📄 Extracted Text (84,288 words)
ACCESSING the HEALING POWER
of the VAGUS NERVE
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I I
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ACCESSING the HEALING POWER
of the VAGUS NERVE
SELF-HELP EXERCISES FOR ANXIETY,
DEPRESSION, TRAUMA, AND AUTISM
Stanley Rosenberg
North Atlantic Books
Berkeley. California
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Copyright 0 2017 by Stanley Rosenberg. All rights reserved. No portion of this book, except
for brief review, may be reproduced, stored in a retrieval system, or transmitted in any form
or by any means—electronic, mechanical, photocopying, recording, or otherwise—without
the written permission of the publisher. For information contact North Atlantic Books.
Published by
North Atlantic Books
Berkeley, California
Cover art by jasmine Hromjak
All other illustrations by Sohan Mie Poulsen; 0 Stanley Rosenberg .211
Photographs by Tau Bjorn Rosenberg
Cover design by Nicole Hayward
Book design by Suzanne Albertson
Printed in the United States of America
Accessing the Healing Power of the Vagus Nerve: Self-Help Exercises for Anxiety, Depression,
Trauma, and Autism is sponsored and published by the Society for the Study of Native
Arts and Sciences (dba North Atlantic Books), an educational nonprofit based in Berkeley,
California, that collaborates with partners to develop cross-cultural perspectives, nurture
holistic views of art, science, the humanities, and healing, and seed personal and global
transformation by publishing work on the relationship of body, spirit, and nature.
North Atlantic Books' publications arc available through most bookstores. For further
information, visit our wcbsite at www.northadanticbooks.com or c
MEDICAL DISCLAIMER: The following information is intended for general information
purposes only. Individuals should always see their health care provider before administering
any suggestions made in this book. Any application of the material set forth in the following
pages is at the reader's discretion and is his or her sole responsibility. The author takes full
responsibility for representing and interpreting the ideas related to the Polyvagal Theory. The
author's interpretations and representations of the Polyvagal Theory may vary in intent and
accuracy from the writings and presentations by Dr. Stephen W. Purges.
Library of Congress Cataloging-in-Publication Data
Rosenberg, Stanley, 1940—
Accessing the healing power of the vagus nerve : self-help exercises for anxiety,
depression, trauma, and autism I Stanley Rosenberg.
pages cm
ISBN 978-1-62317-024-0 (Trade paperback) — ISBN 978-1-62317-025-7 (Ebook)
I. Depression, Mental—Alternative treatment 2. Anxiety—Alternative treatment.
3. Autism—Alternative treatment 4. Vagus nerve. 5. Self-care, Health. I. Title.
RC537.R63844 2016
616.85'27—dc23 2015028780
1 2 3 4 5 6 7 8 9 printer 23 22 21 20 19 18
North Atlantic Books is committed to the protection of our environment. We partner with
FSC-certified printers using soy-based inks and print on recycled paper whenever possible.
Printed on recycled paper.
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To Linda Thorborg
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I I
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TABLE OF CONTENTS
Foreword by Stephen Porges, PhD xi
Foreword by Benjamin Shield, PhD xv
Acknowledgments xvil
Preface xix
Introduction: The Autonomic Nervous System iocir
PART ONE: Anatomical Facts Old and New: The Polyvagal Theory 1
Overcoming Health Challenges: Are You Fighting the Heads
of the Hydra? 1
The Heads of the Hydra: Common Problems Related to Cranial-
Nerve Dysfunction 3
Chapter 1:Get to Know Your Autonomic Nervous System...__....__....__...._ 7
The Twelve Cranial Nerves 7
Cranial Nerve Dysfunction and Social Engagement 13
Treating the Cranial Nerves 21
The Spinal Nerves 22
The Enteric Nervous System 26
Chapter 2: The Polyvagal Theory__....__....__....__....__.__....__....__....__....__ 29
The Three Circuits of the Autonomic Nervous System 29
Goldilocks and the Three ANS States 30
The Five States of the Autonomic
Nervous System 33
The Vagus Nerve 36
Two Branches of the Nerve Called "Vagus" 39
=Stress: and the Sympathetic Nervous System 49
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Chapter 3: Neuroception and Faulty Neuroception 57
Faulty Neuroception and Survival 57
Other Causes of Faulty Neuroception 61
The Story of Antacus 62
Chapter 4: Testing the Ventral Branch of the Vagus Nerve 65
Simple Evaluation from Facial Observation 65
Objectively Evaluating Vagal Function through Heart Rate
Variability (HRV) 69
Testing for Vagal Function: Early Experiences 71
Discovering the Polyvagal Theory 73
Testing for Vagal Function: Cottingham, Porges, and Lyon 78
A Simple Test of the Pharyngeal Vagus Branch 81
How to Test for Pharyngeal Ventral Branch Function 82
Therapists can Test for Vagal Function without Touching.... 84
