Candace Owens Just CONFIRMED Our Fears — How Charlie Was USED Is HORRIFYING

[00:00:02] Let's go. [00:00:05] Let's get into it. Happy Thursday, [00:00:07] everybody. Good morning to the morning [00:00:10] shift. What's going on, guys? Hope you [00:00:13] guys had a great night, great sleep. [00:00:15] Hope you're getting to wherever you got [00:00:16] to go. Or maybe you're blessed and you [00:00:18] don't even have to leave the house right [00:00:20] now or anything. That's incredible. Um, [00:00:23] let's just jump right in. We're going to [00:00:25] be covering some stuff today. Uh, I [00:00:27] can't wait to hear more. Actually, it's [00:00:30] Thursday. Yeah. So, we're going to have [00:00:32] one more Candace. She's not going to be [00:00:34] there on Friday, just in case anybody is [00:00:35] unaware. She's not going to be there on [00:00:37] Friday, but I can't wait to hear what [00:00:38] she has to say in a few hours after this [00:00:41] comes out. Cannot wait. And I will be [00:00:44] there for the night shift. And then [00:00:46] since there's no Candace episode on [00:00:49] Thursday or sorry, Friday, there's not [00:00:51] going to be a night shift episode. [00:00:52] Saturday, Sunday, no night shift. And [00:00:54] then we get back to it on Monday. And I [00:00:57] do that just for like sanity sake. And [00:00:58] you know sometimes I should I should [00:01:00] probably be a husband, right? I should [00:01:02] probably be a father. I try to do that [00:01:04] quite a bit. But uh let's just jump in [00:01:06] guys. Uh we got this that we're going to [00:01:08] be covering. Megan Kelly in serious [00:01:09] trouble. Signs of often. Now maybe I [00:01:12] should do this. Maybe I should give [00:01:13] people a little ledger here. Often. [00:01:16] First comes Mortal Kombat Ultra. Right. [00:01:19] Mortal Kombat Ultra. You get that? [00:01:22] Combat spelled with a K. Okay. So first [00:01:24] came that. Then after that got ended, [00:01:29] they came out with often, right? That's [00:01:33] what that is because some people are a [00:01:35] little uh not knowing what that is. And [00:01:37] also, and it probably won't be mentioned [00:01:38] in this episode, but there's a place in [00:01:41] the Middle East, okay? It's a little [00:01:43] place and you're not allowed to talk [00:01:45] about it and I call it Philadelphia. [00:01:48] Just to put that out there. Uh some [00:01:50] people are still not getting it, but uh [00:01:52] there you go. Okay. There's there's some [00:01:54] breadcrumbs for you. And for those of [00:01:56] you that don't need the breadcrumbs, you [00:01:58] probably need some mints instead. Let's [00:02:01] jump right. [laughter] [00:02:04] Somebody made this. I can't fit it all [00:02:06] in here. I can't fit it all in. But they [00:02:08] made this. And it says, "I would like to [00:02:10] mentor up this moment to remind [00:02:13] everybody that I have some mints." There [00:02:15] you go. [laughter] [00:02:18] That's amazing, too. Look at it. Like, [00:02:20] that's his exact face holding the mints [00:02:22] like that. I mean, it's getting really [00:02:24] out of hand, this whole thing being able [00:02:26] to do this with pictures. It's getting [00:02:27] wild. And I said, I need a mint [00:02:29] sponsorship. We got to make this happen, [00:02:31] guys. Reach out to Mentos, Altoids, you [00:02:36] know, I'll even do some Excel. I seen [00:02:38] Excel gum. I'll do some Excel. Reach [00:02:41] out, guys. Those red and white mints [00:02:44] that you get in hotels and stuff like [00:02:46] that. I don't know who you guys are, but [00:02:48] hit me up, man. I I got I got an [00:02:51] audience that loves mints. Y [laughter] [00:02:54] could you imagine if I get a Mint [00:02:56] sponsorship? I'm for sure going to be [00:02:57] like, "Hey guys, what's going on? Y'all [00:02:59] know that I just love some mints. I even [00:03:02] hired a mint girl, okay?" And she comes [00:03:04] up to me. She's an angel. Husband named [00:03:06] Angel. Three kids named Angel, Angel [00:03:08] Junior, and Angel number three. And they [00:03:11] all bring me mints. And I love these [00:03:13] mints right here. These are the mints [00:03:14] that I ask them to bring me every day. [00:03:17] [laughter] I'll do that. I will do that. [00:03:20] Okay. There's a check attached. I do it [00:03:22] for free already. Okay, I could do that [00:03:25] for another five minutes. I don't think [00:03:27] people would like it, but uh shout me, [00:03:30] shout out, shout out. Tag me, tag any [00:03:32] mint company. We're ready to go. We're [00:03:34] ready to go. [snorts] Anyway, just to [00:03:37] touch on this really quick before we get [00:03:38] into the Megan Kelly stuff. People are [00:03:40] saying Tom Brady and Erica Kirk are [00:03:41] dating. There is absolutely no possible [00:03:44] way that that is happening. I do not [00:03:46] believe it. I will not believe it. That [00:03:48] can't be true. It just cannot be true. [00:03:51] Listen, I'm I'm not gonna [00:03:53] [clears throat] say I'm not gonna say [00:03:56] that it's above turning point to do [00:03:58] something like this because they've had [00:04:00] many PR foibless. Let's just say being [00:04:04] charitable here. They've had some [00:04:06] foibless here and there, but I do not [00:04:09] think that they would allow something [00:04:12] like this to happen and to be known. I [00:04:14] just there's no way. If it's true, it's [00:04:18] going to be the craziest thing ever. I I [00:04:19] can't believe it. But I doubt that [00:04:21] that's actually true. Just in case you [00:04:23] guys hear that, just know that I already [00:04:25] heard it. And I do not do not believe [00:04:27] it. Now, let's jump into the Megan Kelly [00:04:29] stuff. Um, let me just make sure my kid [00:04:33] wrote all over my notes. There it is. 1 [00:04:36] hour, 5 minutes, Tucker Carlson, Megan [00:04:38] Kelly. This is where Megan Kelly is [00:04:40] really shouting out for help honestly [00:04:42] because Megan Kelly is going through [00:04:45] some stuff and she sounds exactly [00:04:48] exactly like Charlie did when Charlie [00:04:51] had his whole thing going on when he was [00:04:53] on her show. She's saying pretty much [00:04:55] the exact same thing. And that tells me [00:04:57] that she's in some serious trouble right [00:04:59] now and people shouldn't be taking this [00:05:00] lightly. Let's jump in and listen. [00:05:02] >> Here Colombia either boycott Israel or [00:05:05] the campus gets it. Get out. Get out of [00:05:07] here. Right. I have no problem with any [00:05:09] of that. I've gotten notes from all like [00:05:12] all of these people, dear friends of [00:05:14] mine over the past two years. Thank you [00:05:15] so much. You make me and my family feel [00:05:17] safer. These are pro [00:05:19] >> Philadelphiaish [00:05:21] friends of mine in the media. You make [00:05:24] me and my family feel safer. I love you. [00:05:26] My family loves you. God bless you. [00:05:28] Thank these same people have now turned [00:05:30] on me and some are calling me an anti [00:05:33] >> Philadelphia. [00:05:35] Why? What did I say? What did I do? Did [00:05:37] I step on a rake and say something super [00:05:39] anti [00:05:40] >> Philadelphia [00:05:41] >> without realizing it? No. It's because I [00:05:44] won't deffriend you and I won't condemn [00:05:49] and say that Candace Owens is hateful. [00:05:53] They want me really, really badly to [00:05:55] condemn Candace Owens. And I'm sorry to [00:05:57] break it to them, but I am responsible [00:06:00] for what I say, not for what anybody [00:06:02] else says. I am not Candace Owens's [00:06:04] policeman. And by the way, they're [00:06:07] kidding themselves that if just one more [00:06:09] voice will say something nasty about [00:06:11] Candace, she can finally be controlled. [00:06:13] Like, how well has that worked so far? [00:06:15] But again, the instinct is to to stop [00:06:17] her. Stop her speech. Stop it. Make her [00:06:20] stop it. Make Tucker stop saying the [00:06:22] things. Well, I have no desire to and I [00:06:26] have no power to. And for that I was [00:06:29] called a coward by Ben Shapiro at the [00:06:32] Turning Point event Amfest in December. [00:06:35] Who by the way in my last exchange with [00:06:37] him literally said our friendship his [00:06:41] and mine is too important to both of us [00:06:44] to make it depend on who else whom else [00:06:48] we are friends with and aren't friends [00:06:50] with. That is literally the last text I [00:06:52] have from Ben Shapiro. The next thing I [00:06:54] knew he was standing on the stage at [00:06:56] Turning Point calling me a coward for [00:06:58] this very thing. So it there I am [00:07:01] convinced now more than ever that there [00:07:03] is a crew for whom everything revolves [00:07:05] around is [00:07:06] >> Philadelphia [00:07:08] that friendships don't matter. Love [00:07:10] relationships don't potentially matter. [00:07:13] What the only thing that matters is [00:07:15] whether you are standing up for is [00:07:17] >> Philadelphia [00:07:19] >> or not. And on top of that, you can even [00:07:21] stand up for [00:07:22] >> Philadelphia [00:07:23] >> as I have. You also must not just [00:07:27] condemn but deffriend befriend anyone [00:07:30] who is raising questions about is [00:07:32] >> Philadelphia. [00:07:34] >> It's important that that other person be [00:07:36] exised from polite society, be [00:07:38] ostracized, that you join us in our [00:07:41] messaging to tell the world that they're [00:07:42] terrible, they're evil, that they should [00:07:45] be out of polite society. And no, no, [00:07:48] we're not calling for cancellation. We [00:07:49] No one's calling for cancellation or [00:07:51] deplatforming. Just stop. That's not [00:07:52] what we're doing. We just don't want [00:07:53] them ever to appear at a Turning Point [00:07:55] event again. We just don't want them [00:07:57] ever to be invited to CPAC. We just [00:07:59] never want to see them at a White House [00:08:00] event. We just never want ever to see [00:08:03] them platformed on your show, which is [00:08:05] independent in the digital lane. [00:08:06] Absolutely not. So, it's fine. They they [00:08:08] technically they can exist in the ether [00:08:09] with a microphone. That's fine. We're [00:08:11] not we're not anti-free speech, but we [00:08:13] just need to pressure and cancel [00:08:14] everyone around them for continuing a [00:08:17] relationship with them. And it's [00:08:19] absolutely disgusting. I heard you say [00:08:22] this not long ago and I completely [00:08:24] related. I'd rather die than do that. [00:08:27] I'd rather die than do that. And now [00:08:29] that they've made that the stakes of my [00:08:31] so-called friendships with them, I [00:08:34] really won't do it. Now I I don't now I [00:08:36] don't care what anybody says. Like I'll [00:08:38] never do it [laughter] now. Even if I [00:08:40] have actual disagreements that I [00:08:42] otherwise would raise, hell no. because [00:08:45] I'm not raising the fist and saying BLM [00:08:48] at the table and I'm not bending the [00:08:50] knee to these bullies who think they can [00:08:53] control me. [00:08:55] >> Wow, man. I'm telling you, man. She was [00:08:58] she was just sitting with Charlie and [00:09:00] shout out to her for saying that because [00:09:02] I mean in the in the temperature I mean [00:09:05] you saw Candace. Candace said if [00:09:07] anything happens to me or Tucker. Well [00:09:09] now you got to put Megan in there as [00:09:11] well because she's saying the same thing [00:09:14] same type of things that Candace says. [00:09:16] Won't be bullied. Won't be pushed into a [00:09:17] corner where I have to say this. Tucker [00:09:20] saying the exact same thing. Charlie was [00:09:22] saying the exact same thing in August. [00:09:26] The exact same things. sitting down with [00:09:28] Megan saying the exact same thing that [00:09:30] I'm getting these messages and people [00:09:32] who were my friends are now messaging me [00:09:34] not sending tweets not not lifeless bot [00:09:38] accounts actual people that they know [00:09:40] that they consider friends messaging [00:09:42] them on their phones [00:09:45] saying the same thing that Charlie said [00:09:47] that his moral character was in question [00:09:51] that he's not being a team player [00:09:55] Charlie didn't understand and Megan [00:09:56] agreed with him when he was on the show [00:09:58] where he said, "I am an American." He [00:10:01] goes, "What sides are there?" Like, [00:10:03] "What are you talking about?" And now [00:10:06] Megan's saying the exact same thing. [00:10:08] She's getting the exact same pressure. [00:10:10] And that really needs to be examined. [00:10:11] Yes, Charlie was more powerful. I mean, [00:10:14] I think that's pretty obvious, [00:10:16] especially with everything we've been [00:10:17] going through in the show. Charlie was [00:10:19] clearly more powerful, but still still [00:10:22] it's it it shouldn't be taken lightly [00:10:25] when she starts saying this and when [00:10:26] these attacks start happening. You know, [00:10:29] it's even the same the same players [00:10:33] the same players [00:10:35] are even uh attacking Megan. It's the [00:10:39] exact same people. Candace is an obvious [00:10:42] lunatic and Tucker is anti-western [00:10:44] civilization stoogge. Why does Megan [00:10:47] make her bed with them and with Tucker [00:10:50] in particular? You know what I mean? [00:10:52] Like saying things like that, [00:10:54] positioning it so she is the other. She [00:10:57] is the one that can't be trusted. [00:11:00] And again, these are the same people, [00:11:02] this Josh Hammer type. These are the [00:11:04] same people who will look around at [00:11:07] people like Tucker and Candace and this [00:11:09] and that and say, "Oh my gosh, these [00:11:10] this is the woke right. These are [00:11:12] actually these are leftists in [00:11:14] disguise." while he is doing the exact [00:11:17] left-leaning thing that we've seen done [00:11:20] over the past what five years I mean [00:11:22] longer for people who are older and [00:11:23] tuned in much longer but you know for us [00:11:27] a lot of younger people I know a lot of [00:11:29] people probably in their 20s maybe even [00:11:31] early 30s you probably started picking [00:11:33] up on this around 2019 up until today [00:11:36] seeing these tactics at play it's when [00:11:39] we started filming a lot of protests and [00:11:41] you'd see the people and how they were [00:11:43] all kind of in this like group thinking [00:11:46] type of way. And now he's doing they're [00:11:48] doing the same thing. Ben Shapiro is [00:11:50] doing it to her. Laura's doing it to [00:11:53] her. A bunch of these so-called [00:11:54] journalists are doing the same thing to [00:11:56] her and they were doing the same thing [00:11:57] to Charlie. And then when Charlie passed [00:11:59] away and Candace has talked about this, [00:12:01] all of them were like, "We love Charlie. [00:12:03] We love them so much." All of them. [00:12:05] Ben's like, "I have to speak at Turning [00:12:07] Point. We're gonna pick up that [00:12:09] microphone." [00:12:11] And they would do the same thing to [00:12:12] Megan. they would do the