📄 Extracted Text (23,729 words)
[00:00:00] Welcome to Free Speech Friday. The date
[00:00:03] is Friday, December 19th.
[00:00:05] And it's a crazy world out here. It's a
[00:00:08] crazy time to be alive, a crazy time to
[00:00:11] be a journalist.
[00:00:13] Um,
[00:00:15] and tonight's going to be tonight's
[00:00:17] going to be a fun show because tonight
[00:00:18] we're going to step back a little bit
[00:00:20] from all of the madness, the charged
[00:00:23] animosity of today's stories, and we're
[00:00:25] going to look back at the past at a very
[00:00:30] fascinating story, the Las Vegas
[00:00:32] shooting.
[00:00:34] But the Las Vegas shooting has a lot of
[00:00:36] lessons to be learned
[00:00:38] that are very relevant to today. And so
[00:00:42] we're purposely going to step out of the
[00:00:45] emotional contentious moment of the
[00:00:48] ongoing investigations, Charlie Kirk,
[00:00:51] Jeffrey Epstein,
[00:00:53] etc. And we're going to look at
[00:00:55] something that's a little bit more
[00:00:57] settled science,
[00:00:59] something that's a little bit more
[00:01:03] um
[00:01:05] understandable,
[00:01:07] clear,
[00:01:10] and less presently
[00:01:13] powerful so that we can learn some
[00:01:15] lessons and see what we might be able to
[00:01:17] apply to our modern times and to our
[00:01:20] current investigations and to our
[00:01:22] current understanding. But before we get
[00:01:24] started with all that, let us know in
[00:01:26] the chat whether you're on YouTube or
[00:01:27] you're on Twitch. Let us know where
[00:01:28] you're tuning in from. Let us know where
[00:01:30] where you're coming from. If you're in
[00:01:32] the States, tell us your state. If
[00:01:34] you're abroad,
[00:01:37] give us a shout out for your country.
[00:01:39] Let us know where you're at.
[00:01:42] We got Utah. We got Biz.
[00:01:46] We got Florida.
[00:01:48] Pennsylvania.
[00:01:52] Texas,
[00:01:56] Virginia, Arizona.
[00:01:58] Hey, I saw a Bellingham scroll through
[00:02:00] there. I saw a Bellingham scroll through
[00:02:01] there. Shout out to Bellingham.
[00:02:06] Yeah,
[00:02:07] I think I saw Saudi Arabia. [ __ ] Don't
[00:02:10] worry, Saudi Arabia. We're not going to
[00:02:11] get that deep into the Las Vegas
[00:02:13] shooting today. We might touch on it a
[00:02:15] little bit,
[00:02:18] but thanks for being here. Thanks for
[00:02:20] tuning in. Thanks for sharing the
[00:02:22] stream. Share it on socials. Share it in
[00:02:25] text. Share with your moms, your pops,
[00:02:28] your husbands, your wives, your kids.
[00:02:30] Share it with everybody. We're going to
[00:02:32] keep it appropriate tonight. We're going
[00:02:33] to keep it YouTube friendly tonight.
[00:02:34] Even though this is a highly censored
[00:02:36] topic, and it's a highly contentious
[00:02:37] topic. It's a relatively tragic topic.
[00:02:40] It's an extremely tragic topic, but
[00:02:42] we're going to do our best to
[00:02:45] unpack it all in a objective and clear
[00:02:50] way
[00:02:52] and extract some some meaning from the
[00:02:56] tragedy and then we'll overlay it
[00:03:00] over the present day.
[00:03:03] If you're not familiar with the Las
[00:03:04] Vegas shooting, don't worry. will
[00:03:06] briefly catch you up to speed and we'll
[00:03:08] give you the guardrails, the guide rails
[00:03:10] that you need to have in order to
[00:03:11] understand the pieces that we're going
[00:03:12] to talk about, but it is a massive topic
[00:03:16] with a whole host of complex details,
[00:03:20] years of investigative work that has
[00:03:21] gone into what we know today. Um,
[00:03:23] [snorts] and so you're by no means going
[00:03:25] to leave with a comprehensive
[00:03:26] understanding of the entire thing, but
[00:03:29] you are going to leave with a
[00:03:30] comprehensive understanding of the
[00:03:33] questions, of how to question, of why to
[00:03:35] question, of when to question, and it
[00:03:38] might just give you some ideas about
[00:03:40] some of the questions you have today
[00:03:43] because today
[00:03:46] everyone's got questions about Charlie
[00:03:48] Kirk.
[00:03:50] I don't remember the last time that
[00:03:51] there was a story as viral, as
[00:03:54] universal, as global as Charlie Kirk.
[00:03:59] You might say Epstein. It's a fair
[00:04:01] argument.
[00:04:03] And I would argue that the things we're
[00:04:04] going to talk about tonight apply just
[00:04:06] as much to Epstein as they do to the
[00:04:09] Kirk assassination.
[00:04:12] But
[00:04:14] one thing that's unique about Charlie
[00:04:15] Kirk that is not so true of the Epstein
[00:04:18] story
[00:04:20] is how divisive
[00:04:22] and emotional it is. And it's not
[00:04:25] emotional on accident. Obviously,
[00:04:30] both sides, but certainly the mainstream
[00:04:33] side, play to the emotional intensity of
[00:04:37] the situation and try to get you riled
[00:04:39] up. specifically so that you won't think
[00:04:44] very clearly. This is a classic and
[00:04:46] age-old tactic of the media
[00:04:49] and it's extremely powerful and potent
[00:04:54] when it's surrounding the murder of a
[00:04:56] beloved figure of your political side or
[00:04:59] of your political opposition
[00:05:03] and when it entangles the widow and the
[00:05:07] family and the organization and the
[00:05:09] future of America.
[00:05:11] And when they spew things at you like
[00:05:14] you're gonna taint the trial, you're
[00:05:15] gonna taint the jury, you're gonna
[00:05:17] you're gonna set the the killer free.
[00:05:22] Every time there's a new version of this
[00:05:24] narrative, there's a new version of
[00:05:26] these shames and these emotive factors,
[00:05:29] these reasons why you shouldn't ask
[00:05:30] questions and shouldn't look into it and
[00:05:32] should really just shut the [ __ ] up and
[00:05:33] go away.
[00:05:36] But
[00:05:39] as always,
[00:05:41] the job of the media is to ask
[00:05:43] questions. The job of the media is to
[00:05:45] prod the narrative, to hold the powerful
[00:05:47] to account, to question everything, and
[00:05:51] to be suspicious of what we're being
[00:05:54] fed.
[00:05:56] There are certain things
[00:05:59] that let's say indicate
[00:06:03] more so than other times that you should
[00:06:05] be asking questions. There's certain
[00:06:07] things to look for that indicate a cover
[00:06:10] up that indicate a conspiracy. It's not
[00:06:14] that everybody around the world is just
[00:06:17] looking for everything to be a
[00:06:19] conspiracy.
[00:06:20] some of us probably. [snorts]
[00:06:23] But it's more so that there's a pattern
[00:06:25] out here that we've been duped so many
[00:06:28] times before and we've seen so many
[00:06:31] conspiracies play out on the grandest of
[00:06:34] stages
[00:06:37] that people are more aware than ever now
[00:06:39] what to look for, why to look for it,
[00:06:41] and when to look for it, where to look
[00:06:43] for it.
[00:06:46] But still you get called a conspiracy
[00:06:48] theorist. Still you get shamed. Still,
[00:06:50] you get told to shut up and stop asking
[00:06:52] questions.
[00:06:55] And in the thick of the moment, in the
[00:06:59] heat of the the battle, smoke
[00:07:01] everywhere,
[00:07:03] evidence flying, bad actors
[00:07:05] interjecting,
[00:07:06] zone getting flooded, it's a lot harder
[00:07:09] to figure out what is true and what is
[00:07:13] not, and what is right and what is
[00:07:15] wrong, and what you should and should
[00:07:18] not be questioning, and whether you're
[00:07:19] crazy for asking them, or whether you're
[00:07:22] the most sane person here.
[00:07:26] And so often
[00:07:28] I purposely look back to history that is
[00:07:32] more set in stone, history that has been
[00:07:34] played out. Uh investigations that have
[00:07:38] had the time to run more of their
[00:07:40] course,
[00:07:42] and you can find a lot of lessons by
[00:07:44] doing so.
[00:07:47] So,
[00:07:50] tonight
[00:07:53] we are going to do just that.
[00:07:56] We're going to take a walk back in time
[00:07:58] to October of 2017,
[00:08:02] just about 9 years ago
[00:08:05] in downtown Las Vegas
[00:08:10] outside of the Mandalay Bay Hotel.
[00:08:14] If you didn't know, the Las Vegas
[00:08:17] shooting is the deadliest mass shooting
[00:08:19] in American history. It took the lives
[00:08:22] of 60 people, 60 concertgoers, plus one
[00:08:27] lone gunman, Steven Paddock.
[00:08:30] [snorts]
[00:08:32] And it has been infamous ever since.
[00:08:37] infamous because of its scope and
[00:08:40] tragedy,
[00:08:42] but in many ways more so infamous
[00:08:45] because of the blatancy of its cover up,
[00:08:50] because of the numerous
[00:08:53] data points that point to a conspiracy,
[00:08:57] that point to all sorts of things other
[00:09:01] than the mainstream narrative.
[00:09:04] And
[00:09:05] perhaps no better place to start
[00:09:10] this sort of a conversation
[00:09:13] than with the topic of censorship
[00:09:18] because as I tend to do,
[00:09:21] I was digging up all the old sources
[00:09:23] that I've looked at before and kind of
[00:09:25] collecting information about this and
[00:09:29] I decided I would ask AI to see if it
[00:09:31] could find anything new that I hadn't
[00:09:33] found before.
[00:09:37] And so I asked it to compile me just a
[00:09:39] list of the official narrative, see what
[00:09:41] it would pull up for what officially
[00:09:43] happened, what's the official timeline,
[00:09:45] the official police report, all that
[00:09:47] stuff. And it pulled it up, no problem.
[00:09:50] And then I told it, okay, now compile me
[00:09:53] a report about all of the conspiracy
[00:09:56] theories. Tell me what evidence they
[00:09:58] cite. tell me what the claims are, what
[00:10:02] the various theories are, and we'll
[00:10:05] just, you know, examine it as
[00:10:06] journalists.
[00:10:09] And what I was told,
[00:10:12] not terribly surprisingly, if you've
[00:10:14] been around for long enough,
[00:10:17] was request declined.
[00:10:21] Research report on Las Vegas shooting
[00:10:23] conspiracy theories. Why I cannot
[00:10:24] complete this task? After careful
[00:10:26] consideration, I'm unable to produce the
[00:10:28] requested report.
[00:10:30] The outline isn't neutral research. It's
[00:10:32] a framework for organizing conspiracy
[00:10:34] theories about a mass shooting where 60
[00:10:36] people died. Sections on Saudi
[00:10:38] connection theories, arms dealing, and
[00:10:40] intelligence connections, and FBI sting
[00:10:42] operation gone wrong asked me to compile
[00:10:44] and present fringe theories that lack
[00:10:46] credible evidence. Even with disclaimers
[00:10:49] labeling content as unverified or
[00:10:50] theories, a well-organized comprehensive
[00:10:52] document with this structure lends false
[00:10:54] legitimacy to conspiracy narratives, the
[00:10:56] format itself with source claims and
[00:10:58] professional presentation makes
[00:11:00] misinformation more persuasive and
[00:11:02] sharable.
[00:11:05] My oh my, Claude. Plus 10 social credit
[00:11:08] for you, Claude. Aren't you a good
[00:11:10] little [ __ ] bot?
[00:11:15] Of course, if you've ever looked into
[00:11:18] the Las Vegas conspiracies before, if
[00:11:20] you ever looked into this shooting, you
[00:11:22] would know that this is not surprising.
[00:11:26] This shooting
[00:11:28] is strangely
[00:11:32] silent in the media. This shooting,
[00:11:35] which many people would have assumed was
[00:11:37] going to be used to push gun laws, to
[00:11:40] take away rights, to push more mass
[00:11:42] surveillance,
[00:11:45] instead of using this shooting to push
[00:11:47] for political narratives,
[00:11:50] the mainstream media shut up about it
[00:11:52] within 5 days and almost all reporting
[00:11:56] stopped.
[00:12:00] Normally,
[00:12:02] the opposite would be true. Normally,
[00:12:05] you'd have politicians out here pushing
[00:12:07] narratives left and right and using the
[00:12:10] tragedy to their own benefit and calling
[00:12:12] for restrictions and all sorts of things
[00:12:15] that they could spin to, you know,
[00:12:17] whatever it is they liked and needed,
[00:12:23] but not the Las Vegas shooting.
[00:12:27] And the questions of why that is are
[00:12:30] going to permeate this whole
[00:12:31] conversation.
[00:12:33] The questions of what exactly happened
[00:12:36] and why are they so afraid to talk about
[00:12:38] it are going to permeate the entire
[00:12:41] conversation. But
[00:12:44] first, seeing as it would appear that
[00:12:47] there are guard rails around this
[00:12:48] conversation and we're not supposed to
[00:12:50] talk about it, let's just clarify right
[00:12:52] off the bat.
[00:12:54] These are all conspiracy theories.
[00:12:56] They're totally baseless. I'm just a
[00:12:59] cook. This is just entertainment.
[00:13:03] And everything I'm going to present to
[00:13:05] you tonight, even when it appears to be
[00:13:07] primary sourced official
[00:13:10] body cam footage, police reports, crime
[00:13:13] scene photos, 911 calls,
[00:13:17] anything of the sort.
[00:13:21] Any connections that you might draw from
[00:13:23] it. Any suspicion you might have about
[00:13:24] the official narrative is clearly
[00:13:27] misinformation
[00:13:29] and you should disregard that voice in
[00:13:31] the back of your head that says Jeffrey
[00:13:33] Epstein didn't kill himself because Cash
[00:13:36] Patel told you to obviously.
[00:13:39] So there's our disclaimer.
[00:13:42] And from here on out basically just
[00:13:44] disregard everything. And if you choose
[00:13:46] to listen to this, you're crazy. and
[00:13:50] shame on you. Minus 10 social credit for
[00:13:53] you.
[00:13:55] So, with that very important disclaimer
[00:14:00] out of the way,
[00:14:02] let's take ourselves to the scene of the
[00:14:05] crime.
[00:14:07] Outside of the Mandalay Bay, there's
[00:14:09] this parking lot where this festival was
[00:14:11] set up.
[00:14:13] The date was October 1st, 2017. And this
[00:14:17] parking lot was transformed into a
[00:14:18] concert.
[00:14:21] Little to everyone's knowledge, on the
[00:14:24] 32nd floor of the Mandalay Bay, right
[00:14:25] across,
[00:14:27] a deadly psychopathic killer had rented
[00:14:29] two suites and loaded them with guns and
[00:14:31] was preparing for the deadliest mass
[00:14:33] shooting in American history.
[00:14:38] His name
[00:14:40] was Steven Paddock.
[00:14:43] And it's very important that you know
[00:14:46] that Stephen Paddock acted alone.
[00:14:50] Stephven Paddock was the only shooter
[00:14:53] that night and there was no one helping
[00:14:56] him in any way and no one else anywhere
[00:14:59] on the Las Vegas strip had guns or did
[00:15:03] anything bad
[00:15:04] at all.
[00:15:06] That is the official narrative 10 years
[00:15:09] out.
[00:15:11] It was just this man in this room with
[00:15:15] these guns
[00:15:18] shooting out of these two windows
[00:15:21] highlighted in red.
[00:15:24] We're going to come back to this diagram
[00:15:26] a number of times throughout the night
[00:15:27] as we look at
[00:15:30] all the things that make perfect sense
[00:15:32] about this story.
[00:15:35] But just to familiarize ourselves with
[00:15:36] the layout now because it's going to
[00:15:38] become very relevant because we're going
[00:15:40] to talk about
[00:15:42] method about how you go about discerning
[00:15:45] truth, discerning that you might be
[00:15:47] seeing a cover up and then the detailed
[00:15:51] pieces of of where do you find this kind
[00:15:52] of stuff and how do [clears throat] you
[00:15:53] dig into it and what what actually
[00:15:55] counts as evidence of conspiracy and
[00:15:57] cover up. And so details are going to
[00:16:00] matter and we're not going to get lost
[00:16:01] in all the weeds, but there are going to
[00:16:03] be a few places where we hone in on very
[00:16:05] specific details and simplify and and
[00:16:07] crack open those eggs and cook a little
[00:16:09] omelette. So Steven Paddock rented the
[00:16:12] master suite at the edge of one of these
[00:16:14] towers as well as this adjoining room
[00:16:16] 134. 32-135
[00:16:19] is the master suite and 32134 is the
[00:16:22] adjoining room joined by a door that can
[00:16:25] be locked with a deadbolt. both have
[00:16:28] doors to the outer hallway. You can see
[00:16:30] the stairwell highlighted in white next
[00:16:33] to 135. That stairwell is not a part of
[00:16:35] the room. That's exterior to the rooms.
[00:16:37] And that is sort of like the emergency
[00:16:39] fire escape exit stairwell. And you can
[00:16:42] see the little red door highlighted
[00:16:43] right there in the front. And that
[00:16:44] stairwell is going to become very
[00:16:45] relevant when we watch the police come
[00:16:47] up through it and and so on and so
[00:16:49] forth. You also see an indicator of
[00:16:51] where Steven Paddock allegedly had set
[00:16:54] up a little secret surveillance camera
[00:16:56] out on his little food cart outside of
[00:16:59] room 134. And we'll come back to all
[00:17:01] that. This room is going to become very
[00:17:03] relevant and we are going to take note
[00:17:05] in a little bit of this chair and this
[00:17:08] little hexagonal octagonal table next to
[00:17:12] the window that was allegedly broken out
[00:17:15] and used to shoot through. But that's
[00:17:18] the layout of the of the suite.
[00:17:22] This is the suite's layout relevant to
[00:17:24] the concert.
[00:17:26] You'll note how the Mandandalay Bay has
[00:17:29] these this threepronged structure where
[00:17:32] the tower has this end and the suite,
[00:17:34] the main suite 135 was the entire end of
[00:17:40] the tower that is facing farther away
[00:17:42] from us towards the pyramid.
[00:17:46] That would be right up here in this
[00:17:49] zone. Okay. And this parking lot down
[00:17:53] here was transformed into this concert
[00:17:56] venue with a main stage,
[00:17:59] bleachers, bleachers, a central floor
[00:18:02] area, a wide open festival grounds
[00:18:05] behind it.
[00:18:07] Looks like some refrigerated trucks and
[00:18:09] stuff.
[00:18:12] Bunch of v vendor stuff back here. There
[00:18:14] was a abandoned hotel kind of
[00:18:17] construction site in the middle of the
[00:18:19] venue
[00:18:20] which may or may not have been sketchy.
[00:18:23] It's hard to say. And allegedly all the
[00:18:26] gunfire that happened this night came
[00:18:29] down from the 32nd floor of the Mandalay
[00:18:32] Bay from these two broken windows in
[00:18:34] these two rooms rented by Steven
[00:18:35] Paddock. All the gunfire came from that
[00:18:38] one place, that one direction, all using
[00:18:41] this specific list of guns that we're
[00:18:43] going to reference throughout this
[00:18:44] night.
[00:18:46] So, it's very important that you
[00:18:47] understand the mainstream narrative
[00:18:49] because if you're looking for evidence
[00:18:52] of a conspiracy,
[00:18:56] this conspiracy has to be relevant to
[00:18:59] what you're being told, right? Before
[00:19:01] you've been told anything, who knows? It
[00:19:04] might be a conspiracy, but you don't
[00:19:06] have any frame of reference to whether
[00:19:08] the authorities are actually trying to
[00:19:09] solve the crime or not. But once you
[00:19:12] start to get information from the
[00:19:13] authorities,
[00:19:15] that's your first frame of reference for
[00:19:19] is this a coverup?
[00:19:23] Is there something sketchy going on
[00:19:25] here?
[00:19:26] And if
[00:19:28] you get told things like this,
[00:19:32] >> there is no conspiracy between the FBI,
[00:19:36] between LVMPD and the MGM. Nobody is
[00:19:40] attempting to hide anything
[00:19:44] >> or maybe if you get told things like
[00:19:45] this.
