walk of Fame in 2012."> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsjIHejmvZqfTZqtlFrC29B4rFHzyx95mIrm0Qkmo4wCgdusS9NRH/B7RpGw9Tveia8KEYB8MuciNnItxPjcvpBbukMRlwg2bEPJ1t9hAigLhv5SSSdLlQFs9sOtlue8vTpGVypokOY2BpALGwUltO0W9xBvaOnXqQI=&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> How Sumner Redstone Went From Army Cryptographer to Media Mogul </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By MICHAEL J. de la MERCED </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> Mr. Redstone, who ceded chairman posts at CBS and Viacom, proved one of the most voluble titans in an industry full of outsize personalities like Rupert Murdoch and Barry Diller. </p> </td></tr><tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACJI2ZAaeUipVPK2DQLdwXm5p+KNz9FKbWErZ36NklvFiHmh3C7Eb7ELcKuxURh4XB7UlUAPxwePK/NG0lFUgk0p+KNgKXTuZwSIkY0Ik6ugsS5XdV7kXtE9AZgem2jATww==&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/05/08/arts/08AUSTENFILMS1/08AUSTENFILMS1-thumbStandard.jpg" alt="Jennifer Ehle and Colin Firth in the BBC's 1995 " PrideandPrejudice.??=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACJI2ZAaeUipVPK2DQLdwXm5p+KNz9FKbWErZ36NklvFiHmh3C7Eb7ELcKuxURh4XB7UlUAPxwePK/NG0lFUgk0p+KNgKXTuZwSIkY0Ik6ugsS5XdV7kXtE9AZgem2jATww==&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> What Would Jane Watch? A Fan's Guide to Austen Films </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By MARY JO MURPHY </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> The best (and the rest) of movies made from Jane Austen's novels. Let the whispers of dissent begin. </p> </td></tr> </tbody> </table> </div> </td></tr> </tbody> </table> <!-- a2Column Ends--> <!-- a2Column xtra Begins--> <div> <div> <!--begin centered ad --> <div style="text-align: center;"> <div> <table width="500" cellspacing="0" cellpadding="0" style="padding-bottom: 24px;" id="adContent"> <tbody> <tr> <td valign="top" style="border-top: 1px solid #CBCBCB; color: #333; font-family: georgia,serif; width: 498px;"> <table width="358" cellspacing="0" cellpadding="0" border="0" align="center" style="padding-top: 21px;"> <tbody> <tr> <td align="center" style="color: #909090; text-transform: uppercase; font-size: 10px; font-family: arial,helvetica,sans-serif; padding-bottom: 5px;"> ADVERTISEMENT</td> </tr> <tr> <td align="center"> <!--ADX AD="Position3"--> <!-- ADXINFO classification="Med_Rec_-_Standard" campaign="nyt2016_300x250_em_FilmInd_LiveRead_hannah" priority="1200" isInlineSafe="N" width="300" height="250" --><a href="http://www.nytimes.com/adx/bin/adx_click.html?type=goto&opzn&page=email.nytimes.com/movies/moviesupdate/html&pos=Position3&sn2=f9e04a89/7e6611cf&sn1=df2c3c54/247c3f66&camp=nyt2016_300x250_em_FilmInd_LiveRead_hannah&ad=CRS-10556_300x250_LiveRead_Hannah&goto=http%3A%2F%2Flivereadny%2Ecom%2F%3Fadxc%3D283710%26adxa%3D413580%26page%3Demail.nytimes.com/movies/moviesupdate/html%26pos%3DPosition3" target="_blank"> <img src="http://graphics8.nytimes.com/adx/images/ADS/41/35/ad.413580/CRS-10556_300x250_LiveRead_Hannah_SS_2x.png" width="300" height="250" border="0"> </a> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </div> </div> <!--end centered ad --> </div> </div> <!-- a2Column xtra Ends--> <!