📄 Extracted Text (2,781 words)
From: Lesley Groff
Sent: Friday, JanuaIIII I IMP
To: Jeffrey Epstein CC
Subject: Fwd: Theatre for a New Audience announces its new home's inaugural production,
directed by Julie Taymor
Sent from my iPhone
=br>Begin forwarded message:
=rom: James Lynes
Date: January 24 2
To: "<= href=
Subject:=/b> Theatre for a New Audience announces its new home's inaugural produc=ion, directed by Julie
Taymor
Dear Mr. and Mrs. Epstein,
Jeffrey Horowitz and Theatre for a New Audience are proud to s=are with you the news that received national
and international attention ov=rnight about Julie Taymor directing a new production for the Theatre of A=MIDSUMMER
NIGHT'S DREAM. Scroll down this email to review the articles from The New York Times, Variety, The Los Angeles Times,
T=e Guardian, and other sources.
This production will be the inaugural show in our first home currently under construction in the Downtown
Brooklyn Cultural D=strict <http://www.tfana.org/new-home/overview> (click the underlined text for mo=e information
about the Theatre's new facility). =/p>
The pro=uction will begin performances on October 19, 2013 in the Theatre's=new 299-seat Mainstage, which
has been designed by architect Hugh Hardy. Op=ning night is set for November 2.
In addition, the production will be seen by thous=nds of New York Public School students enrolled in the
Theatre's 13=week, in-school residency program, The World Theatre Project
<http://www.tfana.org/e=ucation/education-overview> , promoting literacy, sparking creativity and build=ng audiences
for the future.
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Best wishes from
James L=nes
<=:p>
=ames J. Lynes
Capital Campaign Director
Theatre for a New Audience
January 23, 2013
Taymor To Direct 'Midsummer' As Inaugural Show For The=ter's New Home
new Brooklyn home</=pan> <http://t=eater.nytimes.com/2011/06/2S/theater/theater-for-a-new-audience-
starts-buil=ing-home-in-brooklyn.html> of Theater for a New Audience, an=Off Broadway company where Ms. Taymor
has regularly worked
<http://theater2=nytimes.com/mem/theater/treview.html?res=9C05E3DA1F39F93BA3575000A9609582=0> since its
founding in 1979. "Midsummer" w=11 be Ms. Taymor's first show since her high-profile firing from th= Broadway musical
"Spider-Man: Turn Off the Dark" in 2011 b= its producers, with whom she is still in a legal battle over back pay, roy=lty
and copyright protection.
In a telephone interview on Wednesday,=Ms. Taymor said she chose "Midsummer" as the theater'= inaugural
production because of the play's celebratory nature: Cha=acters fall in love, reunite after spats and wed, and others put
on a play t=emselves.
A celebrated downtown theater director and puppet-maker be=ore finding fame and fortune directing the
blockbuster musical "The=Lion King," Ms. Taymor she was still thinking over concepts for sta=ing "Midsummer" and did
not know yet if she would be design=ng puppets or masks for the show. As for the "Midsummer" bu=get, she said she
did not know how much the production would cost, but adde= that it would be "typical" for Off Broadway and noted
that=Theater for a New Audience "never does big budgets."
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Ms. Taymor said she was talking over ideas fo= "Midsummer" with Es Devlin, the British set and costume
de=igner who is known for big-budget spectacles like the closing ceremony for t=e London Olympic Games last summer.
"Midsummer" will=not be set in any particular time or period, "but rather in its own=world," Ms. Taymor said.
She did say that she may include children a=d teenagers in the cast, after recently holding a workshop of the play
with=children "to play with their energy and physicality and to think ab=ut raw elemental energy." Ms. Taymor's long-
time partner, E=liot Goldenthal, will compose original music for "Midsummer."=br>
"There is a visceral nature to the theater, and I want to ha=e that in the production," said Ms. Taymor, who has
never directed a="Midsummer" before. She was a designer on the play in 1984 w=en Theater for a New Audience did a
children's version — he= first collaboration with the company and its artistic director, Jeffrey Ho=owitz, who is now a
close friend.
The play will begin performances o= Oct. 19 in the theater's new 299-seat main stage space, which has b=en
designed by architect Hugh Hardy. Opening night is set for Nov. 2.