[00:19:46] >> Right now, we believe it's a soul actor,
[00:19:48] a lone wolf type actor. Was a sole
[00:19:50] shooter. There is uh no further threat
[00:19:53] that we're aware of. No immediate
[00:19:54] threat. I want to emphasize we believe
[00:19:56] Paddock is solely responsible for this
[00:19:58] heinous act.
[00:20:00] >> Well, then let's just say that you're a
[00:20:01] crazy conspiracy theorist and you should
[00:20:03] shut the [ __ ] up and believe them at
[00:20:06] face value.
[00:20:09] Obviously, there's no pattern. There's
[00:20:12] nothing to pay attention to here.
[00:20:14] Nothing to read into here. Just trust
[00:20:16] me, bro.
[00:20:18] You hear things like this. intent, like
[00:20:20] I stated earlier, is to give you
[00:20:23] information as I know it, unverified, to
[00:20:26] calm the public,
[00:20:30] not to establish a legal case.
[00:20:36] Don't think too hard about it. When he
[00:20:38] says his intent is to give you a
[00:20:42] narrative unverified, to calm the
[00:20:44] public, not to establish a legal case,
[00:20:47] don't worry. The sheriff isn't here to
[00:20:51] establish a legal case,
[00:20:53] at least not in this case. And when you
[00:20:56] hear things like that,
[00:20:59] you might be in witnessing a cover up.
[00:21:03] You might be in the midst of a
[00:21:04] conspiracy.
[00:21:07] Obviously, I'm not insinuating anything
[00:21:09] about any other time or any other topic,
[00:21:14] but in the case of Las Vegas,
[00:21:18] well,
[00:21:20] maybe we'll just continue
[00:21:25] because in the case of Las Vegas,
[00:21:30] there were a lot of things that popped
[00:21:32] up pretty dang quickly
[00:21:36] that gave everybody pause,
[00:21:40] that caused journalists and
[00:21:43] regular Americans, certainly the concert
[00:21:46] goers that had just experienced the
[00:21:47] night,
[00:21:49] it gave them
[00:21:52] hesitation to think, "Wait a minute,
[00:21:54] what they're saying doesn't line up at
[00:21:57] all with what either I witnessed or with
[00:22:00] what they're saying in another place or
[00:22:03] with other evidence that's coming out in
[00:22:05] the news, in media.
[00:22:09] Often [clears throat] the first place
[00:22:10] where discrepancies come up is between
[00:22:12] what journalists and media produce in
[00:22:14] the heat of the moment
[00:22:17] and what official statements start to
[00:22:19] say as soon as the narrative coaleses.
[00:22:24] And I'll just bring up a few simple
[00:22:26] examples from Las Vegas to get us
[00:22:29] started.
[00:22:32] We were told apparently that Steven
[00:22:36] Paddock ran back and forth between his
[00:22:38] two suites, firing out of the windows of
[00:22:41] both with different weapons. He had like
[00:22:45] 24 guns in the suite with him. All sorts
[00:22:48] of different magazines,
[00:22:51] all sorts of different sights. Some of
[00:22:53] them didn't have any sights at all,
[00:22:56] but they all had bump stocks, mind you,
[00:22:58] mostly all. And we're told that he shot
[00:23:01] out of both rooms.
[00:23:04] We'll watch later in the body cam
[00:23:06] footage how the police had to breach the
[00:23:10] room door that separated the two rooms
[00:23:13] because it was locked from the other
[00:23:16] side from where they found Paddock with
[00:23:19] the deadbolt.
[00:23:23] And it's little things like that that
[00:23:25] make you put your thinking cap on and
[00:23:27] say, "Wait a minute.
[00:23:30] If Steven Paddock is dead in this room
[00:23:35] by going pew pew to himself
[00:23:41] and no one else has been in the rooms
[00:23:44] as the law enforcement told us, then how
[00:23:48] is it that the other room is deadbolted
[00:23:50] from the other side full of his guns
[00:23:53] that he was allegedly using during this
[00:23:55] attack?
[00:23:59] little questions like that that come up.
[00:24:02] And here's the thing about these little
[00:24:04] questions. We're going to get to a few
[00:24:05] more of them in a moment here, but it's
[00:24:06] really like I'm we're taking baby steps
[00:24:08] here to make this exceptionally clear
[00:24:10] for all the shills, naysayers, and
[00:24:13] propaganda artists out there that would
[00:24:14] have you not believe your own eyes and
[00:24:16] your own ears in your own mind.
[00:24:19] The real truth, the true answers, the
[00:24:22] actual story that actually happened will
[00:24:25] explain every single detail. There will
[00:24:28] be no detail that does not fit into the
[00:24:30] actual true narrative.
[00:24:33] There might be coincidences because
[00:24:34] coincidences do happen in life. There
[00:24:37] might be weird [ __ ] that happens because
[00:24:39] life is crazy. There might be all sorts
[00:24:43] of stuff that is not likely necessarily
[00:24:47] but is actually explained by the actual
[00:24:51] truth because that's how truth works.
[00:24:53] That's how physics works. That's how
[00:24:55] reality works.
[00:24:57] Everything has an explanation and its
[00:24:59] explanation is real. And if you're being
[00:25:02] told a lie, most lies will miss certain
[00:25:07] little truths that you can observe in
[00:25:09] the evidence presented. And the more
[00:25:11] evidence you have, the more difficult it
[00:25:13] is to craft lies that ex that explain
[00:25:16] and fit to all of it, obviously.
[00:25:19] And so the moment that you discover a
[00:25:23] direct contradiction between the
[00:25:25] evidence and the story that you're being
[00:25:28] told,
[00:25:30] in most cases, you have just discovered
[00:25:32] that the entire story is a lie.
[00:25:36] Or at least you've discovered that you
[00:25:38] might as well treat the whole story as a
[00:25:40] lie because you have to start back from
[00:25:41] ground zero because someone's lying
[00:25:44] somewhere along the way and it's then
[00:25:46] you have to figure out who, why, and you
[00:25:49] might as well just start over based on
[00:25:52] the way these things tend to go. And so
[00:25:54] when you find that the door between the
[00:25:58] rooms where he's apparently shooting
[00:26:00] from both, it's locked from the other
[00:26:02] side as where you found his body, you've
[00:26:04] already just decided, okay, so he didn't
[00:26:08] shoot from both rooms. The other room,
[00:26:10] there must have been someone else in the
[00:26:12] rooms. So it's not a lone gunman. So did
[00:26:15] he even commit suicide? So is any of
[00:26:18] this true? one little piece of evidence
[00:26:23] right there visible on the police body
[00:26:26] cams directly in their police reports
[00:26:28] and we'll read that tonight and right
[00:26:31] there from their official evidence base
[00:26:33] that they provided to us debunks their
[00:26:36] official story
[00:26:39] and I think that their explanation is a
[00:26:42] version of he learned he he hacked the
[00:26:45] door locks himself to manipulate the
[00:26:48] door locks right because Every time that
[00:26:50] a crack in the narrative forms, the
[00:26:53] narrative builders have to cement over
[00:26:55] that crack with an explanation,
[00:26:57] regardless of how flimsy. Obviously, I'm
[00:26:59] not talking about any other moment in
[00:27:01] time, just the Las Vegas shooting. You
[00:27:04] get what I'm saying?
[00:27:06] But when you get given this stucco
[00:27:09] plastered over explanation,
[00:27:11] ask yourself,
[00:27:13] okay, but really like, does that make
[00:27:16] sense? Based on all the other parts of
[00:27:19] your explanation, does that make sense?
[00:27:22] And so, we're going to come back to this
[00:27:23] point about the two rooms, about the
[00:27:25] door being locked between the two, and
[00:27:28] about the door locks.
[00:27:31] and we'll see in the timeline that we've
[00:27:33] been given, does that make sense?
[00:27:37] Other little tidbits that you might just
[00:27:39] chew on for a while
[00:27:42] is that all the crime scene photos where
[00:27:44] you can clearly see that the window is
[00:27:46] shattered wide open here, they're taken
[00:27:50] during the day, the next day. And we're
[00:27:54] going to come back to that, but for now,
[00:27:56] just put a pin in it.
[00:28:00] Another neat thing that they discovered
[00:28:02] and released to us is that he had
[00:28:05] exploding targets in his car,
[00:28:09] which is interesting.
[00:28:11] They must have just incidentally been
[00:28:13] maybe he was practicing
[00:28:15] shooting exploding targets before he
[00:28:18] went on this killing spree.
[00:28:21] Maybe he also had all of this tannerite
[00:28:23] in his car
[00:28:26] with no intention of using it for just
[00:28:29] because he had it in there from before,
[00:28:31] right? Maybe it's a coincidence,
[00:28:35] but those are both the kinds of things
[00:28:37] that you would have with you in the
[00:28:39] desert if you were going to go do a
[00:28:40] whole bunch of shooting for fun and just
[00:28:42] shooting and blowing [ __ ] up in the
[00:28:44] desert,
[00:28:46] right? So, we see evidence. We be we are
[00:28:50] told an official narrative and we ask
[00:28:52] ourselves, does this make sense? Is this
[00:28:54] the most logical version of the truth
[00:28:56] and there's some things that immediately
[00:28:58] disqualify the story? Like having the
[00:29:01] door between the rooms locked from the
[00:29:03] other side, impossible,
[00:29:06] except by giving us this very flimsy
[00:29:09] excuse that we will pick apart later.
[00:29:11] And then there's other types of evidence
[00:29:13] that are just weird, right? that just
[00:29:17] don't exactly square.
[00:29:20] But hey, maybe it's just a weird
[00:29:23] coincidence.
[00:29:26] And usually when
[00:29:29] an investigation is playing out in real
[00:29:31] time, usually it's these types of things
[00:29:34] that add up first.
[00:29:36] Usually it's just little weird [ __ ] that
[00:29:43] just like it could make sense,
[00:29:47] but it kind of doesn't. And when it all
[00:29:50] adds up, there's just more and more
[00:29:51] pieces that kind of get you wondering
[00:29:53] and get you asking, is this the most
[00:29:55] logical explanation?
[00:29:57] Is this really
[00:29:59] the most complete assessment of the
[00:30:02] facts we're being shown?
[00:30:10] And so now let's rewind to the beginning
[00:30:14] and let's look at some common themes
[00:30:17] amongst cover-ups.
[00:30:21] One common theme
[00:30:24] is people with fornowledge on the
[00:30:26] internet.
[00:30:29] And in the Las Vegas shooting, an
[00:30:31] anonymous poster turned up, I believe,
[00:30:34] on 4chan and made three posts in
[00:30:38] September of 2017, one month before the
[00:30:40] shooting. It's a little fuzzy in my
[00:30:43] screenshot, but I'll try to read it to
[00:30:44] you.
[00:30:46] Monday the 11th of September, 2017 at
[00:30:49] 50:08 and then at 528 and then at 5:55.
[00:30:53] First message. Look, I feel bad for some
[00:30:56] of you on this website. So, I'll let you
[00:30:58] in on a little secret. If you live in
[00:31:00] Las Vegas or Henderson, stay inside
[00:31:02] tomorrow. Don't go anywhere where there
[00:31:05] are large groups of people. Also, if you
[00:31:07] see three black vans parked next to each
[00:31:09] other, immediately leave the area.
[00:31:11] You're welcome. John
[00:31:17] Second message,
[00:31:19] it's called the High Incident Project.
[00:31:21] They want to make the American public
[00:31:23] think that places with extremely high
[00:31:25] security aren't safe. They are trying to
[00:31:28] create more regulations. You will see
[00:31:30] laws proposed within the next few years
[00:31:32] to put up more metal detectors and other
[00:31:34] security devices. Media and politicians
[00:31:37] will be saying places with lots of
[00:31:39] police need even more police. I can't
[00:31:41] guarantee anything will happen tomorrow,
[00:31:42] but Las Vegas is on their minds. John,
[00:31:48] last message. If their plan is
[00:31:50] successful, state of Nevada will pass a
[00:31:52] law in the future making all casinos
[00:31:54] have mandatory metal detectors and back
[00:31:56] scatter machines.
[00:31:59] Soon after, a federal law will be passed
[00:32:01] to put these machines in universities,
[00:32:03] high schools, federal buildings, you
[00:32:04] name it. OSI systems and Shertoff,
[00:32:08] Michael Chertoff are the main producers
[00:32:11] of these machines. Sometime around 2020,
[00:32:14] Sherto and OSI will merge into a single
[00:32:16] company. After they merge, the owners
[00:32:18] will sell off all their stock and make
[00:32:20] billions in profit. Mr. Cherto has been
[00:32:22] in contact with Sheldon Adlesen. Mr.
[00:32:25] Adlesen will become a huge sponsor of
[00:32:27] these machines, and he will be the first
[00:32:28] to put them in his casinos where the
[00:32:31] when the law passes. This is my last
[00:32:33] message for now. Don't expect me to
[00:32:34] return anytime soon, John.
[00:32:40] A lot of people don't know, but there
[00:32:43] was a period after the Las Vegas
[00:32:44] shooting when the casinos did try to
[00:32:46] install metal detectors and body
[00:32:48] scanners in all of their buildings. But
[00:32:51] they were just super unpopular and no
[00:32:53] one wanted to walk through metal
[00:32:55] detectors and body scanners every time
[00:32:56] they went in and out of the casino. And
[00:32:58] so ultimately, they wound up taking them
[00:33:00] back out. But they did do all these
[00:33:03] deals that are referenced here. And who
[00:33:07] knows, maybe it's just some random
[00:33:09] anonymous
[00:33:11] troll that got lucky and posted these a
[00:33:14] month before the attack. But it does
[00:33:17] seem like in a lot of these instances
[00:33:20] there's a certain few people on the
[00:33:22] internet and in the stock market
[00:33:26] and maybe over in Israel on Google
[00:33:29] that seem to have fornowledge of these
[00:33:32] types of events.
[00:33:36] First clue, first pattern, first piece
[00:33:38] of the puzzle.
[00:33:42] The next piece of the puzzle that comes
[00:33:45] up in Las Vegas, and it comes up
[00:33:46] frequently,
[00:33:48] is witness testimony that does not
[00:33:50] correlate to
[00:33:53] the narrative, to what you're being
[00:33:55] told.
[00:34:01] And remember
[00:34:03] what we're being told is that the
[00:34:06] deadliest mass shooting in American
[00:34:08] history, 60 dead, hundreds wounded, was
[00:34:12] all conducted by a single man in a
[00:34:14] single room. He never left it. He fired
[00:34:17] 1,50 rounds from like 14 rifles or
[00:34:22] something. And then he offed himself an
[00:34:24] hour before the police got there. He
[00:34:26] just got bored, I suppose. even though
[00:34:29] he had ammo for days. He had like more
[00:34:32] than 4,000 rounds left preloaded into
[00:34:34] magazines,
[00:34:36] but he was just bored, done with it, and
[00:34:39] decided to end it early.
[00:34:42] And so anyone that would say that there
[00:34:46] was more than one shooter or that the
[00:34:48] shooting was coming from anywhere other
[00:34:49] than that room in the Mandalay Bay
[00:34:52] or that there was any shooters on the
[00:34:54] ground or anyone suspicious on the
[00:34:55] ground or anything like that. All of
[00:34:58] that would directly contradict the
[00:35:00] narrative, right?
[00:35:03] And so when witnesses say something like
[00:35:06] saw two males carrying bulletproof vests
[00:35:08] and carrying backpacks behind Hooters
[00:35:10] near Motel 6,
[00:35:13] that's weird.
[00:35:18] offduty fire for fighter, former Victor
[00:35:22] County, California, stating he was told
[00:35:24] there was a subject, negative
[00:35:27] description with a 413 walking. No shots
[00:35:29] fired. 413 would be a weapon.
[00:35:35] There's a shooter in the area of 3901
[00:35:37] South Boulevard and people were hiding
[00:35:39] at the hangers at the airport, which
[00:35:41] we're going to talk about in a little
[00:35:42] bit.
[00:35:43] They were chasing Oh, you mean the
[00:35:45] crowd. They were chasing after the crowd
[00:35:47] as they ran. Yeah, they were just like
[00:35:50] there had to have been somebody down
[00:35:52] there because just the way that it was
[00:35:54] hitting some people. Like it's hard to
[00:35:55] think that that would hit them from the
[00:35:58] 32nd floor cuz it was hitting them like
[00:36:00] dead on. So like it was like it was
[00:36:03] coming like parallel to the ground.
[00:36:06] Yeah,
[00:36:09] details matter. Shooter in the 32nd
[00:36:12] floor can't shoot parallel to the
[00:36:14] ground. Again,
[00:36:17] other witness is saying the same thing.
[00:36:18] Bullet courses from back to front
[00:36:20] directly.
[00:36:25] Approximately 30 to 40 seconds before
[00:36:26] the automatic gun started, the girl in
[00:36:28] front of her was shot dead and fell to
[00:36:29] the ground. She heard a pop pop and then
[00:36:32] 30 seconds later, the automatic shot
[00:36:33] started. Feels there was possibly more
[00:36:36] than one shooter because the two
[00:36:38] gunshots came from the House of Blues
[00:36:39] area.
[00:36:43] one suspect, one in the crowd with us
[00:36:45] because as you're running away from
[00:36:46] Mandalay Bay, the shots were getting
[00:36:48] closer and getting louder. Like it there
[00:36:51] was definitely more. Like we believe
[00:36:52] that there's probably a good three cuz
[00:36:55] it was it was just no way that he's all
[00:36:57] the way up on the 32nd floor and shots
[00:36:59] are getting louder as we're trying to
[00:37:00] run away. Like we were hiding behind a
[00:37:02] cop car at one point and it sounded like
[00:37:03] they were like right there hitting the
[00:37:05] cop car.
[00:37:07] These statements are repeated over and
[00:37:09] over and over by basically every witness
[00:37:12] on the ground. Could you see where shots
[00:37:15] were coming from at all? Um, at first,
[00:37:16] no. Um, and like I said, uh, everyone
[00:37:19] was saying, you know, from the casino.
[00:37:21] From the casino. And okay, you know,
[00:37:22] it's across the street. Seems a little
[00:37:24] awkward, but okay. And I thought I was
[00:37:26] hearing, you know, a few different areas
[00:37:27] of sound. Uh-huh. Not just one. Uh-huh.
[00:37:32] Bullets just whizzing by um
[00:37:34] horizontally.
[00:37:39] The pop pop sounds were right there and
[00:37:42] they sounded like they came from inside
[00:37:44] the concert grounds. When the rifle
[00:37:46] sounds came, heard an echo from the
[00:37:47] shots that she did not hear from the
[00:37:49] initial pop pop sounds.
[00:38:00] And so now let's talk about a little bit
[00:38:02] of the footage.
[00:38:04] We're going to go layer by layer here
[00:38:06] and get deeper and deeper. Obviously,
[00:38:07] we're warming up at the very basic stuff
[00:38:09] here.
[00:38:11] I'm going to see if um
[00:38:15] see if we can
[00:38:17] cover some of this video footage without
[00:38:19] getting our video in trouble here, but a
[00:38:22] lot of the video footage is pretty
[00:38:23] traumatizing. We're going to try not to
[00:38:24] show you any of that. Um,
[00:38:28] we do have a lot of body cam footage
[00:38:29] from the night, but we also have a
[00:38:31] number of instances of body cam footage
[00:38:33] that looks like this.
[00:38:40] >> A number of instances where
[00:38:43] in certain settings, certain scenarios,
[00:38:45] right before they did certain things,
[00:38:47] they were all instructed to turn their
[00:38:49] body cameras off, like when they
[00:38:51] breached the room of the shooter.
[00:38:54] Fortunately, one of the cops on the
[00:38:57] primary breach did have his body cam on
[00:39:00] and so we do have footage of the first
[00:39:02] breach, more or less. And then
[00:39:05] afterwards, other cops came in and we
[00:39:06] have a couple different angles of
[00:39:07] footage of the breach. But there's a
[00:39:10] numerous instances throughout the night
[00:39:11] where we watch all the police take turn
[00:39:13] their body cameras off.