Chapter 5: The Polyvagal Theory—A New Paradigm for Health Care? 87
A Polyvagal Approach for Psychological and
Physical Conditions 88
The Healing Power of the Polyvagal Theory 91
Relieving COPD and Hiatal Hernia 91
Treating a Hiatal Hernia 98
Diaphragmatic Breathing 101
Shoulder, Neck, and Head Pain: CN XI, Trapezius, and SCM 102
The Levator Scapulae Muscle 104
The "Trap Squeeze Test" for Shoulder and Neck Problems 115
Health Problems Related to Forward Head Posture 117
Relieving Migraine Headaches 123
Chapter 6: Somatopsychological Problems. 131
Anxiety and Panic Attacks 135
Phobias 141
Antisocial Behavior and Domestic Violence 143
Post-Traumatic Stress Disorder (PTSD) 151
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Depression and the Autonomic Nervous System 156
Bipolar Disorder 157
ADHD and Hyperactivity 161
Chapter 7: Autism Spectrum Disorders 163
Hope for Autism: The Listening Project Protocol 166
The Role of Hearing in Autistic Spectrum Disorders 171
Treating Autism 177
Technique for Rounding a Flat Back of the Head 178
Concluding Remarks 183
PART TWO: Exercises to Restore Social Engagement 185
The Basic Exercise 186
Neuro-Fascial Release Technique for Social Engagement 195
The Salamander Exercises 199
Massage for Migraines 204
SCM Exercise for a Stiff Neck 206
Twist and Turn Exercise for the Trapezius 208
A Four-Minute Natural Facelift, Part 1 212
A Four-Minute Natural Facelift, Part 2 217
Severing all the Heads of the Hydra 219
Appendix 219
Notes 221
Index 233
About the Author 235
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I I
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FOREWORD
I met Stanley in June 2002, when I spoke at the United States Association
for Body Psychotherapy Conference in Baltimore. The evening before
my talk I received a message from Jim Oschman asking if he and Stanley
could attend. Jim explained that I would enjoy meeting Stanley and
learning about his work. After my talk, Stanley explained his desire to
identify objective measures, such as heart rate variability, that could be
used to conduct research to validate the clinical work he was doing.
I was curious and wanted to learn more about his work, his approach,
and why he was interested in measurements of vagal function. I mentioned
to him that I had spondylolisthesis, a condition in which a vertebra slides
forward over the bone below it. He casually responded, "I can fix it." I
asked him how long he thought it would take. He said about ten to fifteen
seconds! At this point I was trying to figure out what he could do in ten
to fifteen seconds. I had assumed, based on his training in Rolfing and
craniosacral techniques, that his treatment would require several sessions.
Given my history with an orthopedic specialist, I was curious if a somatic
therapy could be effective. The suggestion that it could be rehabilitated
in a few seconds was outside my worldview.
My diagnosis was based on a slippage in the lower spine at the junction
of lumbar and sacral vertebrae. The slippage caused back pain and possibly
a progressive deterioration that would lead to surgery. I was diagnosed by
an orthopedic surgeon, who imposed on me a fear of surgery to motivate
progress in physical therapy. Following my graduation from physical
therapy, I went to a sports medicine physician who prescribed a back
brace to limit mobility. From this portfolio of health care professionals,
I received contradictory instructions; the physicians encouraged me to
immobilize the lower back, while the physical therapists encouraged me to
move and work on flexibility. By the time I met Stanley, it was not dear to
me how to treat my condition to minimize symptoms and avoid surgery.
Wh t Stanley generously offered tom,"welcomed the
opportunity. Stanley instructed me to go on my hands and knees, and
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ACCESSING THE HEALING POWER OF THE VAGUS NERVE
to relax and keep my spine relatively level. Then, with the fingers from
both hands going in opposing directions, he moved the tissue over the
vertebrae that had slipped. As he did this, the vertebrae immediately
and effortlessly slipped into position. For fifteen years I have used a
modification of his procedure to remain pain free.
I understood immediately what he was doing. The physical
manipulation, which gently moved the upper levels of tissue, signaled
the body to relax. The relaxation was sufficient to reorganize the neural
muscular regulation that supported the spine, allowing the vertebra to
gently fall into place. Thus Stanley was transmitting signals of safety to
the neuromuscular system that enabled the system to immediately shift
from a defensive state of contraction, in which it attempted to protect
the vulnerability of the lower spine, to a state of safety in which a gentle
touch would functionally allow the system to find its natural position.