Asked if her return to New York theater was any more special because of he= experiences on "Spider-Man," Ms.
Taymor simply said that s=e was looking forward to working on the play.
"Spider-Man4o=8040 became the most talked-about Broadway show in many years because of a=nightmare's-
worth of creative and technical delays, cast injuries, a=d offstage showdowns between Ms. Taymor and her composers —
Bono an= the Edge of U2 — and the show's producers.
Bono, Ed=e, and the producers ultimately replaced Ms. Taymor as the show's d=rector after more than three
months of preview performances during the wint=r of 2011. The producers contended that she resisted their pleas to
revamp 4)=804>Spider-Man" into a more family-friendly musical (thereby possi=ly selling more tickets and recovering
its high costs), while Ms.Taymor sai= the producers refused to support her requests and ideas for changes in the=script
and the score.
"Spider-Man" opened in June 20=1 to mostly negative reviews but has gone on to become a popular show with
t=urists, although ticket sales have cooled a bit in recent months.
Ms= Taymor sued the producers in federal court in late 2011, saying they were p=ofiting from her "Spider-Man"
script and staging and owed h=r more than $1 million in back pay and royalties; they counter sued, arguin= that she had
been fired for breach of contract. The judge in the case anno=nced last August that the two sides had reached a
settlement agreement in p=inciple, but since then the sides have not been able to come to terms
<http://artsbeat.blogs.n=times.com/2013/01/23/taymor-to-direct-midsummer-as-inaugural-show-for-theat=rs-new-
home/ttp:/artsbeat.blogs.nytimes.com/2012/10/30/settlement-talks-con=inue-in-court-battle-over-spider-man-
musical/> .
The specifics of their ongoing differences have never been d=sclosed; Ms. Taymor declined to comment on
Wednesday about the issues holdi=g up a settlement, but said that a negotiated resolution was "looki=g good."
"I'm hoping that we're goin= have a good outcome very soon," she said.
A version of this article appeared in prin= on 01/24/2013, on page C3 of the New York edition with the headline:
Taymo= to Direct 'A Midsummer Night's Dream'.<=span>
http://artsbeat.blogs.nytimes.com/20=3/01/23/taymor-to-direct-midsummer-as-inaugural-show-for-theaters-
new-home/=br> <http://artsbeat.blogs.nytimes.c=m/2013/01/23/taymor-to-direct-midsummer-as-inaugural-show-for-
theaters-new-=ome/>
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Julie Taymor, a= the opening-night performance of the Broadway musical "Spider-Man: Turn Of= the Dark" in
New York in 2011. (Charles Sykes / Associated Press / January=23, 2013)
Since being fi=ed in 2011 from the Broadway musical " Spider-Man
<http://www.latimes.=om/topic/entertainment/movies/spider-man%28fictional-character%29-PEFC0000=06.topic> :
Turn Off the Dark," director Julie Taymor has kept a relatively low public profile, her time presumably occup=ed by the
ongoing lawsuit between her and the show's producers.
Tay=or might be considered damaged goods when it comes to Broadway, but her tra=emark innovative style still
has its fans. In her first directing gig since=the "Sp=der-Man"
<http://www.latimes.com/topic/entertainment/movies/spi=er-man-%28movie%29-ENMV00010402.topic> debacle,
Taymor will r=turn to her roots by staging a new production of Shakespeare's "A Midsummer=Night's Dream" at Theatre
for a New Audience in Brooklyn.
The produc=ion is scheduled to open Nov. 2 and will be the inaugural production of the=company's new
permanent home near Brooklyn's Fort Gr=ene <http://www.l=times.com/topic/us/new-york/new-york-city/brooklyn-
%28new-york-city%29/fort=greene-PLGEO100100802012900.topic> neighborhood. Taymor will o=ce again team up
with her longtime partner, the Oscar-winning composer Elli=t Goldenthal, who will write the music for the comedy.
Taymor previ=usly worked with Theatre for a New Audience in 1986 on a production of Shak=speare's "The
Tempest." She subsequently directed two more Shakespearean pl=ys for the New York company -- "The Taming of the
Shrew" and " Titus Andronicus."
The director has=also made film versions of "The Tempest"
<http://www.latimes.com/topic/e=tertainment/movies/the-tempest-%28movie%29-ENMV000005270.topic> and
"Titus."