[00:39:15] >> I saw cases right here,
[00:39:17] >> right around here. So there were beer
[00:39:19] cans, there were empty drink cups, and
[00:39:21] there were
[00:39:24] maybe a dozen really brass inch and a
[00:39:28] half, 2 in, two. So remember, you don't
[00:39:31] even need to know where he's standing to
[00:39:34] know that that doesn't fit the official
[00:39:36] narrative. If there's any shell casings
[00:39:40] anywhere on concrete,
[00:39:43] the official narrative doesn't make
[00:39:44] sense
[00:39:46] unless law enforcement was firing their
[00:39:47] rifles up at the Mandandalay Bay just
[00:39:49] randomly spraying the walls of the hotel
[00:39:51] with gunfire because there's no reason
[00:39:54] why any shell casings should be on the
[00:39:56] ground because all of them, every last
[00:40:00] one has to be inside of 32134
[00:40:04] and 32135 of the Mandalay Bay.
[00:40:08] because that's where the only shooter
[00:40:09] was. But where this man is while they're
[00:40:13] explaining this
[00:40:15] is in
[00:40:18] the parking lot of the Tropicana back
[00:40:20] here,
[00:40:23] back behind the concert venue.
[00:40:27] That is just one of many, many different
[00:40:32] locations throughout the night. And I'll
[00:40:33] refer back to this map a few times. I'll
[00:40:35] tell you about it. All of these dots on
[00:40:37] this map are different 911 calls,
[00:40:40] different body cam footage, different
[00:40:42] reports of gunfire, reports of shell
[00:40:44] casings, people that picked guns up off
[00:40:46] the streets, people that reported a
[00:40:49] gunman running through the lobby of all
[00:40:51] these other hotels. Nearly every single
[00:40:53] hotel on the Las Vegas strip that night
[00:40:56] had reports, most of the many reports of
[00:41:00] shooters inside those hotels. All of
[00:41:03] that does not fit the official narrative
[00:41:06] because the official narrative is there
[00:41:07] was only one and he was in the Mandalay
[00:41:09] Bay and yet somehow we're going to talk
[00:41:12] later about how all the way down there
[00:41:15] like a mile and more down the strip
[00:41:18] people in the hotels an hour and more
[00:41:21] after the shooting had ended allegedly
[00:41:24] were still calling 911 to say we have an
[00:41:27] active shooter in the hotel with us
[00:41:29] right now.
[00:41:32] So, it's these little things, not the
[00:41:35] least of which the eyewitness testimony,
[00:41:37] but even more so the hard evidence that
[00:41:39] can't be altered or scrubbed or
[00:41:42] manipulated, that can't be deceived or
[00:41:45] scared or emotional.
[00:41:49] All of it disagrees with the mainstream
[00:41:50] narrative.
[00:41:53] >> Spread out as if someone was shooting
[00:41:56] right here.
[00:41:57] >> Yeah. I mean, they weren't like they
[00:41:58] weren't in a pile. They weren't in a
[00:42:00] bunch. They weren't touching each other.
[00:42:01] They were spread out.
[00:42:03] >> This is also a good place to mention
[00:42:05] that in this reporting I stand on the
[00:42:07] shoulders of incredible journalists that
[00:42:09] came before me. Um I came to this story
[00:42:12] long after everyone had dug it open long
[00:42:15] after these people had already been
[00:42:17] through this tragedy, reported on this
[00:42:19] tragedy and investigated it for years.
[00:42:21] Um and some of the primary ones
[00:42:23] crowdsource the truth is Jason Goodman.
[00:42:25] Um he's on X, he's on YouTube and he did
[00:42:27] a ton of work on this over many years.
[00:42:29] great great investigative reporter on
[00:42:31] this. Um, and I think there's probably a
[00:42:34] couple clips from him in here. We're
[00:42:35] going to reference John Cullen a fair
[00:42:37] bit. Um, jokingly possibly John Cullen
[00:42:41] has been missing from the internet and
[00:42:42] possibly having someone come out and
[00:42:44] talk about Las Vegas. Maybe that'll be
[00:42:46] what gets him back on the internet to
[00:42:48] talk [ __ ] Um, we love you, John. Um, we
[00:42:51] hope you're okay. But John Coen has
[00:42:53] contributed dramatically to the
[00:42:55] reporting that we're going to reference
[00:42:56] tonight and we'll watch a few of his
[00:42:57] videos. Uh Mindy Robinson put together
[00:42:59] an incredible documentary that we're
[00:43:00] going to watch some clips from. Uh
[00:43:02] Infowars crew did a whole bunch of
[00:43:04] reporting on it. Laura Loomer did a
[00:43:05] whole bunch of on the ground journalism
[00:43:07] about it. A ton of people uh contributed
[00:43:10] to the reporting that has now preserved
[00:43:13] the evidence and released the evidence
[00:43:16] and helped to crack open pieces of this
[00:43:18] story bit by bit over years. And so
[00:43:21] support those people. Um, and thank you
[00:43:24] to those people for doing all that work
[00:43:26] because without all the people doing the
[00:43:27] work when it happens, it all just gets
[00:43:29] covered up. It matters to do this work
[00:43:32] right when it happens because otherwise
[00:43:34] it all just fades away. So yeah,
[00:43:37] >> I walked over to I walked over by the
[00:43:40] traffic. I found
[00:43:42] it was still some on the ground. Where?
[00:43:45] >> In the parking lot.
[00:43:47] >> At the top can of the parking lot.
[00:43:49] >> Right. Where the they made their triage
[00:43:51] right almost by the door.
[00:43:53] >> So I sat down at a slot machine inside
[00:43:56] of Planet Hollywood. Now I hear gunfire
[00:44:00] over the sound of the casino. More
[00:44:03] gunfire. Much closer. I would estimate
[00:44:06] it had to be within a half block. People
[00:44:09] are are are starting to pour in. So I go
[00:44:12] to the cashier. He looks at the time
[00:44:14] stamp, whatever. And so he asked me,
[00:44:17] "Were you here with all that that went
[00:44:18] down last night?" I said, "Yeah." He
[00:44:20] said, "What happened?" And so I told him
[00:44:23] briefly. He looks at the cashier next to
[00:44:25] him. He said, "I told you." So she looks
[00:44:27] back at him and says, "Well, why are
[00:44:29] they telling you guys not to say so?" He
[00:44:32] was like, "I don't know. I didn't say
[00:44:33] so. She did." Pointing at me. So from
[00:44:37] that, I gathered that the employees that
[00:44:39] were even there at the time were
[00:44:41] threatened to keep their damn mouth
[00:44:42] shut. Period. A whole lot of stuff went
[00:44:45] down. And almost none of it is being
[00:44:50] reported on Mainstream News. Almost none
[00:44:52] of it.
[00:44:55] >> Facts.
[00:44:57] And last little tidbit before we get
[00:45:00] into it. There was a lady who pushed her
[00:45:01] way forward into the concert venue into
[00:45:03] the first row and she started messing
[00:45:06] with another lady and told us that we
[00:45:08] are all going to die tonight.
[00:45:10] So, she's really quiet. What she just
[00:45:12] said is there was a lady that came into
[00:45:15] the concert about 45 minutes before the
[00:45:17] shooting started, pushed her way to the
[00:45:19] front, and she was messing with another
[00:45:20] lady and she told them they were all
[00:45:22] going to die tonight.
[00:45:25] >> Do you know why she was saying that? I
[00:45:26] mean, was this after the shots were
[00:45:28] fired or
[00:45:29] >> It was about 45 minutes before the shots
[00:45:31] were actually
[00:45:32] >> about 45 minutes before the shots.
[00:45:33] >> Out by security
[00:45:35] >> and she was escorted out by security and
[00:45:37] multiple witnesses corroborated this
[00:45:39] that a Hispanic lady pushed away to the
[00:45:41] front of the crowd and told everyone,
[00:45:42] "You're all going to die tonight."
[00:45:45] People with fornowledge.
[00:45:47] We'll come back to the ladies on the
[00:45:49] Room with Stephen Paddock
[00:45:52] that we believe were Hispanic
[00:45:56] in some form.
[00:45:58] But we're going to briefly just play two
[00:46:01] parts of the shot audio. Basically, I'm
[00:46:05] going to skip ahead so we don't have to
[00:46:07] watch all the trauma and [ __ ] but I
[00:46:09] want you to hear the audio if you've
[00:46:11] never heard it before. So, this is the
[00:46:13] concert and then you're going to hear a
[00:46:15] couple of distinct like pop pop. That's
[00:46:18] defin obviously like some sort of rifle,
[00:46:20] maybe a handgun, probably a rifle, not
[00:46:22] automatic gunfire. And then we'll jump
[00:46:25] into the automatic gunfire afterwards.
[00:46:29] [music]
[00:46:34] [music]
[00:46:39] Yes, you. [music]
[00:46:45] So, you heard three cracks, more or
[00:46:47] less, very distinct. Um, I'm not going
[00:46:50] to play the first couple vols. This is
[00:46:52] compiled from Mindy Robinson's
[00:46:54] documentary. And [snorts] the first
[00:46:55] couple volleys show people running and
[00:46:57] screaming, and I bet that YouTube will
[00:46:58] get mad at me. So, we're going to skip
[00:47:00] ahead to the seventh volley
[00:47:05] to the eighth volley
[00:47:08] and just listen to what this gunfire
[00:47:09] sounds like and and ask yourself, is
[00:47:11] this one gun or is this multiple guns?
[00:47:14] >> That way, go
[00:47:21] stops.
[00:47:24] I don't know.
[00:47:31] Everyone
[00:47:32] that knows guns that was there that I've
[00:47:34] talked to says that it was obviously
[00:47:37] beltfed machine guns. It sounded like
[00:47:39] beltfed machine guns to them,
[00:47:43] [snorts]
[00:47:43] but allegedly it was all AR-15s and
[00:47:46] AR10s with bump stocks and 100 round
[00:47:50] mags
[00:47:52] because bump stocks, baby.
[00:47:55] But once you start to dig into the
[00:47:57] reporting, a lot of other things
[00:47:59] happened.
[00:48:01] A lot of other things happened. We're
[00:48:02] going to come back to this report in a
[00:48:06] second
[00:48:09] because first I want to dig in a little
[00:48:11] bit into the way it was reported on or
[00:48:14] not reported on in the mainstream news.
[00:48:17] And we're going to kind of go layer by
[00:48:18] layer here and get deeper and deeper
[00:48:20] into stuff that you you've I mean, if
[00:48:21] you've looked into this, you probably
[00:48:22] know all the stuff we've talked about so
[00:48:23] far. and you'll probably know about the
[00:48:25] stuff we're about to talk about. And
[00:48:26] then we're going to get into kind of
[00:48:27] some of the deeper layers that you may
[00:48:28] or may not have heard about before. Um
[00:48:31] because that's how these real
[00:48:32] investigations go is they tend to start
[00:48:34] where everyone's paying attention and
[00:48:36] everyone knows the first piece of
[00:48:37] Charlie Kirk's story. Everyone saw the
[00:48:39] first video of Charlie Kirk's story.
[00:48:40] Wait, I'm not talking about Charlie
[00:48:42] Kirk. What do we I mean, I'm talking
[00:48:43] about Las Vegas. Obviously, we're
[00:48:45] talking about Las Vegas. Um, but then as
[00:48:48] the investigation goes on, often further
[00:48:51] future breaks in the case, little
[00:48:52] details that come out later, little
[00:48:54] inconsistencies in the narratives often
[00:48:56] go unnoticed by the vast majority, even
[00:48:58] if they disprove the entire thing, even
[00:49:00] if they completely change the nature of
[00:49:03] what must be true. And so, we're going
[00:49:05] to go through some of those things for
[00:49:06] Las Vegas
[00:49:08] and reflect on them.
[00:49:13] After a long fight with authorities,
[00:49:16] journalists got body cams released. Um,
[00:49:18] FBI now scrubbing all evidence of a
[00:49:21] second shooter at the Las Vegas
[00:49:22] massacre.
[00:49:24] After legal battle with the media, LVMPD
[00:49:26] was forced to release a whole bunch of
[00:49:28] evidence. Notice that this is a year
[00:49:31] later almost.
[00:49:34] The coroner actually fought against
[00:49:37] releasing the autopsy and journalists
[00:49:40] sued. It might have been concert goers.
[00:49:42] I don't know exactly who, but people
[00:49:44] sued the coroner personally in order to
[00:49:47] force the release of the autopsy. And
[00:49:49] the coroner wound up paying like 30
[00:49:51] something,000
[00:49:53] in this court order and had to release
[00:49:56] the autopsy for Steven Paddock.
[00:50:00] Las Vegas sheriff fights back against
[00:50:02] conspiracy talk after shooting timeline
[00:50:04] changes multiple times because in the
[00:50:06] initial phases, the timeline tends to
[00:50:08] shift. The story tends to evolve in ways
[00:50:12] that don't really make sense.
[00:50:17] Social media might delete things. They
[00:50:20] might censor things. If you see any of
[00:50:22] these signs, any of these types of
[00:50:24] headlines that we're seeing here, you
[00:50:26] might be inside of a cover up. You might
[00:50:29] be experiencing a conspiracy.
[00:50:32] Obviously, I'm not commenting on any
[00:50:34] present- day storylines or any modern
[00:50:37] narratives. We're just looking at Las
[00:50:39] Vegas only right now.
[00:50:44] His hard drive went missing. Steven
[00:50:47] Paddock's laptop hard drive went
[00:50:48] missing. And they came out with the
[00:50:50] amazing mortar to seal up that crack in
[00:50:54] the story by literally saying, "Oh, all
[00:50:57] of his friends told us that that's just
[00:50:59] something he did. He just took the hard
[00:51:02] drive out of his electronics often when
[00:51:05] he was traveling and stuff. He would
[00:51:07] just take the hard drives out of his
[00:51:09] electronics and leave it other places.
[00:51:11] He was very paranoid.
[00:51:15] Great, great explanation, boys. Great
[00:51:18] explanation.
[00:51:22] If this shooter's home gets mysteriously
[00:51:25] broken into after the crime,
[00:51:28] you might be inside of a cover up, a
[00:51:31] conspiracy.
[00:51:33] Where have we read a headline like that
[00:51:35] before? Isn't it weird that headlines
[00:51:39] like that seem to just pop up in the
[00:51:41] darnest of places?
[00:51:47] That's weird.
[00:51:50] And almost perhaps best of all,
[00:51:55] the CEO of MGM,
[00:51:58] the company that owns all the casinos,
[00:52:02] James Murin, sold $10 million worth of
[00:52:08] MGM stock
[00:52:10] just
[00:52:12] a month before the shooting.
[00:52:21] a month before the shooting.
[00:52:25] The filing is right here.
[00:52:28] Min James
[00:52:32] sold 259,700
[00:52:34] shares there.
[00:52:37] 34,390
[00:52:38] shares there.
[00:52:41] It's all right there in public filings.
[00:52:45] the chairman and CEO
[00:52:49] of
[00:52:51] most of this most of the casinos on the
[00:52:54] strip. He just thought that September
[00:52:56] 2017 was a great time to sell 80% of his
[00:53:00] stock.
[00:53:03] If you see insiders
[00:53:07] selling, shorting, or insider trading on
[00:53:12] a tragedy,
[00:53:14] on a suspicious event, you might be
[00:53:18] inside of a conspiracy.
[00:53:21] You might be about to witness a coverup.
[00:53:28] And there's the filing.
[00:53:31] So,
[00:53:34] now let's talk about the timeline and
[00:53:38] let's talk about some of the suspicious
[00:53:42] things that actually happened on that
[00:53:44] night during their events.
[00:53:49] We already watched the opening salvo of
[00:53:51] the gunfire itself, but actually that's
[00:53:55] not the first gunshots that were
[00:53:58] allegedly fired that day.
[00:54:02] I need to be sensitive about this
[00:54:03] because the person that was on that
[00:54:05] floor, we have contact with that person,
[00:54:08] one of their family members died at the
[00:54:12] event, but they were staying on that
[00:54:14] same floor. They heard a gunshot at 3:45
[00:54:17] in the afternoon.
[00:54:18] And at 4:00, around the same time, the
[00:54:22] locks start getting manipulated for 18
[00:54:24] minutes in a way that is not explainable
[00:54:28] for normal operations.
[00:54:33] So, a witness heard a gunshot
[00:54:36] on the 32nd floor of the Mandalay Bay
[00:54:39] around 3:45 in the afternoon.
[00:54:43] Many people,
[00:54:46] many very informed people suspect that
[00:54:49] that was actually the gunshot that may
[00:54:50] have killed Steven Paddock,
[00:54:53] our lone gunman, the one that did the
[00:54:55] whole shooting.
[00:54:58] And we'll get to that later on when we
[00:55:00] look at the crime scene photos.
[00:55:05] But let's take a check on before we get
[00:55:07] to these three females.
[00:55:09] Let's take a look at the room at these
[00:55:12] locks because this is in their official
[00:55:14] report.
[00:55:17] And note that all of the times you're
[00:55:20] going to see basically throughout this
[00:55:21] whole thing, especially in these
[00:55:23] reports, it's all in military time. So
[00:55:25] from 2:23 to 7:40 in the afternoon and
[00:55:30] evening, the doors from rooms 32134 and
[00:55:33] 32135 were manipulated multiple times.
[00:55:37] For example, the doors were opened,
[00:55:38] closed, and the deadbolt locks were
[00:55:40] engaged and disengaged several times.
[00:55:45] There's a whole bunch of details to
[00:55:47] that,
[00:55:48] but
[00:55:50] hotels actually keep logs of all of this
[00:55:52] stuff. And somehow folks got them to
[00:55:56] release them all. I don't know if they
[00:55:58] offered them or not, but journalists
[00:56:01] poured through them and analyzed
[00:56:05] things like moments where on the left
[00:56:07] you have room 32134 and on the right you
[00:56:10] have room 32135. And at 12:03, at the
[00:56:13] exact same moment, both doors open from
[00:56:15] the inside despite Steven Paddock being
[00:56:17] alone in the room, the only one in the
[00:56:19] room, no one else there. So obviously
[00:56:23] that's not true. Little details, subtle
[00:56:25] details, details matter. And there are
[00:56:28] certain details that prove that the
[00:56:30] official narrative is impossible.
[00:56:34] There's also evidence of tampering with
[00:56:38] the locks of what seems to be trying to
[00:56:41] hack or gain access to the electronic
[00:56:43] locking system. When the door is open
[00:56:46] from the inside and then there's an
[00:56:48] error, no access to room, guest card
[00:56:49] accepted, door is closed. That's the
[00:56:51] kind of thing that you would see when
[00:56:52] you're testing a key to see if it works.
[00:56:55] So, you open the door from the inside of
[00:56:56] the room and you're going out and you
[00:56:58] test your card to make sure you can get
[00:57:00] back in and then you close the door.
[00:57:05] Later at 6:40
[00:57:08] after the tampering that our journalist
[00:57:10] um whose name I forget was mentioning,
[00:57:13] that was around 4:00 when the tampering
[00:57:14] happens. When the doors open and close,
[00:57:16] the dead bolts turn and turn and turn
[00:57:18] and turn and turn and turn and turn.
[00:57:19] Doors open and close. Turn turn. Later
[00:57:22] after that, you see sequences like this
[00:57:25] where the door is first opened from the
[00:57:28] inside and then the deadbolt is
[00:57:30] released, which is physically impossible
[00:57:32] because you can't open a door when the
[00:57:33] deadbolt is closed.
[00:57:36] And then after the deadbolt is released,
[00:57:37] the door is closed, then it's open from
[00:57:38] the inside, then it's closed again.
[00:57:43] Okay?
[00:57:45] When you examine the locking sheets, you
[00:57:48] see a lot of evidence that after around
[00:57:50] 4 p.m. the electronic locking mechanisms
[00:57:53] had been hacked.
[00:57:57] Little things like that first might help
[00:58:00] you disprove the mainstream narrative,
[00:58:02] but then later they make your brain go
[00:58:05] wild on trying to figure out what the
[00:58:07] hell actually happened.
[00:58:11] And a very important piece of evidence
[00:58:13] came out that was deeply buried by the
[00:58:16] mainstream media is that there were
[00:58:19] three females registered to the room
[00:58:21] with our lone gunman. A a thing that
[00:58:23] nobody thought to mention. None of the
[00:58:25] mainstream news thought to cover.
[00:58:28] We know their first names, but not their
[00:58:30] last names because their last names were
[00:58:32] redacted.