Stanley's method confirmed that a metaphor of safety is manifest
throughout the body and not merely in the social engagement system
via the muscles of the face and head, or in the viscera via ventral vagal
pathways. In all aspects of the human anatomy, safety is expressed
by the down regulation and the constraint of defense. When safety
occurs, the structures can retune themselves to support health, growth,
and restoration. Functionally, Stanley's work is based on his implicit
understanding that when the nervous system is manifest in a state of
safety there is a welcoming to touch, which can be used to align bodily
structures and optimize autonomic function.
Our first meeting captured Stanley's essence and brilliance. It
captured his passionate desire to alleviate pain and suffering. It captured
his compassionate approach that supports states of safety through
gentle co-regulation. And it captured his intuitive understanding of the
integrated systems of the body.
Stanley and I have now been good friends for fifteen years. In multiple
visits we have discussed how his manipulations shift autonomic state to
promote health, growth, and restoration. As this book conveys, he has
brilliantly integrated features of the Polyvagal Theory with features from
craniosacral and other somatic therapies. To do this, he artfully extracted
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Foreword
the primary principle of the Polyvagal Theory: the structures of the body
become welcoming to touch and manipulation when in a state of safety.
According to the Polyvagal Theory, the body, including the neural
regulation of skeletal muscle, functions differently when in a state
of safety. In the state of safety, ventral vagal pathways coordinate the
autonomic nervous system. In this state, the defensive features of the
autonomic nervous system are constrained, and the body is welcoming
not only to the social engagement behaviors of prosodic vocalizations and
facial expressions, but to touch. Underlying Stanley's clinical successes
is his ability to connect and co-regulate the client through interactions
between the client's social engagement systems, and to convey cues of
trust and concern that trigger the beneficial attributes of the ventral vagal
circuit in promoting a state of safety through the entire body.
Stanley is not a traditional therapist trained within a discipline. His
training crosses disciplines, and his approach is more consistent with
the traditions of a healer. Healers enable the body to heal itself, and
Stanley functions in this role. He co-regulates his clients, enabling and
empowering them to heal through the body's own mechanisms. His
interest in the Polyvagal Theory comes from his implicit understanding
that when states of safety are manifest in the structures of the body, the
body is poised to serve as a platform for healing.
Accessing the Healing Power of the Magus Nerve is Stanley's personal
expression of his insight into and appreciation of the role that vagal
pathways play in the healing process by calming the body and enabling
the body to welcome touch. By intuitively understanding this integrated
process, Stanley has developed a system of manipulations that promote
states of safety, allowing the body to retune the nervous system, thus
optimizing behavior, mental health, and physiological homeostasis.
As a scientist, I do not experience the world of the therapist. As a
therapist, Stanley does not experience the world as a scientist. However,
Stanley's gift lies in his ability to implicitly organize information from
science and to apply it therapeutically in an intuitive, insightful, and
helpful manner. Stanley's contributions as a creative therapist are unique
within the complex health care environment. Fortunately, his powerful
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ACCESSING THE HEALING POWER OF THE VAGUS NERVE
insights, metaphors, and treatment models are beautifully conveyed and
archived in Accessing the Healing Power of the Vagus Nerve.
Stephen W. Porges, PhD,
Distinguished University Scientist, Kinsey Institute,
Indiana University, and professor of psychiatry,
University of North Carolina
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FOREWORD
There are times in history when need is met with equal brilliance. We are
blessed with one of these rare moments. Stanley Rosenberg's Accessing the
Healing Power of the Vagus Nerve gives the reader tools to navigate and
treat some of the most complex of maladies.
Stanley brings forward this new wave of thought with the foundation
of his almost half-century of clinical experience, trainings, and teaching.
Accessing the Healing Power of the Vagus Nerve provides insights into
the genesis of physical and emotional conditions, the reasons why they
often have not been successfully treated with conventional methods, and
effective tools to resolve them.
Our well-being is dependent on a functional and adaptive nervous
system. At the heart of our adaptability, especially to stress, is the vagus
nerve. This cranial nerve is integrated into our entire physical and
neurological matrix. The vagus nerve is central to every aspect of our life.
It can provide us with deep relaxation as well as offer immediate response
to life-and-death situations. It can be both the cause and the resolution of
countless disorders. Additionally, the vagus nerve can provide us with the
needed deep personal connection to others and our environment.
I have had the privilege of knowing Stanley for over thirty-five years.
I have studied together with him, learned from him, and taught for the
Rosenberg Institute. I know of no other practitioner more qualified to
bring together all the essential elements that are presented in this book.
Accessing the Healing Power of the Vagus Nerve unlocks the mysteries
of chronic disorders. There are many books published that explain these
conditions, but none so successfully delves into the underlying basis of
how and why these conditions develop.