exact same [00:12:14] thing to make it. So, shout out to her [00:12:16] for actually saying that. And uh and [00:12:19] yeah, it's uh it's not a joke. I know we [00:12:22] got Tucker laughing there, but it's not [00:12:24] a joke. It's it's it's wild. It's the [00:12:27] same thing Charlie was saying. And [00:12:29] Charlie didn't get it. Charlie was [00:12:31] getting all this pressure. [00:12:33] So, what kind of pressure is she [00:12:34] getting? This is behind the scenes. I [00:12:36] mean, this is what she's willing to say [00:12:37] in public. That's why it's great. But [00:12:40] what are these people saying to her? [00:12:43] These people who were supposed to be her [00:12:44] friends all because she won't condemn [00:12:46] two people. Charlie got the same thing [00:12:49] in regards to Candace. People were like, [00:12:50] "Are you friends?" And he was like, "I [00:12:52] won't be I won't be morally blackmailed [00:12:53] into not being friends with somebody." [00:12:55] And he said, he's like, "We're still [00:12:56] friends. We're still good." He's like, [00:12:58] "I don't like being morally blackmailed. [00:13:00] It's not going to happen." And then he [00:13:02] when he was gone, they they took hold of [00:13:04] even his thought processes and said, [00:13:06] "No, they weren't friends." There was a [00:13:08] quiet divorce. That guy I said on uh [00:13:11] Patrick Bet David's podcast, there was a [00:13:13] quiet divorce. Divorce. They didn't see [00:13:15] each other. I can tell you she hasn't [00:13:17] been on tour in years. Then people [00:13:20] pulled up the clip. She was on tour with [00:13:21] Charlie eight months prior. [00:13:24] It's just nonsense. [00:13:27] Or in 2024, I believe she was on tour [00:13:29] with them. You know, it was just it's [00:13:32] just crazy. Absolutely crazy. So, [00:13:36] I don't even know what to say, but you [00:13:38] know, I I uh I would keep an eye. [00:13:41] There's not much we can do. Someone [00:13:43] asked me yesterday, "What can you do [00:13:45] with what Candace said about her and [00:13:46] Tucker?" There's nothing you can do. All [00:13:48] you can hope is that these people take [00:13:49] some of their money and just, you know, [00:13:51] get security. That's it. You know, [00:13:54] hopefully hopefully she's making the [00:13:56] connection that she is saying she is [00:13:58] going through the exact same thing that [00:14:00] Charlie was going to going through. And [00:14:03] yes, she believes the the uh the [00:14:05] official narrative. She's made that very [00:14:07] clear. [00:14:09] Um but [00:14:11] maybe that's starting to change as she [00:14:14] starts to get these type of uh I don't [00:14:17] even know what to call it. This type of [00:14:18] pressure. It's funny. I said that [00:14:21] Philadelphia wouldn't even be mentioned. [00:14:22] I said that at the beginning. [laughter] [00:14:25] I have all the time stamps of when [00:14:27] Philadelphia is going to be mentioned [00:14:29] and you saw them for sure. Anyway, let's [00:14:32] jump into it. We're going into another [00:14:33] topic here. Signs of often. Now, I was [00:14:36] talking about this. Uh, you know, I've [00:14:39] been talking about this. You guys know [00:14:41] I'm I'm harping on this cuz this is and [00:14:43] and honestly, I have to just shout out [00:14:45] somebody who said often. I saw them in [00:14:47] the comments just before I started this. [00:14:48] They said often is not a real thing. Um, [00:14:51] according to the 1977 [00:14:54] Senate hearing where they literally talk [00:14:57] about it and discuss what its operations [00:14:59] were, that says different. This is [00:15:03] actually a thing. When I when I'm [00:15:05] describing it to you guys, I'm not doing [00:15:07] it based on my own saying. I'm taking [00:15:10] it. One is from somebody who is who's [00:15:12] actually a part of the agency at one [00:15:16] point. He gives an interview with Jesse [00:15:17] Michaels where he talks about it, but [00:15:20] the rest of it is directly from the [00:15:22] Senate hearing. All the description, [00:15:24] that's where it's from. So, I get it. [00:15:26] Maybe you're just like, I don't know, [00:15:28] there's a guy on a screen. I get it. I [00:15:31] get it. But that's where the information [00:15:33] is coming from. Now, talking about signs [00:15:35] of often, because I'm trying to make [00:15:36] this uh more interesting to you guys, [00:15:39] make it make it make more sense. the [00:15:42] signs of often, you know, we have and I [00:15:44] had to write this down, but I know this [00:15:47] already. I've watched this happen for [00:15:48] the longest time. I just didn't connect [00:15:50] it to often. Now, um, [00:15:55] celebrities, musicians, they're worked [00:15:58] up, and you see this all the time. [00:16:00] They're worked into deities, right? We [00:16:02] make them these grandiose figures, these [00:16:05] huge unattainable figures. They are high [00:16:09] up, we are below, right? Even if it's a [00:16:12] concert, they are up. I said it before. [00:16:14] They have the microphone. You do not. [00:16:16] They have the talent. You do not. They [00:16:19] have the fame, the fortune, all of the [00:16:22] accolades, all of the the the the [00:16:24] cameras. You do not. Right? There's a [00:16:28] reason for that, right? That's why [00:16:30] social media disrupted so much cuz all [00:16:32] of a sudden some guy could just be like, [00:16:33] "Hey, what's up?" And then all a sudden [00:16:34] he's he's becoming famous. Wasn't [00:16:37] supposed to be like that before. There [00:16:38] was a there was a gate. funny that [00:16:40] there's a program called gateway. Um, [00:16:42] but there was a gate and only so many [00:16:45] people could go through the gate and as [00:16:47] you went through the gate there was a [00:16:48] certain process that you had to go [00:16:50] through. There's a certain type of [00:16:51] person and personality you had to uh be [00:16:54] and there was a certain amount of things [00:16:57] you were supposed to let happen to [00:16:59] yourself before you became that famous [00:17:02] person. That's why social is disrupted. [00:17:04] But believe me when it comes to the [00:17:06] social media aspect and the fame there [00:17:08] now there is that same gate that has [00:17:10] been created a and there's only so many [00:17:13] people right that's why you see uh [00:17:16] that's why you see the people it's funny [00:17:19] how the people who are super like A-list [00:17:21] celebrities and the people who are just [00:17:24] just these independent social media [00:17:27] creators it's funny how they all have [00:17:29] the same narrative they all do the same [00:17:31] things then when you look deeper they're [00:17:33] all at the same parties. Then when you [00:17:35] look really deep, they all have the same [00:17:38] uh they all have the same type of [00:17:39] management. They all have the same type [00:17:41] of PR. They all have the same managers [00:17:43] and agents. And then you're like, "Oh, [00:17:46] okay. Makes sense. It's a big club. [00:17:49] We're not in it." But just to touch on [00:17:52] this more, their movies and concerts, [00:17:54] they create them into like these godlike [00:17:57] godlike figures, right? Um, Tom Cruz is [00:18:01] somebody who can do incredible stunts [00:18:03] and apparently he does them himself. I [00:18:05] mean, just because he believes that he's [00:18:07] this he literally based on what he [00:18:09] believes. He believes he's this like [00:18:12] this super super like a superhero. He [00:18:14] believes he's like a superhero [00:18:16] basically, right? He