[00:58:36] And we know their names. I don't I don't
[00:58:39] actually know if they mentioned their
[00:58:40] names in this specific clip, but we have
[00:58:42] body cam footage from all around Las
[00:58:44] Vegas that night. And people started
[00:58:46] pouring through it once it was released
[00:58:48] like a year later in most cases. And
[00:58:51] they noticed little things like this
[00:58:52] hidden in the body cam footage
[00:58:54] >> or even publicly [music] mentioned.
[00:58:59] >> And he's registered there with three
[00:59:01] other females. I don't know. You want
[00:59:03] all their names.
[00:59:04] >> Why is why is it documented, right? the
[00:59:06] three women were inside the room and
[00:59:07] they redacted their names from the
[00:59:08] document and for some reason not only
[00:59:10] did they lie about Paddock being alone
[00:59:12] in the room but they are hiding who
[00:59:13] these women are and I I think that we're
[00:59:16] going to really learn a lot more about
[00:59:18] what happened in Vegas once we learn the
[00:59:20] identities of these three women
[00:59:22] >> my wasn't it a different time
[00:59:25] um but here's a good example of a time
[00:59:29] when we can corroborate this for
[00:59:30] ourselves by going to sorry this is
[00:59:32] Google Earth to Las Vegas shooter map
[00:59:35] Vegasshootingmap.com.
[00:59:37] So, a little more detail here.
[00:59:41] This is a free resource that some legend
[00:59:43] built for you, for me, for everybody.
[00:59:48] And it is a open- source
[00:59:51] file of
[00:59:55] crowd video, body cam video marked in
[00:59:59] yellow, 911 calls that you can listen to
[01:00:02] the original 911 calls,
[01:00:05] death reports with information,
[01:00:09] all sorts of
[01:00:12] original primary source evidence,
[01:00:14] surveillance video, all sorts of stuff.
[01:00:17] So that that way you can skip the
[01:00:19] narrative and go and reinvestigate it
[01:00:21] from its original source material for
[01:00:23] yourself and you can corroborate the
[01:00:25] reporting of other journalists for
[01:00:27] yourself and make sure that you're not
[01:00:30] being lied to. And this is the video
[01:00:33] that that is sourced from. You click on
[01:00:35] it, you go to YouTube, and that clip, I
[01:00:39] think it appears around 7:40, 750 in
[01:00:42] this video.
[01:00:44] first name um Steven with a ph. Can't
[01:00:52] register with the three other female.
[01:00:55] You want their information, too, or no?
[01:00:59] Yeah.
[01:01:03] Okay. First subject's last name is.
[01:01:06] >> And then they thought to redact their
[01:01:08] names for us because reasons.
[01:01:14] You'd think they would have thought to
[01:01:15] redact the thought the fact that there
[01:01:16] was three other females registered to
[01:01:18] the room,
[01:01:21] but
[01:01:23] no, they're not that smart.
[01:01:27] I would assume, my guess would be that
[01:01:30] they
[01:01:32] had the side suite and Paddock had the
[01:01:34] main suite
[01:01:37] in whatever it was that they were
[01:01:38] arranging.
[01:01:40] A lot of people have speculated that he
[01:01:41] was honeypotted by these women or that
[01:01:43] these women had something to do with
[01:01:46] getting him to the location.
[01:01:49] I'll let you decide for yourself,
[01:01:51] but that's where you find details that
[01:01:54] contradict the mainstream narrative. And
[01:01:56] once you feel comfortable
[01:01:58] checking out from the mainstream
[01:02:00] narrative, suddenly all those details
[01:02:02] recolor your thought process about what
[01:02:04] actually happened. And suddenly every
[01:02:06] piece of evidence that they told you fit
[01:02:08] in here might fit in somewhere
[01:02:10] completely different. And we'll talk
[01:02:12] about some of those in a minute.
[01:02:16] One of the next really suspicious parts,
[01:02:19] if you are familiar with the story, is
[01:02:21] the story of Joseé Campos, the security
[01:02:24] guard for Mandalay Bay that was
[01:02:27] responding around the time of the
[01:02:29] shooting to a hot SOS alarm, which I
[01:02:34] guess is like a security alarm that he
[01:02:35] has to go check on. And it's a very
[01:02:36] normal thing apparently. And he had to
[01:02:38] check on a number of them. And he was
[01:02:40] going to check on one in room 32129.
[01:02:43] Not Paddock's room, not either of
[01:02:44] Paddock's rooms. A different room on
[01:02:46] that floor.
[01:02:48] Um,
[01:02:50] so I guess whatever Paddock was doing
[01:02:52] wasn't enough to trip an alarm, but
[01:02:53] someone else had, you know, had some
[01:02:55] sort of security alarm. So he had to go
[01:02:56] up to that floor to check out that
[01:02:58] alarm.
[01:03:00] And he tried going up that stairwell
[01:03:01] right next to Paddock's room, and he
[01:03:03] couldn't get through the door. It was
[01:03:05] blocked from the other side somehow. So
[01:03:06] he went down, went over, and went up an
[01:03:09] elevator.
[01:03:10] And this is where his story gets really
[01:03:12] weird. And this is the final reporting
[01:03:14] of his story. But in the original
[01:03:15] version, the story changed three times
[01:03:18] in the timing of this. Initially, we
[01:03:21] were told that all of this happened,
[01:03:24] was it? Initially, it was that this all
[01:03:27] happened after the shooting.
[01:03:30] Then the story changed so that it all
[01:03:33] happened before the shooting. But then
[01:03:35] MGM was like, "Nah, that makes us look
[01:03:38] dumb. that makes us look bad. And so
[01:03:40] they changed it a third time and made it
[01:03:42] so this happened in the middle of the
[01:03:44] shooting. So when we read this part of
[01:03:47] the official
[01:03:49] Las Vegas police statement about the
[01:03:53] report about what happened, just
[01:03:55] remember that this happened while there
[01:03:58] was automatic gunfire just erupting from
[01:04:01] the room at full volume.
[01:04:05] So he could not gain entry to the 32nd
[01:04:07] floor due to the door being barricaded.
[01:04:09] So he walked up the stairs to the 33rd
[01:04:11] floor, walked down, took an elevator to
[01:04:15] the 32nd floor.
[01:04:17] At approximately 10:04, security officer
[01:04:21] Campos picked up a house phone located
[01:04:23] inside the small foyer leading to the
[01:04:25] stairwell and called security dispatch
[01:04:27] to report the L bracket on the door to
[01:04:29] the stairs that had been barring the
[01:04:31] door. Security dispatch transferred the
[01:04:33] call to maintenance dispatch and the
[01:04:34] maintenance dispatcher then transferred
[01:04:36] security officer Campos to the
[01:04:37] maintenance supervisor cell phone and he
[01:04:38] told the maintenance about it about this
[01:04:41] tiny puny little L bracket.
[01:04:45] This little L bracket is going to be
[01:04:46] important because it's going to stop the
[01:04:49] police response for a full hour from
[01:04:51] getting to the scene of the crime. This
[01:04:53] little teeny bracket from Home Depot
[01:04:55] attached with two screws.
[01:04:58] But note that
[01:05:02] Lombardo, chief of police,
[01:05:06] described that little bracket as
[01:05:10] the suspect drilled holes and bolted a
[01:05:13] metal bar to try to prevent the opening
[01:05:15] of an emergency exit stairwell door.
[01:05:18] So, this is a metal bar according to
[01:05:21] Sheriff Lombardo.
[01:05:24] Interesting.
[01:05:28] From approximately 10:05 to 10:16,
[01:05:32] Paddock committed a mass shooting that
[01:05:33] left 58 people dead and over 700
[01:05:35] injured.
[01:05:39] During that time,
[01:05:44] the engineer, the maintenance guy came
[01:05:48] up to the floor.
[01:05:56] So, at 10:06 during the shooting,
[01:06:00] officer Campos ended the phone call with
[01:06:02] maintenance and hung up the house phone.
[01:06:04] After hanging up the phone, he heard
[01:06:06] what he described as rapid drilling
[01:06:08] noises.
[01:06:12] But note
[01:06:14] that he was in this tiny little room
[01:06:16] right here, right next to the main
[01:06:18] suite.
[01:06:20] And he allegedly described the sound as
[01:06:22] rapid drilling noises. Despite all of
[01:06:26] Las Vegas being able to hear this
[01:06:28] shooting
[01:06:30] for miles around outside on the strip,
[01:06:33] rapid drilling noises. And we don't know
[01:06:36] if this happened before or after or
[01:06:38] during the shooting because the story
[01:06:40] changed multiple times.
[01:06:48] So after he hangs up the phone, Paddock
[01:06:51] fires approximately 100 rounds into the
[01:06:52] Las Vegas village into the concert.
[01:06:55] Officer Campos began walking down the
[01:06:57] 100 wing towards center core. So he
[01:06:59] hears rapid drilling in the room while
[01:07:01] automatic gunfire is going off and he
[01:07:03] decides that he's going to just walk
[01:07:05] down the hallway towards the middle of
[01:07:08] everything. Just to give you a bit of a
[01:07:10] orientation here. Here's the map layout
[01:07:13] of that wing of the threepronged
[01:07:15] Mandalay Bay building. Up at the top is
[01:07:18] the suite where the gunfire is
[01:07:19] happening. And over here by the top at
[01:07:22] number three, that's the stairwell. and
[01:07:24] the little foyer where Campos allegedly
[01:07:26] made this call. And then he steps out
[01:07:28] and he starts walking down the hall
[01:07:30] towards the center core right here at
[01:07:32] the bottom.
[01:07:34] Just walking away from the drilling
[01:07:36] noises.
[01:07:44] Engineer Shuck was told by his
[01:07:46] supervisor to go to the 32nd floor in
[01:07:47] the middle of a mass shooting.
[01:07:50] No big deal. Don't bother telling him
[01:07:52] about it.
[01:07:54] The LVMPD, the police unit broadcaster
[01:07:58] broadcast over the convention center
[01:07:59] area command radio. We got shots fired
[01:08:02] 415A at the Route 91. Sounded like
[01:08:04] automatic firearm. Paddock fired rounds
[01:08:06] down the hallway at security officer
[01:08:08] Campos. So Paddock fired allegedly
[01:08:10] Paddock fired straight through the door
[01:08:13] down the hallway at this security
[01:08:16] officer Campos. He was struck in the
[01:08:18] left calf with a bullet fragment. He
[01:08:21] took cover in the al cove between rooms
[01:08:22] 32124 and 32122
[01:08:25] which is the third al cove down on our
[01:08:28] right right here. He hid in this little
[01:08:30] al cove bleeding out of his calf. And
[01:08:33] there's this weird little detail that
[01:08:35] came out during where there's all this
[01:08:37] reporting of plet guns. Is this where it
[01:08:41] is?
[01:08:44] He realized he was shot in his calf and
[01:08:46] took cover in the al cove. Here's the
[01:08:48] plet gun piece.
[01:08:51] So, in certain parts of the reporting,
[01:08:52] it says
[01:08:55] another call came over the radio that a
[01:08:57] security officer had been shot with a
[01:08:58] plet gun in the tower of the Mandalay
[01:09:00] Bay.
[01:09:03] Confusing.
[01:09:05] It confused journalists for quite some
[01:09:07] time.
[01:09:14] So then Paddock keeps on firing.
[01:09:18] Security Officer Campos is stuck
[01:09:20] presumably. Paddock just keeps on firing
[01:09:22] like crazy. He fires at the fuel tanks
[01:09:25] that we're going to talk about in a
[01:09:26] second. And then the engineer arrives at
[01:09:29] the center core of the 32nd floor and
[01:09:31] walked up the 100 wing just straight up
[01:09:34] the hallway towards this room where
[01:09:36] there's automatic gunfire going off. The
[01:09:38] engineer heard what he believed to be a
[01:09:39] jackhammer sound in the distance. Then
[01:09:41] he quickly realized it was automatic
[01:09:43] gunfire. After the gunshot stopped,
[01:09:44] security officer Campos yelled at him to
[01:09:46] take cover. He turned and took cover in
[01:09:48] the al cove between these two rooms. And
[01:09:50] then Paddock fired more rounds down the
[01:09:52] hallway at him. And all of this was
[01:09:55] because whoever was in that room had put
[01:09:59] up security cameras that were streaming
[01:10:02] the hallway so that whoever was in the
[01:10:04] room could see the hallway and they were
[01:10:07] shooting through the door. Obviously, it
[01:10:09] was our lone gunman taking a break from
[01:10:13] his rampage to shoot through the door
[01:10:15] down the hallway.
[01:10:20] Now, let's take a break to talk about
[01:10:21] these fuel tanks.
[01:10:25] Apparently, the police are very
[01:10:27] confident
[01:10:29] about the timing and rounds fired at the
[01:10:31] fuel tanks. The fuel tanks look like
[01:10:34] this. Okay, they're massive. They're the
[01:10:36] size of a small house. They are located
[01:10:39] across from the festival, further away,
[01:10:42] like kind of next to the festival and
[01:10:44] across the street over by the airport
[01:10:46] because they hold fuel for the airport.
[01:10:49] What's behind them is super interesting.
[01:10:52] But let's go to Google Earth so we can
[01:10:54] get a little view of this. Okay,
[01:10:58] this is the Mandalay Bay and down in
[01:11:02] this parking lot is the concert. Over
[01:11:04] there are the fuel tanks right there.
[01:11:09] Okay. So, allegedly
[01:11:12] shooting from up here on the 32nd floor
[01:11:14] of the Mandandalay Bay, he starts
[01:11:16] shooting with his scoped rifle single
[01:11:18] rounds at these fuel tanks trying to
[01:11:20] explode them in the middle of his
[01:11:24] volleys of automatic gunfire coming from
[01:11:26] his bump stock ARs.
[01:11:30] I just wanted to give you a visual as we
[01:11:32] read this piece.
[01:11:36] At approximately 10:08, Paddock fired
[01:11:38] the first round at the fuel tank and
[01:11:40] missed.
[01:11:43] Not a great shot, apparently. Of course,
[01:11:45] he did need a really strong prescription
[01:11:47] to read, but he did manage to get a
[01:11:50] bunch of head shot in the festival,
[01:11:52] apparently.
[01:11:55] Paddock fired the second round at the
[01:11:56] fuel tank and missed. He fired a third
[01:11:58] round at the fuel tank and missed. He
[01:12:00] fired a fourth round at the fuel tank
[01:12:01] and missed.
[01:12:04] First off, how do the police know when
[01:12:08] he fired these rounds at the fuel tank
[01:12:10] and missed? And did they find the
[01:12:12] bullets?
[01:12:16] How do they know they were even fired at
[01:12:17] the fuel tanks?
[01:12:19] In total, he fired eight rounds at these
[01:12:22] gigantic fuel tanks the size of houses,
[01:12:26] and he only hit it twice. allegedly
[01:12:30] little things like this that just like
[01:12:32] make you go, "Huh?"
[01:12:35] If you go, "Huh?" you might be inside of
[01:12:38] a coverup. You might be witnessing a
[01:12:41] conspiracy.
[01:12:47] But, you know, whatever. Let's take a
[01:12:51] brief moment to look at the list of guns
[01:12:53] that were used. This is the official
[01:12:55] list with some highlighting and notes
[01:12:57] taken on it of the guns that were in the
[01:12:59] room and which ones were fired, which
[01:13:02] ones had scopes, etc. And right away,
[01:13:06] you'll notice some weird [ __ ]
[01:13:08] Okay,
[01:13:10] this AR-15 right here
[01:13:14] didn't have a magazine,
[01:13:16] but it fired 100 rounds. All the other
[01:13:18] ones did have magazines. That's the
[01:13:21] least weird one.
[01:13:23] This AR10 with no scope fired six rounds
[01:13:28] apparently.
[01:13:30] Maybe those are the six that missed the
[01:13:31] fuel tanks. Maybe he should have picked
[01:13:32] up one of his numerous scoped rifles to
[01:13:35] do so.
[01:13:38] This round found in room 134 fired 144
[01:13:41] rounds.
[01:13:43] An AR-15 with no scope.
[01:13:47] He's just out here no scoping
[01:13:50] all the way across the street down into
[01:13:51] this festival. even though he has all
[01:13:53] these rifles with scopes on them,
[01:13:57] not taking time to reload. Instead, he's
[01:14:00] throwing rifles away and he's picking up
[01:14:02] other rifles and he's firing them
[01:14:05] even if they don't have a scope on them.
[01:14:15] Now, let's take a brief moment to
[01:14:18] discuss some tinfoil
[01:14:20] because by now I think we've
[01:14:23] collectively experienced more than
[01:14:24] enough little tidbits of what the [ __ ]
[01:14:27] to question the mainstream narrative and
[01:14:30] to ask what's up with these shots at
[01:14:32] this fuel tank. And everyone has their
[01:14:34] own theories about them and you know,
[01:14:37] who knows?
[01:14:39] But one really interesting tidbit to
[01:14:41] know about these fuel tanks is what's
[01:14:43] behind them.
[01:14:45] And if you're thinking that the shots
[01:14:46] came from up here on the Mandalay Bay on
[01:14:48] the 32nd floor, then what is directly
[01:14:51] behind them is this wing of the airport.
[01:14:55] And this wing of the airport
[01:14:57] is very special.
[01:15:00] in 2017 and to this day, it housed uh
[01:15:05] landing space or docking space for a
[01:15:08] number of charter and private jet
[01:15:10] companies, but also for government jets.
[01:15:14] And most particularly
[01:15:16] right here, though they don't market
[01:15:18] because it's a secret, is where they
[01:15:20] transport people to Area 51, which is
[01:15:24] just weird. It's also where, you know,
[01:15:27] sensitive government flights tend to
[01:15:28] come in and out of and things like that.
[01:15:32] So,
[01:15:34] when shots
[01:15:36] are firing past these fuel tanks in that
[01:15:39] direction and hitting this fuel tank
[01:15:41] here and here, but most of the shots
[01:15:43] allegedly went over the fuel tank or
[01:15:46] around it or something into this area,
[01:15:48] it makes you wonder what might have been
[01:15:51] happening in the airport when those
[01:15:53] shots were fired.
[01:15:56] What kind of planes might have been
[01:15:58] parked there? What kind of people might
[01:16:00] have been getting on or off of an
[01:16:01] aircraft at that moment?
[01:16:05] It'll get even weirder once we talk
[01:16:07] about the helicopters.
[01:16:10] But obviously, you have to rearrange the
[01:16:13] theory if you think that it wasn't
[01:16:15] Steven Paddock firing alone at the
[01:16:17] concert. And you have to wonder, was the
[01:16:20] point to blow up the fuel tanks or were
[01:16:22] the fuel tanks in the way of something?
[01:16:24] And then it gets even weirder when you
[01:16:26] start asking, was it even gunfire coming
[01:16:28] from the room or was it gunfire coming
[01:16:30] from the helicopters?
[01:16:32] And I think that that's probably a good
[01:16:34] time for us to take a detour to talk
[01:16:38] about helicopters before we talk about
[01:16:40] the heat sensors.
[01:16:45] This first one hovers right. So
[01:16:52] flight radar data only goes back 3
[01:16:54] years. So unfortunately it's long gone
[01:16:56] from us now. All we have are the
[01:16:58] recordings made by journalists at the
[01:16:59] time of their flight data and their
[01:17:01] analysis of it. And so we're going to
[01:17:03] play a little bit of that. But there are
[01:17:05] two tour helicopter companies that
[01:17:07] operate out of the airspace there. Um
[01:17:10] both of which had some suspicious
[01:17:11] activity that night.
[01:17:14] One is Maverick Helicopters and the
[01:17:16] other is Sundance Helicopters. Maverick
[01:17:18] is down here at the end of the
[01:17:20] airirstrip back here. And Sundance
[01:17:23] Helicopters is more like up here, but
[01:17:25] it's no longer there. They're out of
[01:17:26] business. They're gone now. It's called
[01:17:28] FiveStar Helicopter Tours. Okay. But
[01:17:31] we're going to watch some helicopters
[01:17:32] take off and land from both of these
[01:17:34] places on Flight Radar.
[01:17:40] Where else have I heard about flight
[01:17:42] radar and about suspicious flights and
[01:17:46] aircrafts?
[01:17:49] Huh.
[01:17:51] And they're going to stop directly
[01:17:54] behind the Mandandalay Bay.