Whether for therapists, sufferers, or simply readers who wish to
learn more about themselves and others, Accessing the Healing Power
of the Vagus Nerve is a must-read. We owe Stanley Rosenberg a debt of
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ACCESSING THE HEALING POWER OF THE VAGUS NERVE
gratitude that he has woven his decades of insight into a fascinating
and unforgettable work.
Benjamin Shield, PhD,
author of Healers on Healing, For the Love of Cod,
Handbook for the Soul, and Handbook for the Heart
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ACKNOWLEDGMENTS
Thanks to Stephen Porges, who formulated the Polyvagal Theory—his
teaching and writings opened a world of understanding and have allowed
me to help many people in my clinic and to teach other clinicians. He
has been a friend for more than a decade and an inspiration in my for-
mulating and writing of this book. He also reviewed an early draft of this
manuscript and helped to clarify important points.
Thanks to Alain Gehin, my friend, mentor, and primary teacher in
osteopathy and craniosacral therapy for more than twenty-five years. I also
extend my gratitude to Professor Pat Coughlin at Geisinger Commonwealth
School of Medicine (formerly known as the Commonwealth Medical
College), who has been my main teacher of anatomy and physiology and
who helped to edit the anatomical references in this text. Linda Thorborg
was an inspiration in the development of many aspects of my hands-on
techniques and has co-taught optimal-breathing courses with me.
Thanks to Kathy Glass, my developmental editor, who took my chaotic
notes and shaped them into this book. I have been living in Denmark and
speaking Danish for thirty-five years, and my English language, especially
my written language, has suffered. Looking back, I see that Kathy took
on a near-impossible task of helping me to formulate my thoughts—and
completed it with style. Benjamin Shield and Jacqueline Lapidus also
helped me with the editing of early drafts.
Also, thanks to Mary Buckley and Erin Wiegand, editors from North
Atlantic Books, who helped put my manuscript into its final shape.
Thanks to some of my other teachers, including Jim Oschman, who
wrote the book Energy Medicine; Tom Myers, author of the book
Anatomy Trains; my four teachers in tai chi and chi gung: John Chung Li,
Ed Young, Professor Cheng Man-Ch'ing, and Hans Finne; my teacher in
mindfulness and Vipassana meditation, Joseph Goldstein; my teachers in
Rolfinge: Peter Melchior, Peter Schwind, Michael Salveson,,Louis Schului
and Timothy Dunphy, Ann Parks, and my other teachers in healing,
massage, and other body therapies over the years.
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ACCESSING THE HEALING POWER OF THE VAGUS NERVE
Thanks also to my colleagues at the Stanley Rosenberg Institute, as
well as all of my students, patients, and my many friends over the years,
especially Ira Brind, Benjamin Shield, Anne and Philip Neess, Lise Pagh,
Charlotte Soe, Mohammed Al Mallah, Gordon Enevoldson, DeeDee
Schmidt Petersen, Trine Rosenberg, and Donna Smith. Thanks to Filip
Rankenberg and my other colleagues at Manuvision.
Also, thanks to Sri Sri Ravi Shankar for his interest in our form of
craniosacral therapy and for his support over the years.
Thanks to my children, Annatrine, Erik, and Tau; my grandchildren;
my mother and father; and my brothers, Jack, Allen, and Arnold.
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PREFACE
Stanley Rosenberg, an American-born body therapist living in
Denmark. This book proposes a new approach to healing based on
my experiences as a body therapist working within the framework of a
completely new understanding of the function of the autonomic nervous
system—the Polyvagal Theory, developed by Dr. Stephen Porges.
The autonomic nervous system not only regulates the workings of our
visceral organs (stomach, lungs, heart, liver, etc.) but is closely tied to our
emotional state, which directly influences our behavior. Thus the proper
working of our autonomic nervous system is central to our emotional as
well as physical health and well-being. Dr. Porges's Polyvagal framework
has allowed me to achieve positive results with health issues as far-ranging
as chronic obstructive pulmonary disease (COPD), migraine headaches,
and autism—to name just a few.
I have been doing various forms of body therapy for more than forty-
five years. That career was a far cry from Swarthmore College, from which
I graduated in 1962 after majoring in English literature, philosophy, and
history, participating in an intensive honors program. When I go to
college reunions, I find that most of my friends became college professors,
doctors, lawyers, psychologists, and other professionals. I am the only
body therapist out of the two hundred and fifty students from my class.
BEHIND THE SCENES:THE PHILOSOPHY OF ACTING
During my time at Swarthmore I became interested in theater, and
Japanese theater in particular. That led me to a graduate program in
theater at the University of Hawaii, where we put on plays from Japan,
China, India, and Thailand. After two years, I left the sandy beaches of
Honolulu and moved to the crowded, dirty, noisy streets of the Lower
East Side of Manhattan along with other young theater hopefuls.
