📄 Extracted Text (600 words)
"Crystalline elemental force"
NEW IN THE ARCHIVE: KIRILL PETRENKO CONDUCTS MOZART AND
TCHAIKOVSKY
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(Photo: Monika Rittorshaus)
Rarely does the public look forward to a concert with such anticipation and
expectations as it did for the recent appearance by Kirill Petrenko: his first
guest appearance with the Berliner Philharmoniker since the orchestra
elected him their future chief conductor in 2015. The evening had an
auspicious start: "The control with which every tone detail unfolded and a
musically downright explosive tension brought the audience to their feet
even after Mozart's Haffner Symphony" (Suddeutsche Zeitung). John
Adams's moving American civil war lament The Wound-Dresser with
baritone Georg Nigl was then followed by Tchaikaysky's Pathetique. "The
Philharmoniker unleash a power that drives into every register, clear and
implacable, polyphonic and inevitable. Petrenko sweeps all sentimentality
from the score. And suddenly it is there, a descent into hell of crystalline
elemental force, harshly dragging our hopes and expectations along with it —
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and only in doing so, opens our ears to the volatile miracle of music" (Der
Tagesspiegel). The audience responded with standing ovations and cheers
as are not experienced every day — even in the Berlin Philharmonie.
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Disturbingly intense p
NEW IN THE ARCHIVE: SIMON RATTLE CONDUCTS 'SLUEBEARD'S
CASTLE"
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HK Gruber lives up to his reputation as a composer of witty, rhythmically
complex and masterfully orchestrated works in his First Piano Concerto,
whose German premiere was given here by Sir Simon Rattle and Emanuel
Ax. The second part of the concert continued with Bola Bartok's only
opera, Bluebeard's Castle, a showpiece for Sir Simon and the Berliner
Philharmoniker. The Frankfurter Allgemeine Zeitung wrote about the
singers: "Shaham as Judith, a soprano gifted with translucent top notes and
an almost unbelievable, even uncanny lower register, was all charm and
curiosity in her questions and demands before becoming stubbornly
determined. Bretz as Bluebeard fulfils her wish to unlock all the chambers of
his past with generosity and an almost pitiful concem for her well-being. A
fantastic singer, with natural diction and distinctive, disturbingly intense
vocal colouring!"
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Fabulously beautiful p
NEW IN THE ARCHIVE: 'LATE NIGHT" CONCERT WITH SIMON
.tATTLE AND MAGDALENA KO2ENA
In this Late Night concert, the wonderful mezzo-soprano Magdalena Koiena
sang Maurice Ravel's fabulously beautiful Trois Poems de Stephane
MaHanna for voice and chamber ensemble, plus Luciano Berio's Sequenza
Ill, full of vocal acrobatics and comedic effects. The latter is part of a
fourteen-part cycle of virtuoso solo pieces that have been performed
regularly in recent years by members of the Berliner Philharmoniker. The
final work in this atmospheric programme was Berio's Laborintus Il, in which
the Italian avant-gardist brings recitation, singing, electronic and
instrumental music together to create in an intriguing, Dante-referenced
montage. The young musicians of the Orchestra Academy of the Berliner
Philharmoniker played under the direction of Sir Simon Rattle.
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concerts are broadcast live and are also available as recordings in a video archive a few days later.
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