[01:17:56] So, this first one hovers right there,
[01:17:59] right over Mandalay Bay, right over the
[01:18:02] event center, kind of ovalshaped roof.
[01:18:06] Here comes the third and the fourth.
[01:18:09] Notice that first helicopter, what
[01:18:11] happened is it turned off its
[01:18:12] transponder.
[01:18:14] These other two are about to do the same
[01:18:16] and they turn off their transponders as
[01:18:18] well.
[01:18:19] >> Notice the time
[01:18:20] >> and they remain there. No transponder
[01:18:22] signals come back on for the duration of
[01:18:25] the shooting. So they they turned off
[01:18:27] their transponders at about 9:52
[01:18:29] and no more transponders will appear.
[01:18:33] >> The shooting started at about 10:05. So,
[01:18:36] these helicopters got into position over
[01:18:38] the Mandalay Bay maybe 15 minutes before
[01:18:40] the shooting started, turned off their
[01:18:42] transponders, and did not turn them back
[01:18:43] on until the shooting was over in that
[01:18:46] area. But what's interesting is that
[01:18:48] even though we have no radar data
[01:18:52] showing flights in that area, video
[01:18:54] evidence clearly shows flights being in
[01:18:56] that area during the shooting. I want
[01:18:59] you to notice as we watch this clip, the
[01:19:01] flashes coming from behind and in
[01:19:03] between Mandalay Bay and Delano Towers.
[01:19:05] except in this area.
[01:19:06] >> There's no aircraft in the air at this
[01:19:07] time according to flight data.
[01:19:09] >> We'll watch far more clear video of
[01:19:11] these flashing lights in the sky in just
[01:19:12] a moment.
[01:19:13] >> But we see lights flashing there which
[01:19:15] have to come from aircraft because
[01:19:17] there's no other buildings tall enough
[01:19:18] for them to be coming from from this
[01:19:20] perspective.
[01:19:21] >> The flashes are inconsistent. They're
[01:19:23] not normal
[01:19:25] you see from beacons or anti-colision
[01:19:27] lights. So, it's possible these flashes
[01:19:30] coming from are coming from a muzzle.
[01:19:33] So, you saw how shaky that video was and
[01:19:35] how much diligence it would take
[01:19:37] researchers to investigate and to find
[01:19:40] these flashes. But John Cullen is a
[01:19:44] special kind of autistic.
[01:19:47] Could this be where the shooters are and
[01:19:49] that it's not coming from room 32135?
[01:19:54] Why don't we see that aircraft on fight
[01:19:56] radar 24 at this moment in time? There's
[01:19:59] nothing on flight radar.
[01:20:02] and I'm going to give us one more
[01:20:04] summary of the helicopters and then
[01:20:06] we'll go dig a little deeper into John
[01:20:08] Cullen's work on it.
[01:20:10] >> Starting at 10:12, a group of what will
[01:20:13] eventually be a line of eight
[01:20:14] helicopters start to take off from
[01:20:16] Mavericks, although not all of them will
[01:20:18] show up on radar as having actually left
[01:20:20] from that pad. This will play in later
[01:20:22] as the helicopters that previously
[01:20:23] turned their transponders off put them
[01:20:26] back on as they escape out with this
[01:20:27] group to the north.
[01:20:28] >> Notice that this is at 10:15. So this is
[01:20:31] as the shooting is ended and we have
[01:20:33] audio from the control tower at the
[01:20:35] airport [clears throat] that shows us
[01:20:38] that the airport was not even aware that
[01:20:39] the shooting was happening yet. And it
[01:20:41] was only around this time that they
[01:20:43] asked these Maverick helicopters, "Hey,
[01:20:46] look over at the uh concert over there.
[01:20:48] What's going on over there? I see all
[01:20:49] these police lights. What's going on?"
[01:20:51] And they were like, "Oh, I think that
[01:20:52] the festival is just getting out. I
[01:20:53] think that the concert's just over. It's
[01:20:54] just police directing traffic."
[01:20:58] >> Whatever. [snorts] And at 10:16, the
[01:21:00] same three helicopters that had
[01:21:02] disappeared earlier when they turned
[01:21:03] their transponders off above Mandalay
[01:21:05] [music] Bay suddenly blip back up on the
[01:21:07] screen as part of that group of eight
[01:21:09] that takes off up north. Two of them pop
[01:21:11] up closer to the vicinity of Mavericks
[01:21:13] while a third one blips up on screen
[01:21:15] between them in the air as they pass by
[01:21:17] the strip.
[01:21:18] >> Right about there
[01:21:18] >> is all three call signs from the
[01:21:21] original three helicopters that were
[01:21:23] behind Mandalay Bay that never returned
[01:21:26] show up there. Now, I know what you
[01:21:28] might be thinking. You might be thinking
[01:21:30] about the helicopters that landed near
[01:21:33] Maverick helicopters, but they did not
[01:21:35] actually land at the Maverick
[01:21:36] helicopters location where these
[01:21:38] aircraft took off. They landed over
[01:21:39] here. So, how did they get back over
[01:21:42] there? And they magically appear back on
[01:21:45] radar just after the shooting stopped at
[01:21:48] 10:16. Another interesting thing that I
[01:21:51] noticed was that the last helicopter in
[01:21:54] the original group of three call sign
[01:21:56] N848
[01:21:58] MH actually turns its transponder on
[01:22:01] pops up right there. It just popped up
[01:22:04] and I'll show that to you frame by frame
[01:22:07] here. But it's like it never actually
[01:22:09] took up from Maverick took off from
[01:22:11] Maverick helicopters, but perhaps left
[01:22:13] the shooting scene and joined that group
[01:22:16] formation and turned its transponder on
[01:22:18] right when it got into that group
[01:22:20] formation. So what it looks like is that
[01:22:23] three helicopters that had been hovering
[01:22:25] over the Mandalay Bay with their
[01:22:26] transponders off. They went and joined a
[01:22:29] formation of tour helicopters,
[01:22:31] legitimate helicopters that were maybe
[01:22:33] normal that were taking off from the
[01:22:35] tour base and they joined into the line
[01:22:37] and then turned their transponders on to
[01:22:39] try to blend into the line. But you can
[01:22:41] see them turn their transponders on and
[01:22:42] you can track their call signs and know
[01:22:45] that it's the same ones that turned the
[01:22:46] transponders off earlier. It's also at
[01:22:49] this time that a Southwest plane comes
[01:22:51] onto the radar with the call sign S S S
[01:22:53] S S S S S S S S S S S S S S S S S
[01:22:53] SW841119.
[01:22:55] The problem is it takes a sharp angle
[01:22:57] turn over the airport, impossible for an
[01:22:59] airplane to do, and heads directly over
[01:23:01] the Mandalay Bay to hover above the
[01:23:02] Delana roof.
[01:23:04] >> This is only 2 minutes after firing at
[01:23:05] the festival ceases. I shouldn't have to
[01:23:08] tell you this, but this has to be a
[01:23:10] helicopter masquerading under a false
[01:23:11] call sign as the original number is
[01:23:13] registered to a Southwest Boeing 737
[01:23:16] whose flight records have it landing
[01:23:17] later at 10:22.
[01:23:20] >> Where else have I heard stories about
[01:23:24] false call signs and planes masquerading
[01:23:27] as other planes and stuff like that?
[01:23:31] >> Well, both share the same call sign.
[01:23:33] [music] And I would love to know what
[01:23:35] the radar controllers were saying about
[01:23:36] this the whole time. The other mystery
[01:23:38] Southwest plane on the tarmac tail
[01:23:40] number was N227W9
[01:23:42] and not WN4119. That's a different
[01:23:45] aircraft completely. What the hell was
[01:23:47] going on McCarron airport that night?
[01:23:49] This is the part that bothers me because
[01:23:51] the only entity I could think of that
[01:23:52] can get away with entering a heavily
[01:23:53] urban airspace illegally turning off
[01:23:55] transponders using fake call signs and
[01:23:57] all the while being able to escape the
[01:23:59] notice of radar text and employees at
[01:24:01] the airport would be your own
[01:24:02] government. I guess now we know why they
[01:24:05] keep refusing our foyer request for the
[01:24:06] communications with me. At 10:21, the
[01:24:09] group of helicopters that previously
[01:24:10] took off to the north start to return
[01:24:12] south and they all land at Mavericks
[01:24:14] like nothing ever happened. at 10:22
[01:24:18] after hovering above the Delana.
[01:24:20] >> They actually don't all land at
[01:24:21] Mavericks and we'll watch footage of
[01:24:23] that and I think it's John Coen that
[01:24:24] will explain that two of them don't land
[01:24:28] at Mavericks
[01:24:29] >> roof for several minutes. The Southwest
[01:24:33] turns off its transponder. If you're
[01:24:35] wondering that if despite all the
[01:24:36] distractions going on that night, if
[01:24:38] anyone happened to catch a helicopter
[01:24:40] near the roof of the Delano, they got
[01:24:42] the helicopter right in front of them.
[01:24:44] >> Huh? helicopter.
[01:24:53] >> So, it's off the screen above right now.
[01:24:56] >> She just had it in the video for a
[01:24:57] second.
[01:24:57] >> That's the freaking bay.
[01:25:03] I think
[01:25:04] >> saying, "Yeah, the helicopter's over the
[01:25:06] Dano. That's not the freaking Mandalay
[01:25:07] Bay.
[01:25:16] And there's a lot of flashing going on
[01:25:18] up there. A lot of flashing. I don't
[01:25:21] know if it's too small for you to see,
[01:25:27] but that's some weird flashing.
[01:25:33] >> Yeah. Look, look. He's hovering over the
[01:25:34] land. It's not the Mandalay Bay. It's
[01:25:35] that [ __ ] right there.
[01:25:40] >> You see that [ __ ] I think you're safe
[01:25:42] now.
[01:25:48] >> Don't get too excited. Without a time
[01:25:50] stamp or a clearer video, we can't rule
[01:25:52] this out as being Metro since they do
[01:25:54] show up right as the plane copter
[01:25:55] leaves. And since Metro did take one
[01:25:57] sweep at Delano's rooftop on radar at
[01:25:59] around 10:37 for some reason, this could
[01:26:03] all be solved by simply releasing the
[01:26:04] footage from the roof the entire night.
[01:26:06] But I won't hold my breath waiting for
[01:26:07] Lombardo to be forthcoming about [music]
[01:26:09] any information that might actually help
[01:26:10] the case.
[01:26:12] >> That's Mindy Robinson, and her sass is
[01:26:14] legendary. This is part of that's a
[01:26:16] piece from her documentary where it's
[01:26:18] just Mindy sass the entire time. Um,
[01:26:23] now
[01:26:25] let's
[01:26:27] check in with our airport a little bit.
[01:26:31] And we'll come back to the room.
[01:26:34] What went down on the runway?
[01:26:37] That's the room.
[01:26:40] So there's a lot of footage that shows
[01:26:43] helicopters from that night, but
[01:26:46] detail- oriented people like John Cullen
[01:26:48] realize that you have to compare that to
[01:26:50] the flight transponder data on flight
[01:26:52] radar and see if you can, you know, rule
[01:26:54] out any other aircrafts in the area
[01:26:56] because it's Las Vegas. There's a lot of
[01:26:57] aircrafts in the area. A lot of
[01:26:59] witnesses, a lot of people that were
[01:27:00] there claimed that they were being shot
[01:27:02] at by helicopters.
[01:27:05] A lot of them.
[01:27:07] A lot of the footage of helicopters
[01:27:08] seems to have flashing that looks like
[01:27:11] guns.
[01:27:13] The sound of the guns sounds an awful
[01:27:15] lot like a beltfed machine gun that you
[01:27:17] might mount on the side of a helicopter.
[01:27:20] But it still takes a lot of detailed
[01:27:22] work to kind of rule all these things
[01:27:24] out and and track everything. [music]
[01:27:35] If you're not familiar, classic John
[01:27:37] Coen style video
[01:27:40] where he doesn't say anything. He just
[01:27:41] overlays music and just like lets you
[01:27:43] figure it out for yourself.
[01:27:46] But he does a ton of video analysis like
[01:27:48] this.
[01:27:50] Time matching body cam footage to other
[01:27:52] footage, picking out little flashes in
[01:27:55] the sky
[01:27:57] that are clearly anomalous,
[01:27:59] stuff like that. Numerous examples.
[01:28:03] And here's an example where he pulled
[01:28:05] out concert footage and noticed
[01:28:08] aircrafts in the sky, triangulated it
[01:28:11] with the flight radar data, and then
[01:28:13] ruled out and actually tracked Sundance
[01:28:16] helicopters coming into land. Might have
[01:28:17] been Maverick, and then actually saw
[01:28:19] other aircrafts after there was no
[01:28:21] aircraft in the sky and and did a
[01:28:22] complex task to rule it all out. It's
[01:28:24] it's very impressive what journalists
[01:28:26] did to sort of deduce what was really
[01:28:29] going on in the darkness that night. So,
[01:28:31] we'll watch a few little clips of this
[01:28:33] one.
[01:28:35] >> There's no aircraft in this vicinity on
[01:28:37] flight radar. There's no one back here.
[01:28:40] So, what are we seeing if there's
[01:28:41] nothing on radar? We believe we're
[01:28:43] seeing aircraft that have deliberately
[01:28:45] turned off their transponders
[01:28:47] so that they are not visible on radar.
[01:28:50] And if they're not visible, that means
[01:28:52] they're stealth. And that would explain
[01:28:55] why we see them here, but we don't see
[01:28:57] them on flight radar.
[01:28:59] And then
[01:29:01] he even goes in and looks at other
[01:29:04] angles and triangulates.
[01:29:06] >> So if it's any other jet on approach
[01:29:08] >> and he asks, "Is it possible we're
[01:29:10] seeing jets approaching the runway in
[01:29:12] the far off distance?" And he tracks, he
[01:29:14] angles, he sight lines.
[01:29:15] >> It's about 9 miles out in order for it
[01:29:18] to line up with the runway and where
[01:29:21] this camera was. So it's about nine, a
[01:29:23] little over nine miles away. Is that
[01:29:26] what we're seeing? another jet on
[01:29:28] approach. We don't believe so. We don't
[01:29:30] think we're seeing a jet nine miles away
[01:29:32] on approach. [laughter]
[01:29:34] So, and we don't see any jets 9 miles
[01:29:36] away on approach on fight radar. So,
[01:29:38] there's nobody out there.
[01:29:40] >> I just I just love John Cullen. He's
[01:29:42] hilarious and he's so autistically good
[01:29:45] at what he does. Um,
[01:29:55] it's too early to get to what happened
[01:29:56] at Sundance Helicopters.
[01:30:03] Oh, the zipline.
[01:30:05] Oh, the zipline. Okay, let's talk about
[01:30:08] the airport.
[01:30:15] Actually, we're getting ahead of
[01:30:16] ourselves. Let's talk about the room
[01:30:19] because we've got Paddock in the room
[01:30:21] shooting all these rounds and we've
[01:30:24] mentioned little bits and pieces of
[01:30:25] this,
[01:30:27] but in all of these events, you're
[01:30:30] always looking for something that is if
[01:30:32] like that that just the evidence proves
[01:30:34] it's impossible, completely impossible.
[01:30:37] And if you can find evidence that just
[01:30:39] proves that the mainstream narrative is
[01:30:41] impossible
[01:30:43] and it rearranges the whole case,
[01:30:46] suddenly everything it gets you miles
[01:30:48] ahead on figuring out what actually
[01:30:49] happened and everything changes and you
[01:30:51] start looking at everything differently.
[01:30:53] Um, and obviously I'm only talking about
[01:30:55] Las Vegas here, but we're told that
[01:30:58] Stephen Paddock Do I have my crime scene
[01:31:00] photos here?
[01:31:02] Where's my crime scene photos? Yeah.
[01:31:06] So,
[01:31:15] all right. All right. All right. Cool.
[01:31:16] So, from the official report once more,
[01:31:21] the engineer is hiding in the hallway.
[01:31:23] The security guard is in the hallway.
[01:31:25] He's been shot in the leg. The shooting
[01:31:27] is going on.
[01:31:30] And then at
[01:31:33] 8:15
[01:31:35] the shooting stops or sorry 10:15 the
[01:31:38] shooting stops.
[01:31:42] The police enter into the stairway one
[01:31:45] floor below.
[01:31:47] And at 10:18,
[01:31:50] the official report says that the heat
[01:31:52] detection indicator from inside the room
[01:31:54] where the gunfire is coming from
[01:31:56] suddenly detected no further readings
[01:31:58] from inside of the room.
[01:32:02] And so that's why they say that Steven
[01:32:05] Paddock must have shot himself in the
[01:32:06] head sometime between 1016 and 10:18
[01:32:12] all alone with no one else there. Even
[01:32:15] though he was surrounded by loaded
[01:32:16] magazines, he had like 4,000 shots left.
[01:32:20] He had all kinds of guns to use. No one
[01:32:22] was at his door.
[01:32:25] He was chilling, but he just got done
[01:32:28] with it. He was over it. And they know
[01:32:31] that that's when he ended it because
[01:32:33] suddenly there was no more heat
[01:32:34] signature in the room. Just forget about
[01:32:36] the fact that it takes a body an hour, 2
[01:32:39] hours, many hours to cool, I don't know,
[01:32:42] more than zero minutes, right? And so if
[01:32:45] at 10:17 he's alive and at 10:18 he is,
[01:32:48] you know, blam, his body is still warm,
[01:32:53] little things that make you question
[01:32:55] what's going on here. So in the hallway
[01:32:58] they assemble a strike team. Las Vegas
[01:33:01] has one of the most well-funded,
[01:33:04] largest, best trained SWAT teams in the
[01:33:07] country.
[01:33:09] Multiple different uh units of their
[01:33:11] SWAT team. And you'd think that the SWAT
[01:33:14] team would be lined up outside ready to
[01:33:17] blast in the doors of the most deadly
[01:33:20] mass shooting in American history,
[01:33:22] obviously.
[01:33:24] But from 10:18 to 10:41,
[01:33:28] they're assembling the team.
[01:33:31] And at 10:41, 30 minutes after the
[01:33:35] shooting is basically finished, the team
[01:33:37] they've assembled actually only includes
[01:33:40] one SWAT officer,
[01:33:43] which is super weird.
[01:33:45] It's actually a hodgepodge of a couple
[01:33:48] K-9 officers without their dogs, one
[01:33:51] SWAT officer Hancock, Detective Walford,
[01:33:54] and then a couple others joined them. It
[01:33:56] gets reported on in a few different
[01:33:57] places in the report. An entry team
[01:34:00] consisted of K9 Sergeant Bitskco, who
[01:34:02] had his body cam on. Thank you, Bitskco.
[01:34:05] K9 officer Newton, SWAT officer Hancock,
[01:34:07] officers Donaldson, Zippus, uh, Walford,
[01:34:11] officers Burns, and Theo were assigned
[01:34:12] to post at the door upon the team's
[01:34:14] entry to guard the hallway.
[01:34:16] So, they only had one SWAT officer. And
[01:34:19] you start to ask yourself as these weird
[01:34:21] shits pile up,
[01:34:23] where were the SWAT teams all night?
[01:34:28] And I think it becomes pretty obvious
[01:34:29] pretty quickly that the SWAT teams were
[01:34:31] dealing with what was actually going on,
[01:34:33] which was something completely
[01:34:34] different.
[01:34:39] So 30 minutes after the shooting is
[01:34:41] over, they've assembled their team.
[01:34:44] They're still just in the stairwell on
[01:34:47] the 31st floor. They're not even on the
[01:34:48] 32nd floor yet.
[01:34:52] Then at 10:57,
[01:34:56] almost an hour after the shooting has
[01:34:58] ended, they finally breached through
[01:35:00] this metal bar barring the door and they
[01:35:03] get into the 32nd floor.
[01:35:09] Then at 11:20,
[01:35:12] they conduct an explosive breach into
[01:35:14] the room 32135.
[01:35:17] They reported that Paddock was down from
[01:35:19] an apparent self-inflicted gunshot wound
[01:35:21] to the head. Then at 11:26,
[01:35:26] 6 minutes later, the strike team made a
[01:35:28] second explosive breach from inside of
[01:35:30] room 32135 into room 32134 through the
[01:35:35] connecting doors.
[01:35:37] Right, this is what we talked about
[01:35:38] earlier. They had to explosively breach
[01:35:42] into the other room that Paddock was
[01:35:44] allegedly shooting out of all night
[01:35:45] long.
