EFTA02477670.pdf

From: jeffrey E. <[email protected]> Sent: Monday, January 4, 2016 12:11 PM To: soon yi previn Subject: Re: thank thanks On Mon, Jan 4, 2016 at 7:10 AM, soon yi previn wrote: For you, It will be done. Sent from S=on-Yi's iPhone On Jan 4, 2016, at 7:06 AM, jeffrey E. <[email protected]>= wrote: pass =n letting edward come to his house to sell him on some idea that he has =AO . if woody could write out the answers so i could giv= it to the kid as a present it would be great <=iv class="gmail_extra"> - 7:04 AM, soon yi previn wrote: Pass on wh=t? Sent from Soon-Yi's iPhone f On Jan 4, 2016, at 6:12 AM, jeffr=y E. <[email protected] <mailto:[email protected]> wrote: =div dir="ltr> is going to f=lm school , it would be a great favor to me if woody could answer so=e of these questions. I am sensitive to not bothering him with=this typ of stuff, but in this case it means a lot. see=you wed night. fyi, edward was all over the host of the =arty, jimmy cohen , I told jimmy that i thought he shoul= pass. EFTA_R1_01591765 EFTA02477670  woody? 1.Where =oes your process begin as a writer? With a specific scene / moment / character or a larger concept of t=e general narrative? 2. As of right now, my plan is=to take a year off to explore a film opportunity that leads me outside the sta=e of New York (I grew up in Manhattan and went to college in Ithaca). After t=is year, I plan on applying to film school (probably NYU/Tisch, UCLA, Columbia=or USC). My thinking is that I would attend film school in order to surr=und myself with young individuals like myself who are obsessed and passionate a=out the art of filmmaking. I'm very curious what you think about film s=hool and how you think my time might best be spent these next few years? 3. The film industry has evolved so much alongside your career. Now, many serious cinematic opportunities=are available in the TV industry. As a young director, what advice do you have for me, as I am about to take my first steps into the industry?=/p> 4 Do you enjoy the writing process or the filming process more? Why? 5. You've worked with over 1= different cinematographers throughout your career. Can you explain some of =he positive and negative experiences you've had with different cinemat=graphers? Is there any reason why you decided to work with so many different cinematographers throughout your career? 6. Can you shed some light on your pre-production and on-set relationship with your cinematographers? How invo=ved are you in the specific framing of shots while you are on set? 7. At what point do you construct the specific dialogue for your voice-overs in the creative process? Do you =et the voiceovers in concrete during the screenwriting process or, at times, d= you decide to insert a voiceover during the editing process that you hadn=E2 t anticipated? 8. In Vicky Cristina Barcelona, why did you choose Alfred Hitchcock's 1943 film Shadow of a Doubt as th= film Vicky and her language classmate go see on their date? 9. What experiences did you have wit= photography and film in your early life before you began to blossom as a director? 2 EFTA_R1_01591766 EFTA02477671  10. I have worked with a writing partner for my past two narrative projects, but have decided to work alone =or my final few projects my senior year. You've written alone and also collaborated with writers such as Mickey Rose and Marshall Brickman through=ut your career. Can you discuss your thoughts on the creative advantages of bo=h methods? =C2 please note The information contained in t=is communication is confidential, may be attorney-client privileged, ma= constitute inside information, and is intended only for the use of =he addressee. It is the property of JEE Unauthorized use, disclosure=or copying of this communication or any part thereof is strictly prohib=ted and may be unlawful. If you have received this communication in =rror, please notify us immediately by return e-mail or by e-mail to [email protected]=m, and destroy this communication and all copies thereof, includ=ng all attachments. copyright -all rights reserved please n=te The information contained in this communication is confident=al, may be attorney-client privileged, may constitute inside informatio=, and is intended only for the use of the addressee. It is the property=of JEE Unauthorized use, disclosure or copying of this communicat=on or any part thereof is strictly prohibited and may be unlawful. If y=u have received this communication in error, please notify us immediate=y by 3 EFTA_R1_01591767 EFTA02477672  return e-mail or by e-mail to [email protected] <[email protected]> , and destroy this commu=ication and all copies thereof, including all attachments. copyright -a=l rights reserved =C2 please note The information contained in this co=munication is confidential, may be attorney-client privileged, may c=nstitute inside information, and is intended only for the use of the ad=ressee. It is the property of JEE Unauthorized use, disclosure or co=ying of this communication or any part thereof is strictly prohibitedand may be unlawful. If you have received this communication in error,=please notify us immediately by return e-mail or by e-mail to [email protected]</=>, and destroy this communication and all copies thereof, including =11 attachments. copyright -all rights reserved 4 EFTA_R1_01591768 EFTA02477673