From time to time, I helped Ellen Stewart, the producer of La MaMa, a
popular off-off-Broadway theater where aspiring actors and directors put
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on new plays by hopeful but as yet undiscovered playwrights. I do not know
whether it was my fate, my good luck, or my nose for finding good people
to work with, but I was blessed that Ellen took me under her wing. After
touring with her and a small theater troupe through Europe, Ellen insisted
that I visit the Odin Theater, a small experimental venue in Denmark
On Ellen's recommendation, I ended up as assistant to Eugenio Barba,
director of the Odin Theater. Barba wanted the actors to create something
new in every detail of their performance. On one occasion, Barba and
his actors spent two days rehearsing one small scene—trying variations
of staging, expressive body movements, and unusual patterns of vocal
expression—that took only ninety seconds when it was finally finished
and incorporated into the play.
Barba had been trained for three years as an assistant director at a
Polish theater directed by Jerzy Grotowski, who had a reputation for
doing some of the most exciting theater performances in the world
at that time. Grotowski was both an innovative theater director and a
theorist of the connections between mental, physical, and emotional
processes. Grotowski's actors explored the physical and emotional aspects
of extreme moments in the lives of their characters. They went into a
world that was halfway between reality and fantasy, exploring dreamlike
states invoked by traumatic experiences.
After three years as Grotowski's assistant. Barba also spent a year in
India studying classical Kathakali dance theater, which uses extraordinary
forms of stylized expression including masks, costumes, makeup, and
frequent use of mime. To attain the high degree of flexibility and muscle
control required for this art's body movements and footwork, Kathakali
dancers undergo a strenuous course of training. To help them meet these
challenges and achieve the necessary flexibility, they receive sessions of
body massage.
All of these experiences influenced Barba and the Odin Theater; the
acting training that I experienced there had its origins in Grotowski's work,
and included acrobatics, yoga, and freestyle movement improvisation. I
stayed at Barba's theater for an entire year, taking part in the daily training
in voice, movement, and emotional expression.
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Preface
In his "Statement of Principles," Grotowski wrote, "The main point
then is that an actor should not try to acquire any kind of recipe or build
up a "box of tricks." This is no place for collecting all sorts of means of
expression:" My exposure to this philosophy at the Odin Theater shaped
my approach to everything I did for the rest of my life, including learning
and exploring body therapy.
In voice training, for example, we did not sing a song with a melody
and text written by someone else. We did not try to imitate anything
that we heard someone else do, but to explore the world of sounds that
we generated in our own imagination—sounds that we had never heard
anyone make before. This could take hours, days, or sometimes a week
or more before I felt I had succeeded in making the exact sound I had
imagined—and there was no one else who could judge whether I had
made the "right" sound or not. Once I had made that sound, I never
repeated it. I went on to the next sound that appeared in my imagination,
and worked toward expressing that.
This same approach has manifested itself in my approach to bodywork.
Main Gehin, my primary teacher and mentor in craniosacral therapy,
visceral massage, and osteopathic techniques, once said something very
similar to what learned at Odin Theater: "You learn techniques to
understand principles. When you understand the principles, you will
create your own techniques." He also continually emphasized one
principle: "Test, treat, and then test again."
TAI CHI
Body therapy came naturally into my work of teaching actors. As a teacher
and director, I pushed actors out of their comfort zones and beyond the
usual limitations of their movement and vocal expression. We worked,
for example, with mime and acrobatics. Along the way I found a short
book on shiatsu massage, and I included that as part of our training to
help the body move better.
While I was exploring the world of experimental theater in New York
City, I also learned tai chi from Ed Young, a student and translator of
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Professor Cheng Man-Ch'ing, one of the great tai chi masters of the
twentieth century. Tai chi is unparalleled as a source of knowledge about
natural ways of moving the body. Practicing the tai chi form every day is
the kung fu of knowing yourself, similar to deeper forms of meditation
in other traditions.
The movements of tai chi are continuous, spiraling, and "soft"
compared with those of "hard" styles of self-defense such as karate,
where the movements are in straight lines, fast, and with definite
beginning and ending points. The goal of tai chi as a martial art is not
to become stronger and faster than your opponent but to use your own
body awareness, flexibility, and kinesthetic sense to find where your
opponents are tense—and then "help" the opponents use their own force
against themselves.
The ideal of tai chi is to use "a force of four ounces to deflect a thousand
pounds." This concept has become an integral part of my body therapy.