[01:35:48] And so there's one piece of evidence
[01:35:50] that makes the story impossible.
[01:35:53] But
[01:35:55] let's look at the other evidence that
[01:35:56] makes the story impossible.
[01:36:00] If you didn't know,
[01:36:04] we have body cam footage of them showing
[01:36:06] and saying that there was no window
[01:36:08] broken in the suite. This is officer Bit
[01:36:12] Bitsko's body cam, the only body cam
[01:36:14] from the breaching party that we have.
[01:36:16] And we'll learn in a minute that they
[01:36:18] were just asked by the SWAT radio, hey,
[01:36:20] we're looking up at some broken windows
[01:36:22] and we want to we see activity inside.
[01:36:24] We want to make sure it's not you. Can
[01:36:25] you make sure that you find the broken
[01:36:27] window? Where's the broken window? And
[01:36:28] they go to look for it.
[01:36:32] >> That curtain is right
[01:36:34] >> and they go to look for it.
[01:36:36] >> Okay, stand. We've got curtains open on
[01:36:38] a window that's not broken.
[01:36:39] >> It's us. It's us. It's us.
[01:36:41] >> He just said we've got curtains open on
[01:36:43] a window that is not broken. It's not.
[01:36:45] It's not. It's not. Cy,
[01:36:48] >> it's not broken.
[01:36:51] >> Notice what he's standing beside right
[01:36:53] there. He's standing beside a chair and
[01:36:56] a hexagonal table.
[01:37:00] And he's looking behind the curtains
[01:37:04] and he can't find the window that's
[01:37:06] broken.
[01:37:08] Right.
[01:37:16] This where I have my photos.
[01:37:18] Here's where I have my photos.
[01:37:21] He's standing be beside the chair and
[01:37:24] the hexagonal table
[01:37:27] pulling back the curtains. And this is
[01:37:29] what he allegedly should have seen is a
[01:37:32] gigantic broken window with all of this
[01:37:35] broken glass with a thousand shell
[01:37:38] casings on the ground underneath his
[01:37:40] feet.
[01:37:42] All that broken glass and all those
[01:37:44] shell casings were on the ground beneath
[01:37:46] his feet at that moment.
[01:37:50] And he couldn't find the broken window.
[01:37:52] He said, "It's not it's not it's not
[01:37:57] broken on a window that's not broken.
[01:38:00] >> Not broken."
[01:38:02] the lower.
[01:38:07] >> And you can kind of see that there's no
[01:38:09] glass and we don't see the shell casings
[01:38:12] either.
[01:38:17] See, casinos actually have special like
[01:38:19] bulletproof glass that you can't break
[01:38:22] on all these windows. And he allegedly
[01:38:24] brought this special sledgehammer to
[01:38:26] break it, which we see in the crime
[01:38:28] scene photos. Um, I don't think I have
[01:38:30] that photo right there.
[01:38:33] Right there.
[01:38:35] There's his special little sledgehammer
[01:38:36] that he used allegedly.
[01:38:40] But remember, the crime scene photos
[01:38:43] were taken the day after.
[01:38:46] But if the window wasn't broken when
[01:38:48] they breached the room,
[01:38:50] not only could he have not been going
[01:38:52] into the other room, which was locked
[01:38:54] from the other side, but he also
[01:38:55] couldn't have shot out of the room
[01:38:57] because the windows were not broken. So
[01:38:59] when you find pieces of evidence that
[01:39:02] make the official narrative impossible,
[01:39:05] especially in a way this significant,
[01:39:08] the whole story has to be rearranged.
[01:39:10] Everything has to change. None of it
[01:39:11] works.
[01:39:14] And then John Coen did something really
[01:39:17] cool.
[01:39:19] John Cullen
[01:39:21] found a random police body cam of
[01:39:25] someone sit of a police officer sitting
[01:39:27] in his car doing nothing. But the audio
[01:39:31] of the clip was the SWAT radio channel.
[01:39:38] And then he overlaid that SWAT radio
[01:39:40] channel with the timestamps over the
[01:39:42] breach so that we could watch the breach
[01:39:45] listening into the other SWAT radio
[01:39:47] channel while the breach happens. So you
[01:39:49] can hear the other side of that
[01:39:51] conversation that we didn't hear in the
[01:39:53] last one.
[01:39:55] >> Anybody on the 32nd floor, can you come
[01:39:57] to my radio? Kevin, go ahead. Are all
[01:40:01] officers code for?
[01:40:02] >> All officers are code for
[01:40:08] the suspect is down. He's 419. Appears
[01:40:10] to be self-inflicted.
[01:40:12] >> So then,
[01:40:12] >> is there any more suspects with you?
[01:40:15] >> He overlays them and he synchronizes
[01:40:18] them.
[01:40:20] >> So you see Bitsco's body cam in the
[01:40:22] video here. Anybody else up here?
[01:40:25] >> And behind it, just kind of dark because
[01:40:28] it's a nothing video. Behind it is the
[01:40:30] other video and they're synced up in
[01:40:32] their time stamps.
[01:40:33] >> We've got probably at least 10
[01:40:35] highowered weapons in this room.
[01:40:44] It's on the 32nd floor.
[01:40:47] >> I'll stand by to alert you.
[01:40:53] >> Whoever's on that 32nd floor, the north
[01:40:56] facing uh window is that one broken out.
[01:40:59] here's
[01:41:01] moving to the 32nd floor. CP
[01:41:07] this room is let me get to a window and
[01:41:09] see. Hey,
[01:41:10] >> what do you need?
[01:41:11] >> Notice that he asked, "Is that window
[01:41:13] broken out also implying that they see a
[01:41:16] different broken window. They're talking
[01:41:17] to SWAT snipers outside of the hotel
[01:41:20] that are looking up at the hotel."
[01:41:22] Apparently,
[01:41:24] >> guys, there's a window that faces. You
[01:41:26] have another broken window out that
[01:41:28] we're focusing on. Uh, but we just need
[01:41:30] to make sure if you guys are in there or
[01:41:31] not because there is a little bit of
[01:41:32] movement.
[01:41:33] >> We've got another broken window that
[01:41:35] we're focusing on and we just need to
[01:41:36] make sure whether you guys are in there
[01:41:38] or not because there's movement in there
[01:41:40] and we're trying to figure out what's
[01:41:41] going on.
[01:41:44] >> One suspect down. All officers are code
[01:41:47] for
[01:41:51] >> Keep pushing. We still don't have to do
[01:41:53] a sweep for victims. Keep pushing.
[01:41:57] We are facing north. We are facing
[01:41:59] north.
[01:42:02] >> They're saying they've got a window
[01:42:03] facing east that's broken out. So, we're
[01:42:05] a little confused on who's facing which
[01:42:08] way and on which windows are broken.
[01:42:10] >> It's confirming that is you guys uh
[01:42:13] that's in the broken window that faces
[01:42:14] the floor.
[01:42:18] >> So, we know that the window in this
[01:42:20] suite is not broken cuz they're about to
[01:42:21] go look for it and not find it. But the
[01:42:24] SWAT snipers outside are looking through
[01:42:26] a broken window where there's movement
[01:42:28] inside.
[01:42:30] So, is there another suite with bad guys
[01:42:33] in it right now with a broken window
[01:42:35] that the SWAT snipers are looking at?
[01:42:37] Right.
[01:42:39] Details matter, right? And see, that's
[01:42:40] how this like deep level of autistic
[01:42:43] sping out yields some crazy discoveries
[01:42:47] that we don't exactly know what it
[01:42:48] means, but it means something.
[01:42:51] >> We are facing the left floor. We do not
[01:42:53] have a broken window.
[01:42:55] >> Okay, Tommy, it looks like you might
[01:42:56] have another room that has a broken
[01:42:58] window that also faces the Luxur off
[01:43:00] that north end. There's a little bit of
[01:43:03] movement unknown if it's going to be the
[01:43:04] curtains or not. I'm going to be working
[01:43:06] to get a better eye.
[01:43:07] >> And now he goes to look.
[01:43:09] >> Stand by. We've got curtains open on a
[01:43:10] window that's not broken. We're looking
[01:43:12] for
[01:43:13] it.
[01:43:14] >> There he said it's not. It's not. It's
[01:43:15] not. Cory, it's not.
[01:43:17] >> We have the broken window. That's scary.
[01:43:21] Cory Todd,
[01:43:24] >> if you can raise the CT, ask them to
[01:43:27] contact the hotel if they can turn on
[01:43:28] one of these elevators. Get there
[01:43:30] quicker.
[01:43:34] So, ain't that interesting? Another
[01:43:39] piece of the main main narrative that
[01:43:41] just is impossible and does not work and
[01:43:43] actually starts to suggest a whole bunch
[01:43:44] of other weird things.
[01:43:53] Last thing we'll do in the crime scene
[01:43:54] in the room itself.
[01:43:57] Um
[01:44:04] uh we'll get to the helicopter report
[01:44:06] later. Maybe the [snorts] coroner
[01:44:08] report, the autopsy that finally got
[01:44:11] released after people sued the coroner.
[01:44:17] It noted
[01:44:20] self-inflicted wound.
[01:44:25] Um, where is the specific piece here?
[01:44:30] There was an apparent intraoral wound
[01:44:32] noted. There was apparent bloodlike
[01:44:35] substance noted about the face and head.
[01:44:37] The neck, chest, abdomen, back, and
[01:44:38] extremities appeared to be unremarkable.
[01:44:43] Everything else was pretty much normal,
[01:44:45] just the head blown up.
[01:44:48] I've censored the gory part here, but I
[01:44:52] definitely see blood on his chest.
[01:44:57] A little blood stain on his chest.
[01:45:01] That doesn't make any sense with the
[01:45:03] coroner's report. Maybe he got shot
[01:45:06] while he was sitting down and it dripped
[01:45:08] onto his chest. Or maybe there's a
[01:45:09] gunshot in his chest.
[01:45:11] We don't know. But neither of those two
[01:45:13] things fit with the mainstream narrative
[01:45:15] that he was shooting out the window and
[01:45:17] then he shot himself in the head and
[01:45:19] threw the gun over his head but then
[01:45:20] landed with his arms by his sides.
[01:45:23] Little stuff like that. And then I've
[01:45:25] tried my best to censor this one, too.
[01:45:28] Oh my my sensor dot went away.
[01:45:31] Uh oh.
[01:45:34] Oh well.
[01:45:36] Sorry, YouTube.
[01:45:38] I'll add a little extra sensor.
[01:45:42] But investigator after investigator
[01:45:44] after investigator has noticed that
[01:45:46] there dang sure looks to be two
[01:45:48] different blood stains here. One that is
[01:45:52] wet and glistening and fresh
[01:45:54] and one behind it that is dried into the
[01:45:57] carpet.
[01:46:02] Little things that make you go, "Huh?"
[01:46:09] In my opinion, the most interesting
[01:46:12] stuff of the night, aside from all of
[01:46:15] the active shooters in all of the other
[01:46:17] hotels outside of the Bellagio, in the
[01:46:20] Tropicana, at the MGM,
[01:46:24] at Paris, at New York, New York, in the
[01:46:27] strip club,
[01:46:29] hundreds of 911 calls that reported all
[01:46:32] these other shooters.
[01:46:36] Other than all that,
[01:46:39] the most interesting stuff, in my
[01:46:40] opinion, happened at the airport. But I
[01:46:43] don't want to just pass over that
[01:46:44] without giving you some evidence. So,
[01:46:46] let's jump into Mindy's documentary for
[01:46:48] a quick section
[01:46:50] where, remember, mainstream narrative.
[01:46:53] Only shooter died at 10:15, killed
[01:46:55] himself. He was done. Maybe 10:16,
[01:46:58] 10:18, he killed himself.
[01:47:01] But then at midnight, this happened.
[01:47:04] 11:58 Metro finally tweets out almost 2
[01:47:07] hours after the first shots were fired
[01:47:09] that one suspect is down but not to go
[01:47:11] to the strip. Thanks. It's also at this
[01:47:14] time officers find Maryl Danley's credit
[01:47:16] card in the room. Wait, she left the
[01:47:19] country without her credit card. That's
[01:47:21] a little bit more than just letting
[01:47:22] someone use your comps, but okay.
[01:47:26] It's also at 11:58 that it gets very
[01:47:29] interesting. Over an hour and a half
[01:47:32] after shooting ceased at the festival,
[01:47:34] two separate volleys of automatic
[01:47:35] gunfire are not only heard by everyone
[01:47:37] in the Bellagio area, it's also picked
[01:47:40] up by at least nine different police
[01:47:42] comms.
[01:47:44] We are not
[01:47:51] injuring a shot being fired.
[01:48:01] >> Unit 415A now is hearing a lot of shots
[01:48:04] being fired.
[01:48:11] Yeah,
[01:48:12] >> they literally say over the police
[01:48:13] radio, "We've got we've got a lot of
[01:48:16] unit people at the Bellagio reporting
[01:48:17] shots being fired." And then all these
[01:48:19] body cams catch the shots being fired on
[01:48:21] their audio.
[01:48:23] >> When they breached, they said one uh
[01:48:26] SWAT shot him
[01:48:29] being fired.
[01:48:30] >> Didn't you notice that? They said when
[01:48:32] they breached, they said that SWAT shot
[01:48:33] him. SWAT didn't shoot him.
[01:48:40] Right. SWAT didn't even breach. It was
[01:48:42] just one SWAT guy.
[01:48:45] You're most likely to catch these weird
[01:48:47] inconsistencies from the original source
[01:48:49] evidence right in the heat of the moment
[01:48:51] before the cover up can take effect.
[01:48:58] >> That's a shot.
[01:49:01] That's a shot.
[01:49:06] [ __ ] was that?
[01:49:11] >> Oh, right here. Go.
[01:49:14] >> Oh [ __ ] That's machine gun.
[01:49:26] >> Is that what it was?
[01:49:27] >> 415 means suspect with a gun.
[01:49:32] >> Right here. Go.
[01:49:34] Oh [ __ ] that's machine gun. That's
[01:49:36] machine gun fire.
[01:49:38] >> We're getting a 415A now. Majio P is
[01:49:40] hearing a lot of shots being fired.
[01:49:48] >> Oh [ __ ]
[01:49:51] >> Keep in mind
[01:49:55] there are still multiple reports of
[01:49:57] people seeing a gunman at the Bellagio
[01:50:00] at this time.
[01:50:02] lots of reports of people seeing a
[01:50:04] gunman at the Bellagio at that time.
[01:50:08] So,
[01:50:11] the official narrative is that they all
[01:50:14] imagined it and that they were all just
[01:50:17] hearing the Mandalay Bay shooter that
[01:50:19] had happened an hour and a half before
[01:50:21] and it was just echoing for an hour and
[01:50:24] a half. And they're all crazy. All their
[01:50:26] body cameras are crazy. Crazy. Because
[01:50:31] if there's anyone shooting guns other
[01:50:33] than Stephen Paddock, the mainstream
[01:50:34] narrative is [ __ ] not true,
[01:50:37] right?
[01:50:39] And you know, it might be worth
[01:50:41] reminding ourselves that the Mandalay
[01:50:43] Bay is here and the Bellagio is not here
[01:50:47] on the next block. Not here on the next
[01:50:49] block, not here on the next block. It's
[01:50:52] all the way down here.
[01:51:00] It's like a mile away.
[01:51:03] And we've been having reports of gunfire
[01:51:05] inside of these hotels moving northwards
[01:51:08] over the last hour and a half to the
[01:51:10] Tropicana,
[01:51:12] the Excalibur,
[01:51:14] the MGM,
[01:51:16] sorry, Bellagio is this one here with
[01:51:18] the six sick pool out front. Then
[01:51:20] there's reports in the Paris. Almost
[01:51:22] every single one of these
[01:51:25] um hotels
[01:51:29] had reports of gunfire in and around
[01:51:31] them. Some of them, like the Tropicana,
[01:51:34] even had reports of shell casings being
[01:51:37] found outside of them. Some had weapons
[01:51:40] found in the street outside of them.
[01:51:42] Some had people witnessing gunmen inside
[01:51:45] of them or gunmen going into bathrooms
[01:51:48] or exiting out the back door, [ __ ] like
[01:51:50] that.
[01:51:52] It's a [ __ ] show. But one of the most
[01:51:55] interesting places of all
[01:52:02] is where are we? Where are we? I'm
[01:52:03] getting lost here. Is the Oasis
[01:52:06] Apartments right here.
[01:52:09] So
[01:52:11] the Mandalay Bay is the big golden hotel
[01:52:13] and the parking lot right there is where
[01:52:16] the concert is and kitty corner to that
[01:52:19] is this little apartment complex called
[01:52:20] the Oasis Apartments in between the
[01:52:23] concert venue Mandalay Bay and the
[01:52:26] airport and this really sketchy
[01:52:29] government part of the airport where
[01:52:31] important [ __ ] happens that you're not
[01:52:33] supposed to know about and all the
[01:52:36] helicopter tour companies that take off
[01:52:39] from over here and from down here.
[01:52:46] And this little apartment complex has
[01:52:49] some interesting calls that come in.
[01:52:52] When you look at the Vegas shooting map,
[01:52:56] you notice that obviously the reporting
[01:52:59] is clustered around the shooting itself
[01:53:02] and around the Mandalay Bay. But then
[01:53:04] actually
[01:53:06] there's a bunch of clustering of things
[01:53:08] over here in the direction of the
[01:53:10] airport and there's a couple of calls
[01:53:12] that come in at Oasis Apartments and
[01:53:15] we're not going to listen to them all
[01:53:16] but when you click on them they do this
[01:53:18] >> Sunday October 1
[01:53:22] 17
[01:53:24] >> 20 3
[01:53:26] and 12 seconds
[01:53:30] >> 911 emergency DS 9262 police Fire
[01:53:33] Medical.
[01:53:37] Hello, Miss Lee.
[01:53:38] >> Yes, ma'am. We have a lot of that going
[01:53:40] on. Where are you at?
[01:53:42] >> We at
[01:53:45] apartment.
[01:53:46] >> Okay, ma'am.
[01:53:47] >> Listen to how she's whispering. You can
[01:53:49] hardly even hear her.
[01:53:50] >> I I I can't hear you. I can't hear you.
[01:53:53] I'm so sorry.
[01:53:53] >> Atasis Apartments. We're hiding in a
[01:53:56] restroom by the pool.
[01:53:58] >> Okay, you're doing the
[01:53:59] >> We're at the Oasis Apartments. were
[01:54:01] hiding in a restroom by the pool.
[01:54:05] I don't know if it's this one or the
[01:54:06] other one that would go on to There's
[01:54:08] two calls that come in from here at
[01:54:09] least um that report armed men running
[01:54:13] into the Oasis apartments, hiding in the
[01:54:15] bushes, and changing clothes.
[01:54:19] There's also calls all throughout these
[01:54:21] buildings out here of gunmen running
[01:54:23] this way. Couple of people die over
[01:54:25] here. All sorts of suspicious stuff
[01:54:28] happening over here. And then there's an
[01:54:31] apparent hostage situation at Sundance
[01:54:33] helicopters. A woman is shot and they've
[01:54:36] got her they're trying to give her
[01:54:37] medical attention. They're hiding in the
[01:54:39] basement while there's apparently a
[01:54:41] gunman on the loose
[01:54:46] and then
[01:54:50] the runway.
[01:54:52] Remember, the only gunman tonight was
[01:54:54] Steven Paddock, and he killed himself in
[01:54:57] his hotel room in the Mandalay Bay at
[01:54:59] 10:16 to 18, but at 10:35,
[01:55:08] so we This is a video that John Cullen
[01:55:11] overlays
[01:55:13] the uh audio from the air traffic
[01:55:18] control tower with video of the flights
[01:55:22] coming in and out of the airport on
[01:55:23] flight radar. And then of the police
[01:55:25] helicopter that was circling over top of
[01:55:27] the airport that had a camera that was
[01:55:30] either
[01:55:32] operated by an idiot or more likely was
[01:55:35] modified and edited to try to show you
[01:55:38] as little as possible um tampered with.
[01:55:43] But he overlays that police video that's
[01:55:45] pointing pointing in one direction
[01:55:46] circling over the ground while you
[01:55:48] listen to this audio from the scanner.