believes he is from [00:18:18] Krypton. He's been placed here to give [00:18:21] us all the most beautiful movies ever [00:18:23] created. Um, it's very weird. [00:18:27] So this is how all of them operate, [00:18:29] right? This is how all of this is what [00:18:31] how all of them are positioned in this [00:18:34] role of uh of being these huge [00:18:37] creatures. And then I say creatures [00:18:40] Freudian slip. What I really think about [00:18:42] them came out for a second. [laughter] [00:18:44] Uh [00:18:45] but in a sense they they program us with [00:18:48] the movies, right? And when I say that, [00:18:51] I mean there's a lot of stuff that [00:18:54] happens in movies that becomes common [00:18:57] knowledge, right? There's a lot of [00:19:00] music, there's a lot of scenes, there's [00:19:03] a lot of situations even, you know, [00:19:05] whether it's like a romcom type of, you [00:19:08] know, romance comedy. Uh there's certain [00:19:10] things that we just know happen in [00:19:12] certain situations and we get that from [00:19:15] movies, right? If you're like my age, if [00:19:17] you're like in your late 30s, there's [00:19:19] probably a lot of things that you [00:19:20] learned in the world from the Simpsons [00:19:23] and you didn't learn it directly from [00:19:25] there, but it was like kind of etched in [00:19:27] your mind from the Simpsons. I'm sure if [00:19:29] you like went into some things, you [00:19:31] could think of all the things that are [00:19:33] world events or happenings that you [00:19:36] start learning from the Simpsons. That's [00:19:37] just like one example of it, right? [00:19:40] Because when I speak about often there [00:19:42] is programming a foot in this whole [00:19:44] thing and right now I'm just talking [00:19:46] about Hollywood movies actors but we can [00:19:49] even take it a step further right they [00:19:52] mold our realities these movies these [00:19:55] people they mold our realities now let's [00:19:58] even just get into something even [00:20:00] weirder okay I found this video [00:20:02] apparently and this makes perfect sense [00:20:05] if you ever watch a concert [00:20:08] uh Sam Smith like go check out a clip [00:20:10] from a Sam Smith concert. Okay, go check [00:20:13] out a clip from a Taylor Swift concert. [00:20:16] Go check out uh Oh, perfect example. The [00:20:20] guy's name is Little Uzi Vert. Check out [00:20:23] something from his concert. You know, [00:20:26] he's literally on stage saying, you [00:20:28] know, you guys, this is the rapture. You [00:20:29] guys are all going to hell with me. You [00:20:31] You're here. There's no going back. [00:20:33] You're already here. And it's like, wow, [00:20:35] just so out in the open. But if you [00:20:37] watch these concerts, you start to see [00:20:39] that there's a ritual type of theme [00:20:42] throughout them. Madonna, you can see [00:20:44] this. Um, there's so many. If you just [00:20:47] watch the concerts, and don't watch them [00:20:49] for too long. I don't want you to get [00:20:51] any type of amnesia because that's what [00:20:53] we're moving on to right now. [00:20:55] Apparently, people are experiencing this [00:20:57] wild phenomenon when it comes to Taylor [00:20:59] Swift and they used to experience it [00:21:02] with Michael Jackson as well. But listen [00:21:04] to this. Now imagine paying hundreds of [00:21:06] euros to see your favorite artist in [00:21:09] concert only to get home and realize you [00:21:12] can't actually remember their [00:21:13] performance. It might sound crazy or at [00:21:15] least quite unusual, but since the start [00:21:18] of Taylor Swift's tour, that is [00:21:20] precisely what some fans say has been [00:21:23] happening to them. It's a phenomenon [00:21:25] called transient global amnesia. And to [00:21:28] tell us a bit about it, our science [00:21:30] editor Julia Seager is with me in the [00:21:31] studio. Julia, first of all, what are we [00:21:33] talking about here? Hi, Nadia. Uh, so [00:21:35] indeed it did happen to French fans, but [00:21:37] also fans in the in the United States [00:21:38] and tickets there are thousands of [00:21:40] euros. Um, but they're called Swifties, [00:21:43] right? The the Taylor Swift fans, and [00:21:44] they all reported not being some of them [00:21:46] reported not being able to recall Taylor [00:21:48] Swift's performance during the Aerys [00:21:49] tour. Now, some don't remember the color [00:21:51] of her outfits or choreographies, but [00:21:53] for others, it's a total blackout. They [00:21:55] don't remember some entire portions of [00:21:57] her show, but they always vividly [00:21:58] remember whatever happened before the [00:22:00] show or after the show. Now the [00:22:02] phenomenon was so widespread that uh a [00:22:04] psychiatrist from New Jersey decided to [00:22:06] investigate these fan testimonies and [00:22:08] she even published a re a research paper [00:22:10] and she believes it is the syndrome [00:22:12] called transient global amnesia which is [00:22:14] characterized by a temporary loss of [00:22:17] memory. So it's actually due to an [00:22:19] overload of excitement and stress. So it [00:22:22] overwhelms the brain which makes it [00:22:24] unable to encode uh memories if you [00:22:27] will. So [00:22:29] >> excitement and stress. It gives people [00:22:31] an overload of excitement and stress. [00:22:34] Now this is exact Mortal Kombat Ultra. [00:22:37] That's the type of thing they were [00:22:38] doing. Often that's the type of thing [00:22:40] they were doing. But where it's [00:22:43] different than Mortal Kombat Ultra is [00:22:45] that often would do it or was was seeing [00:22:49] if they could do it through ritual. [00:22:51] Right? They were trying to see if they [00:22:54] could have people be a part of something [00:22:56] where one person is grandiose like this [00:23:00] type of, you know, deity uh figure, [00:23:03] godlike figure, right? Put them at the [00:23:06] top of everything. Excite people, make [00:23:09] them feel like they're a part of [00:23:10] something. They're all Swifties. That's [00:23:12] what their names are, right? And they [00:23:15] they proudly go by that name, right? [00:23:18] Okay. And it's not anything bad about [00:23:19] them, but it's just interesting to see [00:23:21] that there is, and I'm sure this is not [00:23:26] the only thing. Just her fan base is so [00:23:28] huge that they probably just all talk [00:23:30] about it. But I'm sure somebody's had [00:23:32] that with a rap concert or with a Cardi [00:23:34] B concert or a Nicki Minaj concert. I'm [00:23:37] sure this happens a lot more. It's just [00:23:40] that Taylor's the one for people to talk [00:23:42] about cuz she's the, you know, in the [00:23:44] algorithm and everything. She's the [00:23:45] draw. If if you if you put Taylor Swift [00:23:47] in a title, it's like it does better [00:23:49] than if you put Nicki Minaj in a title. [00:23:51] It just does. So, they're probably [00:23:53] focusing in on that. But, I'm sure if [00:23:54] they did some digging, they could find [00:23:56] this happening. That's why I know it [00:23:57] happened with Michael Jackson because [00:23:59] I've heard about it happening with [00:24:00] Michael Jackson way before Taylor Swift. [00:24:02] People were passing out. People were [00:24:04] passing out. Had to be taken out on [00:24:06] stretchers. It was It was nuts. And it [00:24:08] was because it was a jam-packed place. [00:24:10] But also, it's cuz people would get [00:24:12] overloaded with excitement. they would [00:24:15] get overloaded with stress and then all [00:24:18] of a sudden and this is