Some people doing massage and body therapies push hard into their
client's body, with the intention of going deep. By contrast, I try to find
the exact center of tension and the exact angle for me to push to increase
the tension, and then use the minimum amount of force necessary to get
the body to release itself. I often use no more than a few grams of pressure.
ROLFING AND OTHER INSIGHTS
After five years in New York, I moved back to Denmark and taught acting
at the National Theater School for a year. Being a foreigner and trying
to make headway in the Danish theater world without any network was
harder than I had thought. So I decided to leave my work in theater and
to support myself teaching tai chi and giving body therapy sessions.
In Denmark I kept hearing about Rolfinge, a form of hands-on body
therapy created by Ida Rolf' that had the reputation at that time of being
the gold standard of body therapy. (Rolling is a form of "structural
integration," the generic name for a form of connective-tissue massage
that has the goal of helping clients have better posture, breathing, and
movement.)
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Preface
The idea of working from an inner intention, as we had done in our
voice training at Odin Theater, came up in my discussions with Siegfried
Libich, a German Rolfer. When he mentioned "working with intention"
as an important element of Ida Rolf's teaching, I decided to take a series
of ten Rolfing sessions with him. The effect of those sessions on me was
so profound that I decided to learn the approach myself I became one of
the first of three Rolfers in Denmark, and I have now been working with
this form of bodywork for more than thirty years.
In theater, actors usually take on the physical tensions of their
characters, but in Rolfing we work to release the typical physical
characteristics and habitual emotional patterns that limit our clients,
restrict their movements, and cause pain and discomfort. The focus is
on balancing tensions in the connective tissues of the body rather than
"relaxing" the muscles, which is the usual approach to body therapy. The
result is that they can move in new ways and have greater emotional
flexibility. They can liberate themselves from cliches that have previously
limited their freedom of expression, and move toward a more creative
and authentic version of themselves.
Rolfers not only work with their hands; they also learn to read the
body. Movement and postural analysis are an important part of the
training that other modalities of body therapy had not yet begun to teach.
Rolfers ask,"Where is the body out of balance? Where is the flow broken
in a movement? What needs to be done to bring it back into `shape'?"
After I had been Rolfing for a few years, I began to hear other Rolfers
talking about craniosacral therapy as a new frontier in body therapy. I
went on to study that too, as well as other forms of osteopathic techniques
including visceral massage and joint manipulation. During the following
twenty-five-year period, I kept on learning from the best teachers I could
find, attending advanced classes and trainings at least thirty days a year.
In Denmark I was able to develop my skills as a body therapist
slowly, over more than four and a half decades. I am currently in my
mid-seventies, and I believe that my life has moved more slowly here in
Denmark than if I had followed a similar path doing body therapy in
the United States, where financial opportunities are greater and more
Erin
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tempting, so that many successful therapists outgrow their practices
and move on to other more lucrative endeavors. Also, I believe that the
fashions regarding, which therapy is "in" and which is "out" change
more quickly in the United States than in Denmark. I have been blessed
to be able to follow my own path at my own tempo. Alain Gehin, my
craniosacral teacher, said that becoming a skilled body therapist is not
so much "knowing about" something intellectually but "learning how
to do something with your hands." He claimed that a body therapist
first begins to attain what the French call savoir faire-"know-how"—
after giving ten thousand sessions. I have an image of myself, despite
my American roots, as having apprenticed to become an Old-World
European craftsman. I have had time to study, to practice, and to develop
skills. I have had the luxury to be able to keep reaching for a greater level
of finesse, sensitivity, and creativity with my hands.
All these ingredients were in the mixing bowl when I met Stephen
Forges and was blown away by his new interpretation of how the auto-
nomic nervous system functions—which I will explain later in this book.
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INTRODUCTION:
THE AUTONOMIC NERVOUS SYSTEM
A discovery is said to be an accident meeting a prepared mind.
—Albert Szent-Gyorgyi, Hungarian-born biochemist
(1893-1986) who won the Nobel Prize for his discovery
of Vitamin C in 1937'
It doesn't matter how much you drive around, you will never
get to where you want to go if you don't have the right map.
—Stanley Rosenberg
I practiced various forms ofbody-oriented therapies for more than thirty
years, but I eventually realized that I was using the wrong map. When
I learned about Stephen Porges's Polyvagal Theory, his ideas expanded
my understanding of how the autonomic nervous system functions, and
immediately I had a better map.
The autonomic nervous system is an integral part of the human
nervous system, monitoring and regulating the activity of the visceral
organs—heart, lungs, liver, gall bladder, stomach, intestines, kidneys,
and sexual organs. Problems with any of these organs can arise from
dysfunction of the autonomic nervous system.