-- a3Column Begins--> <table width="500" cellspacing="0" cellpadding="0" id="Content"> <tbody> <tr><td valign="top" style="color: #333;font-family: georgia,serif; " id=""> <div style="border-top: 1px solid #cbcbcb; padding: 19px 0 0 0; font-size: 15px;"> <div style="margin: 0 0 14px 0; font-size: 18px; font-family: arial,helvetica,sans-serif; font-weight: bold; line-height: 22px; color: #000;"> <a name="critics"></a><img border="0" alt="image" src="http://graphics8.nytimes.com/images/section/movies/widgets/criticsPicks.gif" style="margin: 3px 0"></div> <table width="500"> <tbody> <tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQFALdO2qkcdB+ADHkekjeXeDQA95I5dhn9iBIkduv5mEzH9ZZWmkWj5lazH9nOSrf/5SSSdLlQFs9sOtlue8vTpGVypokOY2BpALGwUltO0W9xBvaOnXqQI=&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/05/06/arts/06BELLA/06BELLA-thumbStandard.jpg" alt="" BelladonnaofSadness,?directedbyEiichiYamamoto,isananimatedJapaneseeroticfilmfrom1973,aboutonewoman?striumphandruin.?=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQFALdO2qkcdB+ADHkekjeXeDQA95I5dhn9iBIkduv5mEzH9ZZWmkWj5lazH9nOSrf/5SSSdLlQFs9sOtlue8vTpGVypokOY2BpALGwUltO0W9xBvaOnXqQI=&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> Review: 'Belladonna of Sadness,' a Bewitching Masterpiece </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By GLENN KENNY </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> Eiichi Yamamoto's 1973 animated film, replete with shocking imagery, is watchable even at its most disturbing. </p> </td></tr><tr><td style="padding: 0 0 17px 0;"> <table cellspacing="0" cellpadding="0" border="0" align="right" style="margin: 0 0 0 15px"> <tbody> <tr><td> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQIza8mVf4ViJSYMCmwjN8b9sFIwAih7BJ4KJR5sPM+OIlDsGnqyyT/Hwa2Wd28L43hqNAj1zPQoD3gmPKkpNAohCjQBpaounxVObIpwxTWtB&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311"> <img width="75" height="75" border="0" src="http://graphics8.nytimes.com/images/2016/04/15/movies/video-elstree-1976/video-elstree-1976-thumbStandard-v2.jpg" alt="A scene from " Elstree1976.??=""> </a> </td></tr> </tbody> </table> <a href="http://p.nytimes.com/email/re?location=4z5Q7LhI+KVBjmEgFdYACPLKh239P3pgK51vYUlaZsiUjEACaBDqQIza8mVf4ViJSYMCmwjN8b9sFIwAih7BJ4KJR5sPM+OIlDsGnqyyT/Hwa2Wd28L43hqNAj1zPQoD3gmPKkpNAohCjQBpaounxVObIpwxTWtB&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="margin: 0; font-weight: bold; color:#004276; text-decoration:none; font-family: georgia,serif; font-size: 16px; line-height: 20px;"> Review: 'Elstree 1976,' in a Galaxy Not Far, Far Away </a> <h4 style="color: #808080; font-family: arial,helvetica,sans serif; font-size: 10px; line-height: 12px; margin: 2px 0 3px 0; font-weight: normal;"> By NEIL GENZLINGER </h4> <p style="color: #333; font-size: 14px; line-height: 20px; margin: 0;"> This Jon Spira documentary is about actors who played small roles in parts of the original "Star Wars" that were filmed in London. </p> </td></tr> </tbody> </table> <div style="text-align: right; margin: 3px 1px 13px 0;"> <span style="color: #666; font-size: 11px; font-family: arial,helvetica,sans-serif;">For more recommendations, go to <a href="http://p.nytimes.com/email/re?location=XzzrGg+iKs95OqsXBk7/xN3pqc9G7QpdcjjCCEaCgoyaEjL18AxdUJoSMvXwDF1Q0Ntid02nDF2KAtUBmoBFOUJzhTEwqtoPTIZzQ1knFfAj9mfKMPQlVw==&campaign_id=59&instance_id=75895&segment_id=89133&user_id=c750496ed9a21d8ca52f7f6c2de036c9®i_id=23772311" style="font-weight: bold; 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