EFTA01197871.pdf

already have legs, so why clutter a table with more. His granite table, opposite page, is built into the floor. The cabinetry is mahogany veneer, with panels of textured glass on the island. this page. a portion of the wall, covered in seagrass with a mahogany frame, servos as a headboard. Sources, see back of book. stucco has been made to do everything effect is that of a collage of improbably small tbssils in his client's apartment, he it is capable of, and then some. harmonious elements, and although it paid attention. After the house was From exterior to interior, the spaces may sound hectic, it is anything but. finished, they went in starch of larger are unusual and D'Urso's decisions about Dramatic, yes, but calm and classical, fossils, eventually obtaining the huge them surprising. The external doors arc almost as if you were being commanded palm frond, the fish, and the reptile that of different heights; the interior and to stop and contemplate in these are hung like paintings on the walls. As exterior walls don't line up with a hori- rooms —which, in fact, you are. you climb the stairs next to the fossilized zon, as architects like them to; the mix- D'Urso has listened carefully to his school of fish, you move, they stem to ture of textures and materials is different client. He may have had the kitchen move, and the volumes of space move in every room; and the height often table built into the floor to make sure no around you. A man whose primary inter- changes abruptly through a space, giving slacker moves it from its perfectly posi- est is nature could not have a more each room its own identity. The overall tioned ocean view, but when he saw some responsive environment. crw HOW< Cnilitifll . D EC C.It '999 EFTA01197871