Before the Polyvagal Theory, there was a widely accepted belief that the
autonomic nervous system functioned in two states: stress and relaxation.
The stress response is a survival mechanism activated when we feel
threatened; it mobilizes our body to prepare to fight or flee.' So in the
stress state, our muscles are tense, thus enabling us to move faster and/or
exert more power. The visceral organs work to support this extraordinary
effort by our muscular system.
When we have won the fight and neutralized the threat, or when we
have gotten far enough away so that we are no longer in danger, our
relaxation response kicks in. We remain in this relaxed state until the
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next threat appears. In the old view of the autonomic nervous system,
relaxation was characterized as the "rest and digest" or "feed and
breed" state. This state was attributed to the activity of the vagus nerve,
also known as the tenth cranial nerve, which, like all cranial nerves,
originates in the brain or the brainstem. In this old, universally accepted
interpretation, our autonomic nervous system vacillated between states
of stress and relaxation.
However, problems arise when we get stuck in a stress state even when
the threat or danger has passed, perhaps because our work or lifestyle
is continually stressful. For many decades, chronic stress has been
recognized as a health problem, with an enormous amount of scientific
research devoted to understanding the harmful effects of long-term stress.
Attempts to treat and manage chronic stress spawned a widespread
movement on the part of health-care practitioners, who wrote (and
continue to write) a vast number of popular articles for a general audience
in newspapers, magazines, books, and blogs. The pharmaceutical industry
also began to provide a wide range of anti-stress drugs that have netted
the corporations handsome profits as the use of these medications has
soared. Yet, in spite of all these resources, many people continue to feel
that they have not been helped sufficiently. They still feel stressed. Many
believe that our society is getting more and more stressful every year, and
that individuals are more stressed out as a result.
Perhaps the problem is that we have been using the wrong map. With
the old understanding of the autonomic nervous system, we have not yet
been able to find truly effective methods of stress management.
Like almost everyone working in the medical world and the alternative-
therapy scene, I shared existing beliefs about the way that I thought the
autonomic nervous system worked. Every day in my clinical practice,
I used what I had learned about the old stress/relaxation model of the
autonomic nervous system. The fact that my treatments worked served as
a confirmation that this understanding of the autonomic nervous system
was correct.
I enjoyed passing on what I had learned to students who wanted
to acquire the various skills of body therapy that I had been using
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successfully. I taught the old model of autonomic nervous system function
in all my courses in body therapy. As my classes filled, I founded a school,
the Stanley Rosenberg Institute in Silkeborg, Denmark. In 19931 invited
a few of the therapists I had trained to teach some of the introductory
courses so that 1 could concentrate on teaching the more advanced
courses. Eventually other teachers took over the more advanced courses
as well.
The specialty of our school was craniosacral therapy, which has its
origins in the work of William Garner Sutherland (1873-1954), an
American osteopath and the founder of osteopathy in the cranial field
(OCF). (Osteopaths in the United States are licensed, with the same
basic training and privileges as medical doctors.) While exploring dried
cranial bones in an anatomy dissection lab, Sutherland found that he
could fit the sawtooth edges of adjacent cranial bones together—but he
noticed the possibility of slight movement between two adjacent bones.
At the time, the belief was that if something existed in nature, there
must be a reason for it. Sutherland postulated that the movement of the
bones facilitated circulation of the cerebrospinal fluid, and he gathered
techniques into what has become "craniosacral therapy."
CRANIAL BONE MOVEMENT
The cranial bones are held together by a system of elastic membranes
that allow for slight movement between the individual bones. When
Sutherland carefully palpated the bones of his patients' skulls, he was
able to sense a slight but perceptible movement of the individual bones
of the cranium in relationship to each other.
Sutherland noticed that many of his patients with medical problems
originating in their nervous systems had restricted movement between
the bones of their cranium. By releasing some of those tensions, he felt
that the subtle movement of the bones was increased. This approach
enabled him to help several of his patients with a wide variety of health
issues that had not been helped by the usual medical treatments of
medicine or surgery.
made
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Whereas medical doctors tend to prescribe medicines to treat stress
and other medical conditions, the craniosacral approach is a hands-on
therapy that has proven to be particularly effective in improving the
function of the nervous system. It can reduce chronic stress, release
tensions in the muscular system, and bring better balance to the hormonal
(endocrine) system. Sutherland developed therapeutic techniques in three
areas: 1) releasing tension in the membranes; 2) releasing restrictions
between the individual cranial bones; and 3) improving the flow of the
cerebrospinal fluid.
THE BRAIN-BODY BARRIER
There is a physical structure made up of epithelial cells that envelop the
brain and spinal cord. These cells form what is called the blood-brain barrier.