the key thing it [00:24:20] makes it so she said she even said [00:24:22] something about encoding your brain [00:24:24] can't encode or something like that well [00:24:27] when it came to often [00:24:29] that's the type of uh state they would [00:24:32] want you in so they could imprint [00:24:37] something not saying what no idea what [00:24:40] no idea imprint something on you in fact [00:24:43] most People who are patients of things [00:24:46] like this report losses of time. In [00:24:50] fact, a lot of people who are a part of [00:24:54] who claim they have like UFO [00:24:56] experiences, right? Abduction [00:24:58] experiences, they claim huge losses of [00:25:01] time. Like to the point it doesn't make [00:25:03] sense. In fact, for those of you that [00:25:04] haven't been watching the channel too [00:25:05] long, I did this episode about this this [00:25:08] pilot in Mexico who claims that, and [00:25:13] this is not just him claiming it, but [00:25:14] other people claim it as well, he [00:25:16] started flying, then these three objects [00:25:20] went around him and he lost control of [00:25:23] everything. So, he couldn't control the [00:25:25] plane. Um, and then he blacks out, has [00:25:30] this huge loss of time, and where he is, [00:25:34] where he is flown to, and how much fuel [00:25:36] is gone doesn't make sense. He's much [00:25:39] further away than how much fuel he used, [00:25:43] right? It's like he should have used [00:25:44] three three quarters of a tank. He only [00:25:46] used one quarter of a tank. And it [00:25:48] doesn't make any sense. And what he says [00:25:52] or what the people back uh at dispatch [00:25:55] say is that he started giving a message. [00:25:58] I know this is very weird, but Candace [00:26:00] is going down a weird lane. So I'm like, [00:26:01] I'm right there with her. Let's go down [00:26:03] some weird stuff. Uh he starts giving a [00:26:05] message [00:26:07] to the to the people through the pilot. [00:26:09] So basically they're using him like an [00:26:10] intercom. Okay. and they start talking [00:26:12] about humanity and they start talking [00:26:14] about the fact that uh aliens actually [00:26:18] look just like us and all this weird [00:26:20] stuff and they're like, "Do you remember [00:26:23] saying any of this?" And he's like, "No, [00:26:25] I don't remember any of that. None of [00:26:27] it." And apparently Dispatch and him [00:26:30] talked for like an hour. He doesn't [00:26:32] remember any of it. Huge loss of time. [00:26:34] But again, when it comes to UFOs, like [00:26:36] that's the main thing they say. Huge [00:26:38] losses of time just out of nowhere. felt [00:26:40] like they were somewhere uh for five [00:26:42] minutes, all of a sudden it's been five [00:26:44] days. Huge losses of time. Um and who [00:26:48] knows what happens to them when it comes [00:26:49] to that because UFO is just so much [00:26:51] speculation when it comes to that type [00:26:53] of thing. But we're having actual people [00:26:56] in a concert experiencing the same type [00:26:58] of thing. [00:27:00] Now, if I wanted to make the connection [00:27:02] that I I know I could make um just in [00:27:05] terms of the unseen realm around us and [00:27:08] like uh demons and stuff like that, I [00:27:10] know I could make that connection, but I [00:27:12] think that would be for another episode. [00:27:13] But go check out a concert. Go check it [00:27:16] out and see what it looks like. See see [00:27:19] the type of thing that they're putting [00:27:21] people through. It is like this weird [00:27:24] weird [00:27:26] uh it's like a seance. It's like a [00:27:29] ritual. I mean, right down to like I've [00:27:31] seen Taylor Swift and I I've I've seen [00:27:33] way weirder things from other artists, [00:27:35] but she sticks out where she had like [00:27:37] this cloak on and there was this weird [00:27:39] track playing of her talking and it [00:27:42] almost sounded like poetry and it almost [00:27:44] sounded like it was a weird thing she [00:27:45] was saying and it was it was all very [00:27:48] odd. And then if you watch some people [00:27:50] do breakdowns of her music videos, it's [00:27:52] all linked to like Nimrod and and um [00:27:56] Aphrodite and all these weird like it's [00:27:58] it's very very odd. So um that's often [00:28:02] at work. That is signs of that. I'm [00:28:04] talking about one music video, one [00:28:06] artist. You see this throughout all of [00:28:08] them. It's like she's not the special [00:28:10] one where it's like just her doing it [00:28:12] and wow, she's terrible. No, no, no. [00:28:14] They're all doing it. You can see so [00:28:16] many of these different artists doing [00:28:18] this whole thing. And which one of these [00:28:20] artists hasn't been built up to [00:28:21] something that is meant to be seen above [00:28:25] the rest of us, right? In this [00:28:27] materialistic world, they're all this [00:28:30] consumerism world. They're all above us [00:28:32] so much so because they have the fame, [00:28:34] they have the money, they have the [00:28:35] talent, and we're just supposed to [00:28:37] listen to whatever they say. And that's [00:28:40] why they're recruited sometimes to give [00:28:41] political messages. Anyway, let's keep [00:28:43] going. Our um our memory is extremely [00:28:46] sensitive to stress. Let it be positive [00:28:48] emotions, but also negative emotions. If [00:28:50] you're overwhelmed by negative emotions, [00:28:52] you're more inclined to develop [00:28:53] post-traumatic stress disorder. But if [00:28:55] you're overwhelmed by positive emotions, [00:28:57] then you h you're more inclined to [00:28:59] develop somewhat of an this amnesia. [00:29:02] Now, it's very similar to what you may [00:29:04] feel uh this sensation that you have [00:29:06] when you're having a lot of fun that [00:29:07] time is flying by. That's exactly what [00:29:09] the phenomenon is all about. Now, it's [00:29:11] related more specifically to an [00:29:13] overreaction of the amygdala in the [00:29:15] brain. So, when your body uh faces [00:29:17] stress, what it does is your liver [00:29:19] releases glucose into the bloodstream [00:29:21] and into the muscles. The muscles then [00:29:23] send a signal to the brain and the [00:29:24] amydala is then going to release a [00:29:27] neurotransmitter [00:29:28] uh called neuradrenaline. If it if [00:29:31] there's just a little bit of it, it [00:29:33] helps encode the memories, but if [00:29:34] there's too much, it's counterproductive [00:29:36] and and you suffer a memory loss. [00:29:38] >> Yeah, this is such an interesting story, [00:29:39] Julia. And look, is this only happening [00:29:42] to Taylor Swift fans? [00:29:43] >> No, it can actually happen uh for other [00:29:45] events, sports events. If you're, you [00:29:47] know, you're a sports fan, you can [00:29:48] actually, you're so overwhelmed by uh [00:29:50] someone's victory, for instance. It can [00:29:52] happen during a wedding, a graduation [00:29:53] ceremony. Uh whenever there's too much [00:29:56] anticipation, excitement, pressure, or [00:29:58] emotion, you can go through that amn. [00:30:01] >> So, how interesting is that? Those [00:30:02] things she just named, they all kind of [00:30:04] run the same theme of having this big [00:30:07] huge ceremony feel, right? Huge, huge [00:30:11] ceremony feel. You feel like you're a [00:30:13] part of it. You feel like it's, you [00:30:15] know, the best thing on earth. It's your [00:30:17] team. It's your side. It's your deity. [00:30:20] It's your belief. And all of that has [00:30:23] this massive effect. Even I didn't even [00:30:25] know to the brain releasing some making [00:30:27] the liver release things. Like, I had no [00:30:28] idea that happens. That's that's nuts. [00:30:31] That's probably why they say stress [00:30:32] kills you. Um, but let's move on. Just [00:30:35] wanted to show you that. Just a glimpse [00:30:37] into it. I'm going to look for more so I [00:30:39] can give you guys more analogies and [00:30:41] more more breakdowns. But please, if you [00:30:43] know any uh in the comments uh spit them [00:30:46] out. Let's let's hear them. Maybe I'll [00:30:47] go deeper into them. Uh let's go into [00:30:49] Candace. Candace was so right when she [00:30:51] said this. I touched on it, but let's [00:30:52] touch on it again because my researcher [00:30:54] gave me a little more information [00:30:57] towards this whole thing. Listen close. [00:30:59] The story here is compelling and if I'm [00:31:01] being honest, that is exactly the strand [00:31:04] of ick that I got as I was watching [00:31:05] Amfest and this tent and like the [00:31:08] microphone and like put into a case and [00:31:11] it's like the ghost of Charlie. That's [00:31:13] exactly the strand of ick that I got. [00:31:16] Like everyone was on stage speaking [00:31:18] about the Lord, but no one was actually [00:31:21] actually meaning the Lord. It was [00:31:24] instead watching a charismatic cult. [00:31:27] people who were trained in tactics of [00:31:29] manipulation, preying on weak minds of [00:31:31] their followers and people who actually [00:31:33] love Charlie Kirk. And of course, that [00:31:35] explains the Hollywood tint to it all as [00:31:38] well. Anyways, you're probably [00:31:40] wondering, what does this have to do [00:31:41] with Liberty University? Well, funny [00:31:42] story. I was contacted by people who are [00:31:45] >> Well, funny story. Um, but yeah, that [00:31:48] whole tent thing, right? And if you guys [00:31:50] don't know, just to give you a little [00:31:51] update, everybody kind of knows about [00:31:53] it. Maybe some of you don't. See from [00:31:54] behind me, this is a a recreation of the [00:31:57] tent where Charlie Kirk lost his life at [00:32:00] Utah University um in September. And [00:32:02] people are taking selfies with it. See [00:32:04] from behind me, this is a People are [00:32:07] taking selfies with it. It was a whole [00:32:09] thing. In case you didn't know, they set [00:32:11] up this whole thing. I didn't show you [00:32:13] guys this the last time I I touched on [00:32:14] this, but yeah, they set it up. I mean, [00:32:17] Charlie's there. You can take selfies. [00:32:20] And you really have to think about how [00:32:22] wild this is. Somebody said they [00:32:24] recreated the tent. Charlie Kirk passed [00:32:26] in to take selfies. These people are [00:32:28] gross and insane. Um, yeah. Nobody saw a [00:32:31] problem with this. Nobody saw a problem [00:32:34] with this. Right. You have Charlie here. [00:32:36] You have him in the micro. At least they [00:32:37] didn't use the picture of him the day it [00:32:39] happened, right? I mean, that's that's [00:32:41] all you can ask for. And it it's And you [00:32:44] know what's funny about this? You know [00:32:46] who suggested this? Um, Elizabeth McCoy [00:32:49] was the first one to address this or uh [00:32:53] suggest this. And it's interesting that [00:32:55] the family who has the most experience [00:32:58] in psychological warfare [00:33:01] are the ones that suggest this tent. [00:33:05] Now, when Candace first talked about it [00:33:07] and when everybody first saw it, and you [00:33:09] know, I I show you this because this was [00:33:11] something that was talked a lot about on [00:33:12] X, but not so much anywhere else. So, [00:33:14] those of you that don't have it, I [00:33:15] figured I'd just show you guys this. [00:33:17] And, you know, it seemed like just a big [00:33:20] foilable, you know, just one of those [00:33:22] many foibless, you know, uh just just [00:33:25] dropping the ball once again kind of [00:33:27] thing. But it goes way deeper. I mean, [00:33:30] you have to think, how twisted would it [00:33:31] be if, God forbid, God forbid something [00:33:35] happened to you or something happened to [00:33:38] a loved one in a car, right? you know, [00:33:41] God forbid and and they pass. [00:33:44] How wild would it be if you know at the [00:33:47] funeral or after the funeral or even [00:33:49] just days later you're doing a [00:33:51] celebration of life and there's a [00:33:53] recreation of the car and you know [00:33:56] there's people there and they're like, [00:33:57] "Yeah, come on in." They're opening the [00:33:59] door to the car. Get in. He was on this [00:34:01] side. Come on. You'd be like, "What the [00:34:05] what are you talking about?" And they're [00:34:06] like, "Dad, get in. This is great. Take [00:34:09] a selfie. [00:34:11] Ah, what do you mean? This is fantastic. [00:34:14] You'd be like, this is what is this? [00:34:17] What are we doing here? Hopefully, you'd [00:34:20] be the person to stand up and say, [00:34:21] "That's it. [00:34:23] Wherever you rented this car from, take [00:34:26] it back. I don't know what you guys are [00:34:29] doing. That's enough." And everybody [00:34:32] gives you that stare. [00:34:34] Kyle, what's wrong? I don't understand. [00:34:36] Listen, guys, you got to stop doing [00:34:38] this. It's a weird It's a weird um It's [00:34:43] like you're I don't want to say a [00:34:45] celebration of death. It's it's [00:34:47] something more. It's something deeper [00:34:49] than that when you're doing this type of [00:34:50] thing. Let's get into the little [00:34:52] breakdown that I have here now to give [00:34:54] you guys and again from a Senate [00:34:56] hearing. This is not just uh spitting it [00:34:58] out here. This this information comes is [00:35:01] derived from that and we're just [00:35:03] connecting it to everyday things because [00:35:05] I want you guys to be able to understand [00:35:07] what you're seeing in the world. often [00:35:09] ritualistic scenes mentioned in [00:35:11] surviving docks the Charlie Kirk Amfest [00:35:14] rep tent replica on display is exactly [00:35:18] that now often included ritualistic [00:35:23] and symbolic scenes to induce translike [00:35:26] states and suggestability and that's [00:35:28] exactly what that tent does exactly what [00:35:32] that does that makes you very [00:35:33] suggestible because you're going to [00:35:36] first off people who might actually wake [00:35:39] up and say, "No, this is crazy." In [00:35:40] another circumstance, they're so drummed [00:35:42] up in their emotions that they go, [00:35:44] "Okay, yeah, yeah, no, this is fine. [00:35:47] This is fine." Because there was a [00:35:49] certain point where you didn't want to [00:35:51] criticize Turning Point because you felt [00:35:53] like you were criticizing Charlie and [00:35:55] you felt like you were hurting Erica, [00:35:58] right? There was that whole thing. There [00:35:59] was a whole stint of that. And some [00:36:01] people still feel like that. And I think [00:36:02] that's a it's a valid way to feel [00:36:06] if it's just originally in your own [00:36:09] heart, but when it's actually put upon [00:36:12] you, it's a whole different thing in my [00:36:14] opinion. So that's exactly what they [00:36:16] were doing with this tent. The exact [00:36:19] same thing, making people very [00:36:21] suggestible, right? Um Oh no, did I just [00:36:24] mess it up? Come on. Control [00:36:28] Z. Yes. Oh man. Woo. There we go. Oh [00:36:32] man, thank the Lord. Um, then it says [00:36:35] here, "Surviving fragments describe the [00:36:37] program's occult wing investigating [00:36:39] black magic, uh, possession and [00:36:42] ceremonial rituals." And that's [00:36:43] obviously where we're focusing. Combined [00:36:45] with the grand spectacles to exploit [00:36:48] beliefs. That's exactly what you're [00:36:50] seeing there. The grand spectacle of [00:36:52] things, right? They made a spectacle of [00:36:55] the memorial. They made a spectacle of [00:36:58] that tent display. They've been [00:37:01] consistently making these spectacles and [00:37:04] of course it pulls at everybody's [00:37:05] heartstrings like completely. I mean [00:37:08] that's why Candace didn't talk about [00:37:09] Erica for the longest time cuz she's [00:37:11] like that that's my friend that's his [00:37:13] wife. She must be torn up. You think to [00:37:16] yourself and I this is what happened [00:37:18] with me Charlie. I have kids the same [00:37:20] age or the same I have the same type of [00:37:23] family where my wife is the same like my [00:37:26] wife is just like Erica. They look the [00:37:27] same. They look like they could be [00:37:29] family, you know, 100%. My wife looks [00:37:33] the same. My kid is the same age as one [00:37:36] of his kids. So, right away, it mirrors [00:37:38] for me and I'm like, "Oh my god, imagine [00:37:41] if I, God forbid, I'm gone and like, [00:37:43] what would she be going through?" So, [00:37:45] it's like, you don't want to touch on [00:37:46] that [00:37:48] until she becomes the CEO. And then [00:37:50] you're like, "Listen, buddy, what's [00:37:51] going on with you?" and then you catch [00:37:53] eight different lies and you're like, [00:37:55] "Okay, listen, [laughter] [00:37:57] [gasps] let's get into it." And the next [00:37:59] thing you know, you're doing a video, [00:38:01] you're Candace, you're live, you're [00:38:02] like, "The gloves are off." And yeah, it [00:38:04] just happens, you know. Uh [laughter] [00:38:07] but uh this was part of the hypothesis [00:38:10] that symbolic frameworks, stage uh [00:38:14] scenes invoking death. Oh, see, see [00:38:16] that's exactly what scenes invoking [00:38:18] death. That's what I was talking about [00:38:20] when I was talking about this being [00:38:21] deeper. That's exactly what that is. [00:38:25] It's a scene like that. Um, rebirth and [00:38:28] entity summoning could amplify [00:38:30] experiences leading to behavioral [00:38:34] uh coercion. And here's the thing. [00:38:36] Here's the thing with that. Um, when it [00:38:38] says entity summoning, now you could go [00:38:40] real wild with that, but just them. [00:38:44] Here's the thing, right? There's two [00:38:46] things. You want to keep someone's [00:38:48] legacy alive. Of course, you want to [00:38:49] keep Charlie's legacy alive, but they're [00:38:52] using it as a means of summoning him, [00:38:55] right? They are actually summoning him [00:38:58] and they're putting him in front of you. [00:39:00] If you have a question, they put him in [00:39:02] front of you. You can't ask that [00:39:03] question. If you have a discrepancy, [00:39:06] they put him in front of you. uh Blake, [00:39:09] Andrew, the the Turning Point inner [00:39:12] circle, they all just put Charlie in [00:39:14] front of anybody who had anything to say [00:39:17] and said, "They're evil. They're evil." [00:39:19] And then they got their Turning Point [00:39:20] faith pastors to say the same thing in [00:39:22] front of their congregations. [00:39:24] And that in my mind in this situation is [00:39:27] them summoning uh Charlie Kirk uh and [00:39:31] then uh Charlie Kirk Amfest replica tent [00:39:33] on display in Phoenix. um provides a [00:39:36] verifiable parallel through uh its re [00:39:39] ritual ritualistics in in enactment of [00:39:43] trauma. Okay. And then here we have [00:39:47] turning point constructed a live thing. [00:39:49] Okay. That that we already know. Candace [00:39:51] Candace criticized this as a morbid [00:39:53] spectacle and she really did uh where [00:39:56] participants engaged in symbolic death [00:40:00] and renewal. Um, and that is death by [00:40:03] entering the crime scene and renewal by [00:40:06] honoring his legacy through photos and [00:40:08] pledges. We are all Charlie Kirk. I [00:40:10] didn't even see Oh, I did write that. [00:40:12] I'm the one that wrote that. Okay. [00:40:13] [laughter] [00:40:14] Because that's exactly what happened [00:40:16] next. [00:40:18] After the tent, after people saw the [00:40:20] tent, all of these chants were coming [00:40:22] out. We are all Charlie Kirk. And I I [00:40:25] told you already that often would use [00:40:27] stuff like that. They'd use chance. We [00:40:29] are all you are. We are all Charlie [00:40:31] Kirk. Never forget, right? We are all [00:40:35] Charlie Kirk. His fight is our fight. We [00:40:37] will never back down. But you can't [00:40:39] criticize yourself. You are Charlie [00:40:42] Kirk. You can't criticize. And it's not [00:40:44] even about criticizing Charlie Kirk, but [00:40:46] you know, it's it then becomes we are [00:40:48] all Charlie Kirk. Charlie Kirk was [00:40:50] turning point. If we're all Charlie Kirk [00:40:53] and we're all turning point, then we [00:40:54] can't possibly be criticizing it and we [00:40:56] definitely wouldn't be asking any [00:40:58] questions. That would just be out of the [00:40:59] norm completely. More people. I am [00:41:02] Charlie Kirk. We are all Charlie Kirk, [00:41:04] right? More people. I am Charlie Kirk. [00:41:07] We are all Charlie Kirk. After more and [00:41:09] more, we are all Charlie Kirk now. Never [00:41:12] give up. Never surrender. Always go for [00:41:14] the win. We're all Charlie Kirk. And [00:41:17] then they start showing you videos. [00:41:18] >> Only in America is it possible. [00:41:20] >> They start showing you videos like this [00:41:21] where it really tugs at you, right? This [00:41:25] is them summoning him. He is being [00:41:28] summoned through videos like this. You [00:41:31] know how many times this one took me [00:41:33] out? That's exactly That's same height [00:41:35] as my my kid. Same height. That one take [00:41:39] takes me out every time. Every time [00:41:42] because I have the every time I enter a [00:41:45] room, that's what happens. It's just Oh [00:41:47] man, I can't even talk about it too [00:41:49] much. [clears throat] [00:41:50] Right. Um more people. We are all [00:41:53] Charlie Kirk, right? This chant. We are [00:41:57] all Charlie Kirk. They're making sure of [00:41:59] it. That's that's that's a summoning in [00:42:02] a way. And that that is making us all [00:42:04] feel like we're a part of this thing. [00:42:07] And there's something that happens to [00:42:09] your mind and your heart and your belief [00:42:12] system when something like that is [00:42:14] thrust upon you. It's like a religious [00:42:16] experience. That's why I made that [00:42:18] episode talking about they've made him [00:42:20] into this like deity of sorts. It's kind [00:42:23] of the same thing. Now, uh, just to end [00:42:26] it off here, I just saw this. This is an [00:42:27] older thing from Baron here. Says, "Does [00:42:30] anybody know that the tent wasn't [00:42:31] centered in the, uh, in in the courtyard [00:42:34] there? Uh, it was off centered by [00:42:37] several feet to hit stage right. [00:42:40] Audience uh, audience left. A center [00:42:43] tent would have resulted in a more [00:42:45] exposed alleged [00:42:48] uh, Tyler Robinson closer to the edge." [00:42:50] Very interesting. I did not know that. [00:42:52] So that that doesn't happen. This shot [00:42:54] doesn't happen unless they offc center [00:42:56] it. That