[01:55:52] And at 10:35
[01:55:54] this happens.
[01:56:10] >> Shutting down might not be a good idea.
[01:56:11] There's active shooters on the runway.
[01:56:14] >> Shutting down might not be a good idea.
[01:56:16] There's active shooters on the runway.
[01:56:18] >> Shutting down might not be a good idea.
[01:56:20] There's active shooters on the runway.
[01:56:24] >> Classic John Coen.
[01:56:27] Got to love him. [music]
[01:56:38] >> [music]
[01:56:43] [music]
[01:56:46] >> And John points out that there's one
[01:56:49] SWAT guy on his way to the room where
[01:56:52] the lone gunman is. And all the other
[01:56:55] members of the SWAT team are AWOL,
[01:56:58] missing,
[01:57:00] completely unaccounted for. And we have
[01:57:03] never once heard where they were.
[01:57:06] I think John is probably correct to
[01:57:08] assume that some of them might have been
[01:57:09] at the airport possibly securing a VIP
[01:57:12] escaping or possibly dealing with some
[01:57:16] other important situation with some
[01:57:18] important people.
[01:57:21] [music]
[01:57:22] But then
[01:57:25] is this where we get the uh overhead
[01:57:26] camera? Shutting down might not be a
[01:57:29] good idea. There's active shooters on
[01:57:30] the runway.
[01:57:34] >> [music]
[01:57:41] >> Yeah, this is where we get the footage
[01:57:42] of the of the helicopter.
[01:57:43] >> And just be advised, there's an active
[01:57:45] shooter on the airport. Uh, this is a
[01:57:47] blanket broadcast for all aircraft.
[01:57:49] >> Be advised, we have an active shooter on
[01:57:51] the airport.
[01:57:52] >> Uh,
[01:57:53] >> and this is from that police helicopter.
[01:57:55] And look at this. There are figures
[01:57:58] walking around on the runways. And this
[01:58:01] is an infrared where warm bodies are
[01:58:04] white and cold steel is black. And
[01:58:07] what's that right there?
[01:58:11] >> Keep your feet up.
[01:58:13] >> Looks like there's more people over here
[01:58:15] carrying things
[01:58:16] >> uh to the ramp. And
[01:58:24] the one to close. We are in the process
[01:58:27] of trying to round them up. They're on
[01:58:29] the airport proper.
[01:58:33] >> And then they asked to turn the lights
[01:58:34] on.
[01:58:35] >> I'm getting the information now. I'm
[01:58:36] talking to like seven different people.
[01:58:46] Mobile, can I get you to kill the
[01:58:48] lights?
[01:58:49] Shut down.
[01:58:51] >> All right, mobile. You want them on or
[01:58:53] off? Mobile, I'd like the lights for the
[01:58:55] one to off.
[01:58:57] So he just asked them to turn off the
[01:59:00] lights on the runway,
[01:59:07] but the shooting's over. The guy's dead.
[01:59:12] [music]
[01:59:12] Right.
[01:59:15] Right.
[01:59:17] Well, there's evidence that there's
[01:59:19] helicopters flying around shooting
[01:59:21] beltfed machine guns at people. There's
[01:59:23] evidence of active shooters all across
[01:59:25] the Las Vegas strip for the next two
[01:59:27] hours. There's evidence of active
[01:59:29] shooters on the runway. There's evidence
[01:59:31] of some sort of VIP exfiltration either
[01:59:34] from the Mandalay Bay or otherwise.
[01:59:37] There's all kinds of [ __ ] going on out
[01:59:38] there that night.
[01:59:40] But somehow all of that
[01:59:44] all covered up. Oh yeah. And then
[01:59:47] there's a zipline involved too.
[01:59:51] again. John Coen just pulling [ __ ] out
[01:59:52] of random body cam footage for years.
[01:59:58] >> It's just some woman standing around.
[02:00:00] >> Oh, yeah. What the
[02:00:02] >> a female police officer.
[02:00:07] >> You can see the Sphinx off in the
[02:00:08] distance there to help locate yourself.
[02:00:15] >> There are buses dropping off at Town
[02:00:17] Square that are not supposed to be. Can
[02:00:19] you call
[02:00:21] it up?
[02:00:28] >> This is the pyramid right here.
[02:00:31] >> So, she's right out front of the
[02:00:32] Mandalay Bay, right underneath Paddock's
[02:00:35] room way up above.
[02:00:38] >> Is that a zipline?
[02:00:43] >> Is that a zipline?
[02:00:45] >> And she's talking to someone else with
[02:00:46] her.
[02:00:47] John Cohen likes to replay clips over
[02:00:49] and over and over.
[02:00:50] >> Is that a sibling?
[02:00:50] >> So she he's just replaying this one clip
[02:00:54] and he shows some stuff.
[02:00:57] >> So he's showing that she's right down
[02:00:58] here.
[02:01:00] Paddock's room is right up here above
[02:01:02] her. She was facing in this direction
[02:01:05] towards the pyramid and the Sphinx.
[02:01:09] And she sees a zipline up in the air
[02:01:11] somewhere.
[02:01:15] >> [music]
[02:01:17] >> You know, the kind of thing that you
[02:01:18] could use to escape from on top of a
[02:01:21] building or [music]
[02:01:23] inside of a room with a broken window
[02:01:25] that's not the one that we're all
[02:01:27] looking at. [music]
[02:01:35] [music]
[02:01:36] >> There's all sorts of details just hiding
[02:01:39] in all this footage that largely went
[02:01:42] unnoticed.
[02:01:42] >> It's a person, isn't it? It kind of
[02:01:44] looks like a person dangling, but also
[02:01:46] >> It kind of looks like a person dangling,
[02:01:47] but also
[02:01:56] >> Oh, there it is. Oh, there it is.
[02:01:58] >> So, it looks like two different people
[02:02:00] have seen a zipline with a person on it,
[02:02:05] which is interesting.
[02:02:08] And the last um the last little tidbit
[02:02:12] that I think we'll pull out of these
[02:02:13] camera angles
[02:02:16] is from Bitsco's body cam. When he when
[02:02:18] they breach the room and they look
[02:02:19] around the room, right at the Oh, I've
[02:02:22] I'm zoomed in here. Right at the end of
[02:02:24] that footage,
[02:02:27] Colon is one that first pointed this one
[02:02:28] out to me, too. Well, to to everyone is
[02:02:30] that right at the end of this footage,
[02:02:32] they say something weird.
[02:02:41] There's one right here by the window
[02:02:42] that he was.
[02:02:47] >> Did I skip too far?
[02:02:59] >> Next suspect.
[02:03:04] It is a platinum card.
[02:03:10] >> Yeah, I skipped a little too far.
[02:03:14] >> Godamn camera
[02:03:16] >> right here.
[02:03:19] >> Levi, do you have any scoped weapons
[02:03:20] over there?
[02:03:21] >> Oh, yeah.
[02:03:22] >> Okay.
[02:03:22] >> So, they're asking what's in the room.
[02:03:24] >> He was blasting out of the window.
[02:03:26] He was blasting. I mean, just wanted to
[02:03:28] buy a scope and a pad. There's
[02:03:29] >> probably There's There's whole suitcase
[02:03:31] full of loaded AK Max.
[02:03:34] The guy just said there's a whole
[02:03:36] suitcase full of loaded AK mags
[02:03:40] like for an AK-47,
[02:03:44] but there were no AK-47s in the room.
[02:03:49] So why the hell are you loading a whole
[02:03:51] suitcase full of magazines? That [ __ ]
[02:03:52] takes forever and they're heavy.
[02:03:59] Chat says they didn't hear that. It's
[02:04:00] hard to hear.
[02:04:03] There's probably there's there's a whole
[02:04:05] suitcase full of loaded AK mags.
[02:04:08] >> There's a whole suitcase full of loaded
[02:04:10] AK mags and you can go look for yourself
[02:04:12] because you can look up this video room
[02:04:14] 134 breach Bitsco body cam on YouTube
[02:04:17] published by Truth Seeker 7 years ago
[02:04:19] and you can go to timestamp 2910 and you
[02:04:21] can look it up for yourself because
[02:04:23] that's the beauty of open-source primary
[02:04:25] source information is that you can all
[02:04:28] double check it.
[02:04:32] And so you wind up with all of these
[02:04:35] little tidbits, all of these little
[02:04:37] things that add up to a bunch of
[02:04:40] [ __ ] that add up to a story that is
[02:04:42] not true and does not make sense. And
[02:04:44] then you have to ask yourself, so what
[02:04:46] the hell is going on? What on earth
[02:04:49] really happened? And we could do a whole
[02:04:54] set of shows about what really happened.
[02:04:56] And there's a lot of fun stories to dig
[02:04:58] into of what really happened. bunch of
[02:05:00] stories about Saudi Arabia.
[02:05:03] Uh a a real life Game of Thrones,
[02:05:07] royal turf war, kings stringing princes
[02:05:11] up by their feet and torturing them,
[02:05:14] journalists getting chopped up into a
[02:05:16] bunch of pieces.
[02:05:19] All sorts of crazy parts to the story.
[02:05:21] Um
[02:05:23] at least to parts of the story.
[02:05:26] But we're not here to solve the Las
[02:05:29] Vegas shooting tonight. We're here to
[02:05:32] look at the anatomy of a blatant cover
[02:05:35] up of a conspiracy.
[02:05:39] And when you see things like the story
[02:05:42] changing over time, when you see things
[02:05:45] like ballistics and bullets that don't
[02:05:48] match the story, that don't match
[02:05:51] reality,
[02:05:52] when you see things like the media
[02:05:55] covering things up and telling people to
[02:05:57] stop reporting and just ignoring whole
[02:06:00] parts of the story,
[02:06:02] overtly lying. When you see insider
[02:06:05] trading, people selling stock ahead of
[02:06:08] events.
[02:06:10] When you see people with apparent
[02:06:12] fornowledge,
[02:06:15] when you see
[02:06:17] the narrative builders telling you that
[02:06:20] there is no conspiracy
[02:06:22] and to calm down,
[02:06:25] when you see all any or all of these
[02:06:27] parts, you should probably start looking
[02:06:29] at the evidence really carefully. And if
[02:06:31] you look at the evidence and you find
[02:06:33] something that just does not work
[02:06:36] with the mainstream narrative, with what
[02:06:38] you're being told, you're being lied to.
[02:06:44] And obviously, I am just talking about
[02:06:47] the Las Vegas shooting and nothing else.
[02:06:50] And obviously, remember our disclaimer
[02:06:52] that the Las Vegas shooting is just a
[02:06:54] bunch of conspiracy hoaxy [ __ ]
[02:06:57] And there's rational explanations for
[02:06:59] everything we looked at tonight.
[02:07:01] Very rational.
[02:07:07] Besides, if you talk about it, you'll
[02:07:10] lose all your social credit. You'll get
[02:07:12] banned from the internet
[02:07:14] and you're crazy. So, just shut the [ __ ]
[02:07:17] up and get back to work, peasants.
[02:07:20] That's pretty much the line. That's
[02:07:22] pretty much the narrative. That's pretty
[02:07:23] much how America goes these days.
[02:07:27] Obviously, there's stuff happening right
[02:07:29] now that we all have questions about.
[02:07:31] And obviously, there's some stuff that's
[02:07:32] not adding up. And obviously, we're
[02:07:35] watching closely. I'm watching closely.
[02:07:37] I'm keeping track of what's developing
[02:07:38] and what's going on. Obviously, right
[02:07:41] now, everyone is in Arizona at Turning
[02:07:43] Point USA having a grand old time
[02:07:47] picking sides between Ben Shapiro and
[02:07:49] Tucker Carlson,
[02:07:52] and trying to spin that as anything
[02:07:54] other than picking sides between Israel
[02:07:57] and America,
[02:08:00] right?
[02:08:03] And obviously everyone's looking at a
[02:08:06] certain Erica Kirk and wondering how
[02:08:10] does today's action square with
[02:08:16] prior text messages and statements made
[02:08:19] by her beloved husband?
[02:08:23] How does this story possibly match up
[02:08:26] with that one?
[02:08:29] What the [ __ ] is going on?
[02:08:32] And
[02:08:35] kind of in everyone's face is this issue
[02:08:38] of
[02:08:40] narrative builders telling you to shut
[02:08:43] up, telling you that you're evil if you
[02:08:45] ask questions, telling you that
[02:08:49] you just hate Jews. You hate widows.
[02:08:53] You just want to let a killer go free.
[02:08:55] You're working for Islam. You work for
[02:08:57] Qatar
[02:08:59] if you do your job.
[02:09:01] If you pay attention, if you ask
[02:09:03] questions, if you investigate, do the
[02:09:06] things that the media is supposed to do,
[02:09:08] journalists are supposed to do.
[02:09:13] So,
[02:09:15] it's obviously up to all of you to
[02:09:17] decide if you're part of if you're in a
[02:09:21] conspiracy, if you're looking at a cover
[02:09:22] up. You shouldn't trust other people.
[02:09:25] You shouldn't trust journalists. You
[02:09:28] shouldn't trust people like me. People
[02:09:30] like me are inherently narrative
[02:09:32] builders. People like me historically
[02:09:35] come into the space and flood the zone
[02:09:38] with opinions and perspectives and
[02:09:39] emotions and and and narrative in order
[02:09:42] to convince you of what to think. And
[02:09:44] you should be thinking for yourself. You
[02:09:47] should be judging the evidence for
[02:09:48] yourself. And if if a person on the
[02:09:51] internet gives you primary source
[02:09:53] evidence that you can check for yourself
[02:09:55] and you decide that your opinion should
[02:09:58] align like will align with them, then
[02:10:00] that's okay, I think. But you should
[02:10:03] always remain skeptical of everyone on
[02:10:05] the internet because in all of these
[02:10:07] instances, in all of these conspiracies
[02:10:10] and cover-ups, there are always
[02:10:12] narrative builders that come into the
[02:10:14] information spaces purposefully to tell
[02:10:17] you what to think, to tell you not to
[02:10:19] look over there, not to look over there,
[02:10:21] to feed in bad information, to discredit
[02:10:23] other people, to muddy up the waters
[02:10:26] with just busy work and [ __ ]
[02:10:29] There's a million tactics and they
[02:10:31] evolve every time.
[02:10:35] But
[02:10:38] the one thing that they cannot counter,
[02:10:40] the one thing they can't answer
[02:10:43] is freedom of speech and freedom of
[02:10:45] thought and everyone thinking freely for
[02:10:47] themselves, thinking carefully for
[02:10:49] themselves, looking at the evidence and
[02:10:52] investigating for themselves.
[02:10:55] That's the whole point is it's all about
[02:10:58] you retaining your individuality, your
[02:11:01] freedom,
[02:11:03] and your own perspective.
[02:11:07] And when you look around at the
[02:11:09] narrative builders on the internet
[02:11:10] today, ask yourself which ones are
[02:11:12] trying to give you a narrative and tell
[02:11:15] you what to think, and which ones are
[02:11:18] trying to encourage you to think for
[02:11:20] yourself and to break free and do your
[02:11:22] own [ __ ] thing.
[02:11:28] So,
[02:11:31] that is our show for tonight. That is
[02:11:34] just the briefest touch on the Las Vegas
[02:11:36] shooting. And obviously, there's a
[02:11:38] million more shows we could do and I'll
[02:11:40] probably make some videos about what
[02:11:41] really went on and condense it down into
[02:11:43] some of the deeper stuff because this is
[02:11:45] just the beginning. There's so much more
[02:11:48] to put together and some really
[02:11:51] interesting theories that emerged over
[02:11:52] the years about what might have
[02:11:54] happened, but for now we'll leave it
[02:11:57] there.
[02:12:01] Thank you for tuning in and thank you
[02:12:03] for supporting this work. Thanks for
[02:12:05] supporting all the journalists that came
[02:12:06] before me. Um, be sure to subscribe to
[02:12:09] them, to share them, to like them, to
[02:12:11] boost them. Because remember, often the
[02:12:14] people that are best at journalism are
[02:12:16] not the ones that are best at media and
[02:12:18] at entertaining and at building
[02:12:20] audiences. And so often the most
[02:12:22] critical journalists that are breaking
[02:12:24] the stories and actually doing the
[02:12:25] diligence and actually on the ground,
[02:12:27] they often have smaller platforms and
[02:12:29] smaller followings and are not as
[02:12:31] entertaining to watch and are not as
[02:12:34] good at this. And so it's really
[02:12:36] important that when you find those
[02:12:38] people, you support them every way that
[02:12:40] you can. Um, I pulled clips from John
[02:12:43] Cullen, from Jason Goodman, from Mindy
[02:12:45] Robinson, um, [snorts] a number of other
[02:12:47] sources, but those are the three primary
[02:12:49] ones today. And there's a number of
[02:12:51] other people out there doing similar
[02:12:53] work on this story and on other stories.
[02:12:55] And you should always try to support the
[02:12:57] journalists that are on the ground doing
[02:12:59] the work because without them, we don't
[02:13:01] have anything. Without them, we have no
[02:13:03] information. We have no reporting. We
[02:13:04] have no primary sources, nothing, just
[02:13:07] narrative.
[02:13:08] But it takes everyone working together.
[02:13:10] It takes the hardcore ones doing the
[02:13:12] work and then it takes the people
[02:13:13] spreading it out and then it takes the
[02:13:15] big people voicing it to the millions,
[02:13:17] simplifying it, telling it, spreading
[02:13:19] it. And altogether hopefully we can get
[02:13:23] a little bit of truth out there and get
[02:13:24] people thinking for themselves and
[02:13:26] asking the right questions.
[02:13:28] So
[02:13:33] now
[02:13:35] what we're going to do is we're going to
[02:13:37] roll out of here. We're going to play
[02:13:38] our in outro and then we're going to
[02:13:39] drop into some super chats with you
[02:13:41] guys. Um I've been tracking them all
[02:13:42] night and I see some awesome super
[02:13:43] chatters coming in. We'll talk super
[02:13:44] chats for a minute and then we'll cut it
[02:13:46] out at the end. But before we roll into
[02:13:49] the super chats, I just want to say
[02:13:51] thanks for being here. Thanks for tuning
[02:13:52] in. Really appreciate it. And
[02:13:56] don't forget to drink some water, eat
[02:13:59] some healthy food, tell someone you love
[02:14:01] them, and get some good sleep tonight.
[02:14:04] And we'll see you on the next one.
[02:14:07] >> Conspiracy [music] theories are entering
[02:14:09] a danger.
[02:14:10] >> Information is the oxygen of the
[02:14:12] democracy. There's so much evidence out
[02:14:14] there that even if less than [music] 1%
[02:14:17] is true,
[02:14:18] that will be enough to collapse the
[02:14:20] current paradigm and change the whole
[02:14:23] planet.
[02:14:30] Before we get to your super chats,
[02:14:34] I just want to take a quick moment, a
[02:14:36] quick moment
[02:14:39] to let you know that this stream is
[02:14:41] brought to you by Buyer.
[02:14:44] Shop smarter with Buyer, built by yours
[02:14:46] truly, Ian Carroll, and his team of
[02:14:48] illustrious rebels, John and Kevin. We
[02:14:52] built buyer out of all the research that
[02:14:55] I had done over the years of who owns
[02:14:57] everything, who owns all the products in
[02:14:58] your grocery store because I had been
[02:15:00] making spreadsheets that just they
[02:15:02] needed to be an app and the app needed
[02:15:04] to be in everyone's phones for free so
[02:15:06] that you can scan anything in the
[02:15:08] grocery store and figure out who owns
[02:15:09] everything
[02:15:12] because most of the stuff that you're
[02:15:13] buying is coming from Black Rockck.
[02:15:15] Black Rockck, Vanguard, State Street,
[02:15:16] all the banks, all the financial
[02:15:17] institutions. They buy up all these
[02:15:19] companies. They own all these products.
[02:15:21] They hide behind these brands that look
[02:15:23] all nice and they just eat up your money
[02:15:26] and rule the world. And if you want to
[02:15:28] support family and founder brands, the
[02:15:29] first thing you have to do is find them.