There is no direct circulation of blood directly to the neurons of
the brain and spinal cord. Instead, the tissues of these structures are
surrounded by colorless cerebrospinal fluid, which circulates to deliver
necessary nourishment to the cells of the brain and spinal cord and to carry
away waste products of cellular metabolism before returning to the blood.
The cerebrospinal fluid is found in small amounts in the blood
throughout the entire body, but it is finer than the rest of the blood. It
contains no red or white blood cells, and fewer impurities than blood.
In the brain the cerebrospinal fluid is filtered out of the blood and
circulates through the cranium in the spaces surrounding the brain
and spinal cord. After circulating around the brain and spinal cord, the
cerebrospinal fluid returns to the jugular veins, where it rejoins the blood
returning to the heart from the rest of the body. Then it is circulated from
the heart and freshened by the lungs and kidneys.
The blood supply to the brainstem and the nerves arising there is crucial
to the function of the five cranial nerves whose function is necessary for
the state of social engagement, which includes the ventral branch of the
vagus nerve.
Removing restrictions to this blood supply is at the core of successfully
improving the function of the ventral branch of the vagus nerve and the
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other four cranial nerves necessary to social engagement. Some of the best
ways to achieve this are found in the domain of craniosacral osteopathy.
For decades, craniosacral education was the exclusive domain of
osteopathic physicians. They traditionally restricted attendance in their
courses to licensed osteopaths and students enrolled in osteopathic
medical schools. However, some of the hands-on disciplines were
eventually taught to non-osteopathic physicians and students. Because
many of those techniques were so effective, an eager market for them
developed among practitioners of alternative and complementary
therapies.
One American osteopath, John Upledger, broke with tradition
and began teaching craniosacral techniques to non-osteopaths. Much
of the focus of Upledger's work was on unwinding the tension in the
membranes. He founded the Upledger Institute, where I took my first
course in craniosacral therapy in 1983. Craniosacral therapy has now
become popular with alternative therapists all over the world.
In 1995, after I had been successfully practicing what I had learned
from the Upledger Institute, I went on to study with Main Gehin, a French
osteopath who specialized in biomechanical craniosacral therapy. His
focus was on releasing tension in the connective tissue spanning adjacent
cranial bones, thereby allowing them to move more freely.s
A few years after that I took introductory courses in biomechanical
craniosacral therapy, which focuses on increasing the circulation of
the cerebrospinal fluid. All three approaches have the same goal that
Sutherland espoused—to improve the function of the craniosacral system.
MY OWN CLINICAL PRACTICE
In my own practice I preferred biomechanical craniosacral therapy, which
reminded me of my work with Rolfing. BC' is specific; it helped me find
the exact places in the cranial joints that needed releasing and provided
me with more than 150 specific techniques to release these tensions. This
powerful approach often effectively restores the function of the cranial
nerves in a short period of time.
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In my clinic, in addition to treating clients with craniosacral therapy,
I gave individual sessions in Rolfing, which balances the myofascia
(myo- means "muscle"; fascia refers to connective tissue). I also offered
sessions in visceral massage to improve the function of the digestive and
respiratory systems. As I worked with techniques from these various
modalities, I observed changes in the client's nervous system in terms of
stress and relaxation during the course of a hands-on treatment.
My work with patients was extremely successful. As time went on,
more and more people wanted to learn my techniques, and the Stanley
Rosenberg Institute grew to employ twelve teachers working on a part-
time basis. Courses were taught in Danish. In Denmark alone we educated
several hundred students over several years. These therapists in turn
treated thousands of patients. My reputation spread beyond the borders
of Denmark, and I taught in several other countries as well.
The idea of the two-state (stress and relaxation) function of the
autonomic nervous system played a prominent role in our curriculum. I
taught about it in my classes on craniosacral therapy, visceral massage, and
connective-tissue release. Together with an American neurologist, Ronald
Lawrence, MD, I even wrote a book, Pain Relief with Osteomassage,‘ about
pain relief and hands-on treatment, based on this interpretation of the
autonomic nervous system.
When I first heard Stephen Porges lecture about his Polyvagal Theory
in Baltimore in 2001,1 had been working successfully with body-oriented
therapies for almost thirty-five years. Porges's theory, however, was right
up my alley, and it gave me a whole new outlook on the autonomic
nervous system. This in turn gave me a new and more effective way to
help my patients.
Porges's Polyvagal Theory brought about a revolutionary advancement
in my understanding of the autonomic nervous system. According to this
theory, five cranial nerves (CNs) must function adequately in order to
attain the desirable state of social engagement. These five nerves are CN
V, VII, IX, X, and XI, and they all originate in the brainstem.
Before I heard Porges speak, I had studied anatomy with Professor
Patrick Coughl
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