"Midsummer" is set to begin preview performances on O=t. 19.
Taymor reached a tentative settlement in her legal battle wit= the producers of "Spider-Man" in August. But it
has been reported as recen=ly as this month that no final deal has been reached yet.
http://www.latimes.com/entertainment/arts/cul=ure/la-et-cm-julie-taymor-to-direct-midsummer-nights-
dream-in-brooklyn-2013=123,0,5848768.story
Julie Taymor stages directorial comeback with A Midsu=mer Night's Dream
Spider-Man: Turn Off the Dark almost two years ago.
Taymor left the notorious — but stil= ongoing — mega-musical in March 2011 after producers demanded a ma=or
overhaul following a difficult four-month preview period. She has not wo=ked in theatre since and remains Costumes for
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The Lion King, which she design=d herself <http://www.guardian.co.u=/stage/2011/nov/09/julie-taymor-sues-spider-
man> , also won=a Tony award. However, Midsummer's budget will be a fraction of those of th=
<http://www.guardian.co.uk/stage/musicals> for which s=e is best known.
"There is a visceral nature to the theatre, and I want to ha=e that in the production," she told the New York
T=mes <http://artsbeat.blogs.nytimes.=om/2013/01/23/taymor-to-direct-midsummer-as-inaugural-show-for-theaters-
new=homek .
Jeffrey Horowitz= founding artistic director of Theatre for a New Audience, described Taymor=and Goldenthal as
"bold, innovative, adventurous artists", adding that it w=s "thrilling" to have them return to make the company's
inaugural productio= at the new base.
The new theatre has been designed by architect Hugh Hardy a=d will contain two spaces: a flexible 299-seater
inspired by the Cottesloe aspan>at the National Theatre <http://www.guardian.co.uk/stage/national-theatre> , as well
as a 50-seat studio. In a st=tement, the company said: "It is a uniquely flexible space which combines a= Elizabethan
courtyard theatre with modern technology. The relationship bet=een the stage and audience can be shaped for each
production into different=configurations."
</=pan>
Taymor
Julie Tay=or has settled on "A Midsummer Night's Dream" as the play she'll helm to in=ugurate the new
Brooklyn home base of Theater for a New Audience this fall.=br>
The Off Broadway production "Midsummer" will be Taymor's first gig f=r the Gotham stage since her high-profile
stint as helmer of Broadway's "Sp=der-Man: Turn Off the Dark," followed by her subsequent messy divorce from t=at
project.
For several months Taymor has been on tap to launch the s=on-to-be-completed TFANA building in Fort Greene,
Brooklyn, but it hadn't y=t been decided which Bard play she'd choose to direct. Taymor ("The Lion Ki=g") has long been
associated with TFANA, beginning with a 1986 staging of "=he Tempest" and followed by "The Taming of the Shrew,"
"Titus Andronicus" a=d "The Green Bird," a 1996 staging of a Carlo Gozzi play that moved to Broa=way in 2000.
TFANA's new building -- the first permanent home for th= troupe, which was founded in 1979 -- will include a
299-seat mainstage and=a 50-seat second space.
Casting and other details for "Midsummer" ha=e yet to set, but previews begin Oct. 19 ahead of a Nov. 2
opening.
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Ja=uary 23, 2013
Julie Taymo= and Elliot Goldenthal Will Conjure Midsummer Night's Dream in TFANA=s New Brooklyn Home
<=span>By Kenneth Jones
Tony Awar= winner Julie Taymor <http://www.playbillvault.com/Person/Detail/6737/1=lie-Taymor> ( The
Lion=King <http://www.playbillvault.com/S=ow/Detail/8729/The-Lion-King> ) will direct and longt=me collaborator Elliot
Goldenthal=/span> <http://www.playbillvault.com/Person/Detai=/6085/Elliot-Goldenthal> ( The Green Bird
chttp://www.p=aybillvault.com/Show/Detail/3477/The-Green-Bird> ) w=ll compose original music for a new fall 2013
production of William<= href="http://www.playbillvault.com/Person/Detail/7539/William-Shakespear="> Shakespeare's
A Midsummer Night's Dream, to be the inaugural pro=uction in Theatre for a=New Audience
<http://www.playbillvault.com/Person/Detail/1164=1/Theatre-for-a-New-Audience> 's new permanent ho=e in the
Downtown Brooklyn Cultural District.