is very weird. I just I just [00:42:58] wanted to throw that in there. Shout out [00:43:00] to Baron. We still have to talk. Baron, [00:43:01] I'm down to do the interview. I I hope I [00:43:03] hope I didn't miss my chance. Um I'm [00:43:05] very sorry I haven't been able to get in [00:43:07] contact as of yet. Um let's get into the [00:43:10] super chat. Somebody says, "Love the [00:43:11] pod. Discovered your channel around [00:43:13] Christmas and have been [00:43:16] I just clicked more and there's like a [00:43:18] paragraph." It's okay. It's okay. It's [00:43:21] fine. [00:43:22] and have been keeping up since. I'd love [00:43:24] to hear your thoughts on something not [00:43:26] really case related, but ties in. I [00:43:28] recently watched Elizabeth April's [00:43:30] remote viewing episode on Charlie Kirk [00:43:33] and her 2026 predictions, which also [00:43:36] mentioned Charlie. It blew my mind uh [00:43:39] obviously to be taken lightly, but I [00:43:41] found it super interesting as it ties [00:43:43] into some theories. I'd love to hear [00:43:45] your take on it. Uh thanks for your [00:43:47] amazing work, giving me something to [00:43:49] look forward to every day. Whoop whoop. [00:43:51] All right. Um, [00:43:54] again, they worked on remote viewing for [00:43:56] 30 years, so there is something to it. [00:43:58] Um, I I I I would never shoe it away. [00:44:02] So, I don't know what these predictions [00:44:04] were. I don't know what this was. I'd [00:44:07] have to actually hear it. But, you know, [00:44:10] when you say take it lightly, like kind [00:44:12] of because there's so many people who [00:44:13] claim they can do it, but they can't. [00:44:15] And there's some real people who really [00:44:16] really can. So, I'd have to actually [00:44:18] look at it and hear what the predictions [00:44:20] are. But some of those some of those [00:44:22] prediction channels that are like, "Oh, [00:44:24] let me tell you about Candace being like [00:44:25] Esther." And then they make the case and [00:44:26] I'm like, "Holy like, wow." And then all [00:44:29] of a sudden you look into them more and [00:44:30] they like predicted more things that [00:44:32] happened in the c in like you're just [00:44:34] like, "Okay, I guess I have to listen to [00:44:36] this person." There's been a bunch of [00:44:38] those people have sent me. So, um, what [00:44:40] was it? Elizabeth April. Elizabeth [00:44:42] April. I have to look into that. Uh, the [00:44:44] next one says, "Appreciate all your hard [00:44:46] work, coach. I look forward to falling [00:44:47] asleep and waking up to your whoop whoop [00:44:49] every day. [laughter] [00:44:51] Always waiting for you to pull a yay and [00:44:54] start singing poopity scoop. [00:44:57] God bless. Keep talking about your [00:45:00] faith. Yes. Thank you so much for saying [00:45:02] that. Keep talking about your faith. I [00:45:03] was just having a conversation about [00:45:04] that recently and I do have to keep up [00:45:07] with my faith. I mean, you know, I I [00:45:09] feel like I'm not talking about it [00:45:10] enough because I said something in an [00:45:13] episode of somebody was like, "Oh, you [00:45:15] had me until you started bringing up [00:45:16] God." And I'm like, "Oh, I must not have [00:45:18] brought it up in a while." People should [00:45:20] know I am deep in my faith. Deep in my [00:45:23] faith. I mean, prayer every day, church, [00:45:27] like I don't know what getting baptized [00:45:29] soon. Like, I'm deep in my faith. And I [00:45:31] don't hide it at all. That was the one [00:45:33] thing that I took from Charlie Kirk [00:45:36] because somebody asked what he would [00:45:37] want to be known for if he passed away [00:45:40] and he said that he was that that he was [00:45:42] courageous in his faith and I found that [00:45:44] to be just amazing. So I want to be like [00:45:48] that as well. Uh next person says and [00:45:50] thank you thank you so much uh [00:45:52] Jacqueline. Jacqueline thank you so [00:45:54] much. Uh Marty Marty says, "Thanks for [00:45:58] all you do for the uh post Charlie [00:46:02] humorously." Um for doing for Charlie [00:46:05] post humorously. Uh thank you so much, [00:46:08] Marty. Another person, Lucy says, [00:46:10] "Thanks." Another person, Hoffett Hoff [00:46:13] Hoff Hoffnet [00:46:15] says, "When you said Mikey walked, [00:46:18] Mikey walked so we could run. I spit out [00:46:22] my water. Thank you so much for the [00:46:24] muchneeded laughter. Uh, thank you so [00:46:26] much. That is my aim. If I ever if I'm [00:46:29] ever hanging around you and you're [00:46:30] drinking a bottle of water, the one [00:46:32] thing that I'm focused on doing is [00:46:34] making you spit that water out. I do it [00:46:36] all the time. I'm I'm great with it. [00:46:38] It's It's like a talent that I have. I [00:46:40] know how to do it. My timing is perfect. [00:46:43] Um, so thank you so much. Great [00:46:45] compliment. Uh, thanks for not using [00:46:47] profanity. Nef was also two J or two CJ [00:46:54] JK's left [00:46:57] um [00:46:58] left may have rep may have resented [00:47:01] Charlie Kirk cuz he read some books for [00:47:04] him and gave him gave synopsis. [00:47:08] So they're talking about uh Nef Blake [00:47:11] being to the left. Yeah, I think all [00:47:13] those guys went to his left. I think [00:47:15] that is something to think about when [00:47:17] Candace says that. And then when you [00:47:19] look at all of them and how they're all [00:47:20] acting, it's like I don't know. It it [00:47:23] it's it's weird at the very least. Um, [00:47:26] bring his creation says, "Could the left [00:47:29] quote unquote uh also mean politically [00:47:32] left?" Um, would that be way too [00:47:34] obvious? The only thing with that is he [00:47:36] said that he was betrayed and Charlie [00:47:39] has never been on that side. So, for [00:47:42] Charlie to say, you know, to say to [00:47:45] Candace um that the left betrayed him [00:47:48] doesn't really make any sense because [00:47:51] he's always been at odds with that side [00:47:53] of things. So, I don't know about that. [00:47:56] Um, hey hun. Hey hun, it's just mom [00:48:01] says, "We don't need the way back [00:48:04] machine. All we need is two lers of [00:48:06] CocaCola." [laughter] [00:48:10] What? What do you mean? Oh, is it for [00:48:12] the M? Is it for the Mentos? Put the [00:48:14] Mentos in there. I don't know. Um, but [00:48:16] yeah, we don't need the Way Back [00:48:18] Machine. We definitely don't need that. [00:48:20] And if Brian gets a hold of it, we're [00:48:22] all in danger. Okay, let's just put that [00:48:24] out there really quick. Um, so if I ever [00:48:26] disappear and you hear that I'm in 1982, [00:48:29] I mean, you know exactly who to look at, [00:48:31] right? Uh, [00:48:33] Vixen says, "I forgot about he walked [00:48:36] for our sins. It already [00:48:39] uh it's already a go-to retort in our [00:48:41] house. That's hilarious. [laughter] [00:48:44] He walked for our sins. Mikey McCoy, he [00:48:46] walked for our sins. Everybody knows [00:48:47] this. Okay. [00:48:50] When when when everything happened, he [00:48:53] walked for all of our sins. And when he [00:48:56] walked, he took those sins upon himself [00:48:59] so you could be clean. Okay? That's what [00:49:03] he did for all of us. And then the last [00:49:05] person, Quickshot Roadside says, [00:49:07] "Thanks. Thank you guys so much. I'm [00:49:09] going to get out of here. Trying to keep [00:49:10] the episodes a little shorter. And uh [00:49:13] you'll see me tonight or Yeah. Yeah. [00:49:16] tonight. All right. I'm out of here.