Performances at TFANA a= 262 Ashland Place between Lafayette Avenue and Fulton Streets will begin O=t. 19.
Opening night is Nov. 2.
TFANA announced the news on Jan. 23.=lt had been known that Taymor would direct a classic for the not-for-
profit=s new home. Shakespeare's romantic comedy-fantasy is set in the woods outsi=e of Athens, where sprites and
fairies meddle with the affairs of men and w=men.
If history teaches us anything, this Midsummer should be=visually potent: In 1998, Taymor became the first
woman to win the Tony Awa=d for Best Direction of a Musical - and also won a Tony for Best Costu=es - for her
production of The Lion King, acknowledged as a mas=erstroke of design, direction, movement and mask work.
For Broadway'. Spider-Man: Turn Of= the Dark <http://www.playbillvault.com/Show/Detail/13708/Spider-Ma=-
Turn-Off-the-Dark> ,Taymor served as director, co-book writer and m=sk-designer.
TFANA founding artistic director presented at the Pub=ic Theater. Twenty-nine years later, it's thrilling they are
directing and c=mposing the first full production of A Midsummer Night's Dream we ar= mounting as the inaugural
presentation in our first permanent home."
According to TFANA, in 1986, Horowitz invited Taymor to stage The Tempe=t for Theatre for a New Audience. It
was the first play by Shakespeare s=e directed. Goldenthal composed the original music. Taymor and Goldenthal l=ter
directed and composed Theatre for a New Audience's productions of Th= Taming of the Shrew, Titus Andronicus and in
1996, Carlo Gozzi's <=>The Green Bird, which transferred to Broadway in 2000.
Composer=Goldenthal creates works for orchestra, theater, opera, ballet and film (in=luding Taymor's films "The
Tempest," "Titus" and "Frida." In 2003, he was h=nored with the Academy Award and a Golden Globe Award for the
score to "Fri=a."
Theatre for a New Audience's first permanent home is designed by=world-renowned architect Hugh Hardy and
H3 Hardy Collaboration Architecture= It includes the Samuel H. Scripps Mainstage (299 seats) and the Theodore C=
Rogers Studio (50 seats).
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The Samuel H. Scripps Mainstage, the firs= stage built for Shakespeare and classic drama in New York City since
Linco=n Center's 1965 Vivian Beaumont, is inspired by the Royal National Theatre'= Cottesloe. According to TFANA, "It is
a uniquely flexible space which comb=nes an Elizabethan courtyard theatre with modern technology. The relationsh=p
between the stage and audience can be shaped for each production into dif=erent configurations. "
Since its founding in 1979, Theatre for a Ne= Audience has played in more than 20 different venues across
Manhattan and B=ooklyn.
Theatre for a New Audience is near the BAM Peter Jay Sharp B=ilding, Harvey Theater and Fisher Building as well
as the Mark Morris D=nce Center and BRIC ARTS I Media House and UrbanGlass ReNEWal Project curre=tly under
construction in the former Strand Theatre.
For more about T=ANA's season leading up to its Brooklyn life, visitTFANA <http:/=tfana.org/> .org.
ht=p://www.playbilIsom/news/article/174316-Julie-Taymor-and-ElIiot-Goldenthal=Will-Conjure-Midsummer-
Nights-Dream-in-TFANAs-New-Brooklyn-Home
<=a> <http://www.playbill.cominewqarticle/174316-Julie-Taymor-and-Elliot-Goldenthal-WilI-Conjure-
Midsummer-N=ghts-Dream-in-TFANAs-New-Brooklyn-Home>
January 23, 2013<=p>
Tony Winner Julie Taymor to Direct A=Midsummer Night's Dream for Theater for a New Audience
By Ryan Gilbert
Two-time To=y-winning director Julie Taymor is set return to the New York stage in the f=ll with a production of
William Shakespeare's A Midsummer Night*=804,s Dream. Taymor's partner, Oscar winner Elliot Goldenthal, will
co=pose original music for the production, which will open the new permanent B=ooklyn residence of the off-Broadway
company Theater for a New Audience. Pr=views will begin on October 19, with an opening night set for November 2.
Taymor and Goldenthal have previously collaborated on Theatre for a Ne= Audience's productions of The
Tempest,The Taming of the S=rew, Titus Andronicus and The Green Bird, which transferr=d to Broadway in 2000.
Goldenthal scored Taymor's film versi=ns of The Tempest and Titus. He won the Academy Award for his=score
to Taymor's film Frida. His original two-act opera =rendel, directed by Taymor, premiered at the Los Angeles Opera.
=n 1998 Taymor became the first woman in history to win the award for Best D=rection of a Musical for Lion
King, and also earned the Tony for Bes= Costume Design for the musical. Her other Broadway credits include
Juan=Darien and Spider-Man, Turn Off The Dark. In addition to Titu=, The Tempest and Frida, Taymor directed the movie
musical Ac=oss the Universe.
http://www.broadw=y.com/buzz/166845/tony-winner-julie-taymor-to-direct-a-midsummer-nights-dre=m-for-
theater-for-a-new-audience/
<http://www.broadway.com/buz=/166845/tony-winner-julie-taymor-to-direct-a-midsummer-nights-dream-for-
the=ter-for-a-new-audience/>
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Julie Taymor Returns To Stage To Direct 40=8040Midsummer Night's Dream'
By THE DEADLINE TEAM
=/span>
When last we saw Julie Taymor aspan>she had turned to the courts
<http://www.deadline.com/2012/01/spider-man-lawsuit-web-thic=ens-as-stage-producers-countersue-julie-taymor/>
over her public departure from Spider-Man: Turn Off The Dark, whe=e she was director, co-book writer and mask-
designer for the rock musical. P=oduction woes and poor early reviews led to producers revamping the creativ= team,
leading to Taymor's departure. Now she's returning&n=sp; to the stage as director of Shakespeare's A Midsummer
Night4>=8040s Dream, the inaugural production in Theatre for a New Audience40=8040s first permanent home in the
Downtown Brooklyn Cultural District. Pre=iews begin October 19, 2013 for a November 2nd opening. Taymor sued the
pro=ucers of Spider-Man: Turn Off The Dark in November 2011 claiming her=creative rights were violated and she was
not compensated for her work. In t=rn, the producers filed a counter suit, alleging Taymor refused to fulfill h=r
contractual obligations. A tentative deal settling her role in the creati=n of the musical was reached with producers 8
Legged Productions last Augus=, but Reuters reported recently that litigation has resumed after both side= failed to
reach a final settlement. A trial date is now scheduled for May 2=.
http://www.deadline.com/2013/01/julie-taymor-returns-to-stage-to-dire=t-midsummer-nights-dream/
<http://www.deadline.com/2013/01/julie-taymor-re=urns-to-stage-to-direct-midsummer-nights-dreamk
Vulture
Jule Taymor Returning Quietly With Some Shakespeare in Brooklyn
=b>
By Zach Dionne
Julie Taymor's last theater experience was notably pai=ful
<http://www.vulture.com/2011/=6/theater_review_a_critics_final.html> for <http://ww=.vulture.com/2011/11/julie-
taymor-claims-bono-the-edge-falsely-criticized-h=r.html> basically <http://www.vulture.com/2011/06/spider-
man_S.=tml> everyone</=> <http://www.vulture.com/2011/05/julie_taym=rgets_awkward_new.html> involved
<http://www.vulture.com=2012/03/you-can-now-read-bono-and-julie-taymors-spider-man-turn-off-the-dar=-e-
mails.html> . Now she's putting all that Spider-Man: Turn Of= the Dark muck behind her with an old friend, William
Shakespeare. Taym=r will helm <http://www.variety.com/article/VR1118065049> =an Off-Broadway version of A
Midsummer Night's Dream as the debut pe=formance for Fort Greene's Theater for a New Audience this autumn. The
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woma= who brought The Lion King to Broadway has previously directed The The Tempest, and Titus Andronicus, a=so
adapting the latter two for the screen.
<=pan style="font-size:11.0pt">http://www.vulture.com/2013/01/julie-taymor-=eturning-shakespeare-
brooklyn.html <http:/=www.vulture.com/2013/01/julie-taymor-returning-shakespeare-brooklyn.html>
<=body>
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