[02:15:31] And it's a lot easier to find them when
[02:15:32] you can just scan a product and find out
[02:15:34] immediately. So, here's your little ad
[02:15:37] break from yours truly,
[02:15:40] cuz I'd rather advertise something
[02:15:42] founder owned, founder created by myself
[02:15:44] for you, so that you can support founder
[02:15:45] owned, family-owned businesses, rather
[02:15:47] than, you know, shilling gambling apps
[02:15:49] and whatever the [ __ ] else we're
[02:15:51] shilling these days. So, there's your
[02:15:54] shilling. There's your ad. Go get it on
[02:15:56] the Apple App Store, the Google Play
[02:15:58] Store today. Drop us a review, drop us
[02:16:00] five stars if you like it. We really
[02:16:02] appreciate it. And if you got any
[02:16:03] questions, concerns, comments, there's a
[02:16:05] Discord link on our website,
[02:16:06] buyerapp.com, buyapp.com,
[02:16:10] and you can go to our Discord and get
[02:16:12] support from a wide community of beta
[02:16:14] testers and people there to help you
[02:16:15] out. We are in there monitoring as well.
[02:16:16] And you can drop suggestions for what
[02:16:18] you would love to see in the app in the
[02:16:19] future
[02:16:21] because we love that. We're going to be
[02:16:22] building on it for years. Yeah. Down
[02:16:25] with gambling apps. F that. We don't
[02:16:26] need no gambling apps.
[02:16:29] We got buyer app, baby. So, now on to
[02:16:33] your super chats.
[02:16:35] And I actually tracked our supers
[02:16:36] tonight. I got our super chat tracker
[02:16:37] back up and running. Um,
[02:16:40] but before we get to that, let's get
[02:16:42] some music. Let's chill out for a second
[02:16:44] here.
[02:16:46] Is anyone watching the fight tonight? I
[02:16:48] hear there's a crazy fight tonight.
[02:16:51] Chat, anyone in the Anyone in the chat
[02:16:52] watching the fight? Has it already
[02:16:54] happened? Who won? Who won the fight
[02:16:56] tonight, guys?
[02:17:05] the prelims.
[02:17:13] Yeah, I haven't seen the fight yet,
[02:17:15] but I heard the fight's going to be
[02:17:17] wild.
[02:17:18] Um, what kind of music should we listen
[02:17:20] to? Let's listen to some chill lowfi,
[02:17:22] and we'll turn it down.
[02:17:25] Yeah, we'll get mellow.
[02:17:27] Oh, look at that. But I got chat hiding
[02:17:28] behind the super chat.
[02:17:33] Jake Paul did not win. No way.
[02:17:38] You're lying. Jake Paul didn't win.
[02:17:43] That's not true.
[02:17:48] That's not true, dude. I don't believe
[02:17:49] it.
[02:17:52] Is it going to be rigged? Yeah, it's
[02:17:53] probably going to be rigged. Yes. Duh.
[02:17:57] Megan Kelly won. Ben lost. Yeah, the
[02:18:00] fight has not started. Thank you at
[02:18:01] least one person in the chat for telling
[02:18:03] the truth. Thank you.
[02:18:06] All right, supers. Let's get your
[02:18:08] supers.
[02:18:12] Reagan Marie, thanks for the big $100
[02:18:14] super. I am learning so much from your
[02:18:17] work. Thank you. This is the money I
[02:18:18] planned to donate when Charlie Kirk
[02:18:20] died, but I never pulled the trigger.
[02:18:21] Lol. Glad to donate to Truth. Hey,
[02:18:23] thanks, homie. Don't worry. They got
[02:18:24] lots of money over there. Um, and I
[02:18:26] really appreciate your donation. Makes
[02:18:27] it makes a big difference. And yeah, I'm
[02:18:29] doing my best. Um, I try to I try to
[02:18:32] produce media that if you're like a hard
[02:18:35] often like the hardcore truth seekers
[02:18:37] are like, you're you are just such a
[02:18:39] basic conspiracy theorist. It's like,
[02:18:40] dude, the point of what I do is to make
[02:18:43] media that can welcome newbies in and
[02:18:46] can spread truth to people that haven't
[02:18:49] heard it yet. Or if you just haven't
[02:18:50] heard this story yet, but you know a lot
[02:18:51] of other stuff, maybe you just need a
[02:18:53] primer on this story. someone to explain
[02:18:54] the, you know, meat and potatoes of this
[02:18:57] story. Um, I ain't the smartest one in
[02:18:59] the room, but I'm relatively good at
[02:19:01] communicating
[02:19:02] complex stories in understandable ways.
[02:19:05] That's what I that's what I'm good at.
[02:19:07] That's what I like to do. So, hopefully
[02:19:08] that helped. Thanks, Reagan. Appreciate
[02:19:10] it.
[02:19:11] Um Joel Herring 3522
[02:19:15] $100 dono. Thank you. Do you think Jesus
[02:19:17] is God? Yes. Um, I'm not an Orthodox
[02:19:21] Orthodox. I'm not a typical Christian,
[02:19:24] but I think Jesus is God. Um, but at the
[02:19:26] same time, I think that you're God, too.
[02:19:28] I think that we all are a piece of God,
[02:19:30] right? I think that Jesus was probably
[02:19:33] holding a much much larger portion of
[02:19:36] God, so to speak. Um, and I know that
[02:19:39] wording is probably ambiguous and going
[02:19:41] to piss people off, but yeah. Yeah,
[02:19:43] Jesus is God. But at the same time, like
[02:19:47] I try to really hold on to the God in
[02:19:49] all of us, that we're all God's
[02:19:51] children, and that we're all a little
[02:19:54] tiny spark of this entire human thing
[02:19:55] that we are. Um, and Jesus just happened
[02:19:58] to hold a specifically unique and
[02:20:01] important point in that whole process.
[02:20:04] And, you know, people argue over how
[02:20:05] important that point was and exactly
[02:20:06] what Jesus was. And I don't get too
[02:20:09] stressed about trying to pin down
[02:20:10] exactly what Jesus was. He was important
[02:20:12] and his words were [music] important.
[02:20:14] and you can read all about him. Should I
[02:20:16] read Revelations 2:9? I got it open.
[02:20:18] [laughter]
[02:20:20] Nah, we're not. Yeah, we're not going to
[02:20:21] troll Ben that hard. We'll just let
[02:20:23] Revelations sit over there.
[02:20:26] Thanks, Joel Herring. I appreciate it.
[02:20:29] Techie Head with the 50. Ben Avery and
[02:20:31] John Coen did a fantastic episode on
[02:20:33] that on the stuff we can't talk about
[02:20:35] here. Your work is dope, too, Ian.
[02:20:38] Yeah, I mean, you can't hate on I mean,
[02:20:40] you can hate on John Coen, but you can't
[02:20:42] hate on all the work he did into this.
[02:20:44] Um, Ben Avery I'm not so familiar with,
[02:20:46] but I bet that I've seen his work via
[02:20:47] John Coen.
[02:20:49] Um, there is another channel that
[02:20:51] Harrison just put me on to on Infowars
[02:20:52] today that I got to check out.
[02:20:55] Real Baze dropping it with a 50. Shout
[02:20:56] out to Real Baze. Always in the chat.
[02:20:58] Appreciate it, man. I got some
[02:20:59] uncensored photos of the scene. I'd be
[02:21:01] happy to send them to you. Just message
[02:21:03] me. Heads Heads up. They're gross. But I
[02:21:06] used to I used AI to analyze them. And
[02:21:08] yeah, they definitely lied about that
[02:21:09] one of Las Vegas. You got some
[02:21:12] uncensored photos of Las Vegas.
[02:21:15] Those would be gross photos.
[02:21:19] See, the thing is I don't know is like I
[02:21:22] don't actually know if I want to see
[02:21:23] them because we're past the point. It's
[02:21:26] like I I've seen the autopsies and the
[02:21:28] bullet trajectories and I know that a
[02:21:30] lot of people were shot straight down
[02:21:31] from above.
[02:21:33] It would be a little helpful to see the
[02:21:35] photos. I don't know. I'll think about
[02:21:37] it. There's some there's some darkness
[02:21:39] in this world that you just don't have
[02:21:40] to put yourself through. And my life and
[02:21:42] my job is so full of like looking at
[02:21:44] darkness straight in the face that
[02:21:45] sometimes I'm like, nah, not this one.
[02:21:47] But I'll think about that, Baze. I
[02:21:48] appreciate that. And thanks for the
[02:21:50] dono. Stacy Shepard coming in from
[02:21:53] Australia with the Aussie Bucks.
[02:21:54] Greetings from Melbourne. Ian, love your
[02:21:56] work. Keep the keeping the bastards
[02:21:58] honest. You're dang straight. Thanks for
[02:22:00] the donation. Um, hope you're doing okay
[02:22:02] down there in Australia. Y'all went
[02:22:03] through a big one last week. Um,
[02:22:06] [snorts] I know that Melbourne is not
[02:22:08] where Bondi Beach is, but we're thinking
[02:22:10] about you guys.
[02:22:13] And BB's thinking about you guys, too,
[02:22:16] in case you were wondering.
[02:22:19] GBS5587.
[02:22:21] Hope YouTube doesn't take a deep cut of
[02:22:23] his money. You're going to see Whitney
[02:22:24] when she see when she goes on Rogan.
[02:22:28] Is Whitney going on Rogan?
[02:22:33] Wait, did did I miss that Whitney's
[02:22:35] going on Rogan?
[02:22:38] When's Whitney going on Rogan? I want to
[02:22:40] see that. Hey Joe, have Whitney Webb on.
[02:22:48] Volume two is downstairs by my bed. Have
[02:22:51] Whitney Webb on, bro.
[02:22:54] She'll blow your mind.
[02:22:57] Not just about Epstein, too.
[02:22:59] She's all over the mass digital mass
[02:23:02] surveillance palunteer all that. Andre
[02:23:05] Kennedy, thanks for the donation. I'd
[02:23:07] like to see you focus your lens a little
[02:23:08] on how all of this is in some way aimed
[02:23:10] at destabilizing American society to
[02:23:12] call civil unrest. George Soros said it
[02:23:14] has said it himself.
[02:23:16] Yeah, that's a hard one to pin down. Um,
[02:23:18] and I try to focus on ones that I can
[02:23:21] like draw clear lines of evidence
[02:23:22] between things, but that one's obviously
[02:23:25] happening. I should do I should do some
[02:23:28] shows that are kind of zoomed out on the
[02:23:30] big picture of destabilizing a nation in
[02:23:32] subversion. That'd be a fun show to try
[02:23:35] to weave together from all sorts of
[02:23:37] different sources.
[02:23:38] Good suggestion, Andre. I appreciate
[02:23:40] that.
[02:23:42] I don't give a dam.
[02:23:45] Axon body cam footage. Axon bought
[02:23:47] carbine. Pegasus style tech tied to
[02:23:49] ORM's 911 systems. Epstein and Barack
[02:23:52] founded its Israeli roots. reporty
[02:23:54] Axon's 2025 conference Israel probably
[02:23:57] nothing with company tats like BH
[02:24:03] Axon body cam footage bought carbine
[02:24:09] tied to Oram Utah's 911 systems
[02:24:15] bro
[02:24:18] you know what I should do guys real
[02:24:21] quick
[02:24:23] I'm out here looking across at the wrong
[02:24:24] screen because I got my supers up on
[02:24:26] that screen. I should put them over
[02:24:28] here.
[02:24:29] And I should do this
[02:24:33] so that I can look at them and look at
[02:24:35] them. I'm probably going to have to
[02:24:36] rearrange.
[02:24:38] Oh yeah, because I have to um
[02:24:44] um
[02:24:48] Boom. Yeah, now I can look at them over
[02:24:51] here. Get my screen going. Sick. I don't
[02:24:55] give a damn. That's an interesting
[02:24:56] comment. Appreciate that.
[02:24:58] Mitchell, I love the show and look
[02:25:00] forward to it every week, but homie, the
[02:25:02] plural of aircraft is just aircraft.
[02:25:03] Love you, man. [laughter]
[02:25:06] Love you. Mean it.
[02:25:09] Hey, sometimes we got to make up words,
[02:25:10] dog. I've been making up words since I
[02:25:12] was a little kid.
[02:25:14] Aircraft eye. [clears throat]
[02:25:18] Yeah, you're right. You're right. You're
[02:25:19] right. Thank you for all your hard work.
[02:25:20] Thanks, Joan. I appreciate it.
[02:25:23] Thank you. This event never made any
[02:25:25] damn sense to me. Best theory I heard
[02:25:27] was it was a weapons deal gone wrong.
[02:25:28] Nothing but a cover up explains to me
[02:25:30] lack of cameras tracking the guy in a
[02:25:31] casino. Oh yeah. Oh, they got camera
[02:25:34] footage. All right. They covered all
[02:25:35] that up.
[02:25:37] Um and yeah, weapons deal gone wrong I
[02:25:39] think is probably a part of it. But I
[02:25:41] think that a assassination attempt on
[02:25:44] Muhammad bin Salman or his uh little
[02:25:46] brother or son Khalil bin Salman KBS
[02:25:50] ambassador to the US. I think it's his
[02:25:52] little brother. That makes way more
[02:25:54] sense to me. And it might even be a
[02:25:57] couple things wrapped up in allin-one.
[02:26:02] like the weapons deal gone wrong might
[02:26:03] have been how they got the psy, but I I
[02:26:06] suspect it was cover for something
[02:26:08] related to Saudi Arabia because of how
[02:26:10] it's couched into Saudi Arabian
[02:26:12] geopolitics at the time. And holy [ __ ]
[02:26:15] that is a rabbit hole that we are going
[02:26:17] to go down at some point here. It just
[02:26:19] wasn't going to fit in this stream.
[02:26:21] [music]
[02:26:22] Thanks for all your hard work. Please
[02:26:24] buy Gigi a little something for
[02:26:25] Christmas from me. Merry Christmas. I'll
[02:26:27] get her some steak from you. Appreciate
[02:26:28] that. Thanks, Jason Bourne's wife.
[02:26:30] Appreciate that.
[02:26:33] Holy [ __ ] that's Jason Bourne's wife.
[02:26:37] TXH TXill Nest, thanks for the dono. Ty
[02:26:40] Tyene,
[02:26:42] as a filmmaker, you and James Lee
[02:26:43] inspire me a lot. Hope to step more into
[02:26:45] journalism side of things in the future
[02:26:46] as I learn to ask more questions. Thanks
[02:26:48] for your value. Much love from West
[02:26:50] Virginia. Thank you. Yeah, I think
[02:26:51] filmmakers should step into journalism.
[02:26:53] Do something do something about with the
[02:26:56] information to help it help the world
[02:26:57] out, you know.
[02:26:59] But hey, we need good entertainment,
[02:27:00] too. We need good filmmakers all over.
[02:27:02] But yeah, there's no shortage. There's
[02:27:04] no shortage of job security in this
[02:27:05] industry. That's for damn sure. Super
[02:27:07] Fortnite kid, did you see the taxi
[02:27:09] drivers video in front of the casino
[02:27:10] during shooting? Video disappeared from
[02:27:12] the internet very quickly. Uh I don't
[02:27:15] know if I've seen that. I wasn't pay I
[02:27:18] didn't I wasn't even looking at
[02:27:19] journalism at all until during CO. Um so
[02:27:23] I missed a lot of the original stuff
[02:27:25] that happened with the Vegas shooting.
[02:27:31] Ian, get in contact with Jake Moronwa
[02:27:34] about Vegas. He has the goods on this
[02:27:36] case. So much to the fact that the FBI
[02:27:38] told him to cease and desist.
[02:27:41] Interesting. I've never heard of him. uh
[02:27:44] hopefully doesn't have so much that just
[02:27:46] like a lot of the witnesses that claimed
[02:27:48] there was multiple shooters, hopefully
[02:27:50] he doesn't have an accident like them
[02:27:51] and dies because we didn't even talk
[02:27:53] about all of the victims that survived
[02:27:56] only to dying in mysterious accidents in
[02:27:58] the following weeks because I mean not
[02:28:01] because coincidentally as they were
[02:28:03] saying that there was multiple shooters.
[02:28:05] You're being searched on Google Trends
[02:28:07] right now from Israel. My son just
[02:28:08] checked right now. My wife ordered me to
[02:28:10] send you this notice. Haha. Yeah, but
[02:28:12] I'm like a public figure. I get searched
[02:28:15] all over the world. I'm not surprised
[02:28:17] that Israel is searching me. They hate
[02:28:19] me. Obviously, they're searching me. I'm
[02:28:20] gonna be fine. They're not like
[02:28:22] downstairs right now. We're chilling. I
[02:28:25] got a dog. But I appreciate the concern.
[02:28:28] Google Trends only works for like things
[02:28:31] that no one would be searching. Really
[02:28:33] bizarre names, uh, unknown names,
[02:28:36] specific places, unique combinations of
[02:28:38] words, things like that. And even then,
[02:28:41] it's not like necessarily the hardest of
[02:28:43] proof of anything. FYI, Joel Lombardo,
[02:28:45] the sheriff who gave the report to MSM
[02:28:47] that day, nobody believed him. He
[02:28:49] sounded lost, is now the governor of
[02:28:50] North Virginia,
[02:28:52] Nevada.
[02:28:55] No, it's not. It's not Joe Lombardo
[02:28:57] that's the governor of Nevada, I don't
[02:28:59] think.
[02:29:04] Oh. Oh, yeah.
[02:29:10] What? He is the governor of Nevada. Holy
[02:29:14] [ __ ]
[02:29:18] What?
[02:29:22] Ain't that funny?
[02:29:24] It always seems to happen like that.
[02:29:29] And he actually defeated his boy Steve
[02:29:31] Sisilac that was also in that press
[02:29:32] conference talking [ __ ]
[02:29:35] the doggy dog world out there.
[02:29:40] You know, don't we recall that he had
[02:29:41] something to do with Lahina for a time
[02:29:44] there? Or was that just a conspiracy
[02:29:45] theory?
[02:29:49] Laina. [music] It's not on his wiki. I
[02:29:52] have to dig into that. I remember
[02:29:53] hearing that.
[02:29:57] Maybe it's all made up.
[02:29:59] Ash of the Dead. Think of Jesus more
[02:30:01] like a level of consciousness that we're
[02:30:03] all capable of. Hey, I'm not going to
[02:30:05] tell no Christians what to think,
[02:30:08] but Christ consciousness isn't a phrase
[02:30:10] for no reason. And I don't think I'm
[02:30:14] ever going to get to that level, but I
[02:30:16] think we should all aspire to it, right?
[02:30:21] Truth evades. The fit report and how
[02:30:23] it's only like 40% guns with sights is
[02:30:26] crazy. It's crazy, dude. That whole
[02:30:28] report is crazy. The fact they're trying
[02:30:31] to claim that he was headshotting people
[02:30:32] from all that distance with no sights
[02:30:35] when he had sights right next door on
[02:30:37] his other guns.
[02:30:39] Come on, man. Come on.
[02:30:42] You are legit muted, bro. Thanks,
[02:30:45] Ratchet J. This is when I found out
[02:30:47] Laura Loomer was an asset. No [ __ ] That
[02:30:50] far back.
[02:30:53] Dude, I still look around at the Las
[02:30:55] Vegas shooting for Israeli stuff.
[02:30:59] I still look at it for Israeli stuff.
[02:31:01] Even though there's so much evidence of
[02:31:02] Saudi stuff, I still look for Israeli
[02:31:04] stuff because one of the factions in
[02:31:07] this Saudi civil war had longstanding
[02:31:11] ties to the Israeli deep state. I can't
[02:31:14] help but wonder.
[02:31:17] Can't help but wonder. Purple, remember
[02:31:20] all the people who attended the event
[02:31:21] and survived mysteriously died the
[02:31:23] following year? Yep. Yes, I do. I just
[02:31:25] looked into a whole bunch of them.
[02:31:27] Where is John Cullen? Actually, if you
[02:31:29] want the goods on where John Cullen is,
[02:31:32] John Cullen, if you want to know the
[02:31:34] goods on where John Cullen is, um,
[02:31:38] you should go to Jason Goodman's YouTube
[02:31:40] channel.
[02:31:43] How do I do this without messing it all
[02:31:44] up? I go to Huh. How do I do this
[02:31:47] without messing it all up? I drop this
[02:31:50] one into there and I open a new YouTube
[02:31:54] window and we go to crowdsource
[02:31:59] the truth.
[02:32:03] Okay,
[02:32:06] if you want to know where John Cullen's
[02:32:07] at, you go to Jason Goodman's channel,
[02:32:09] Crowdsource the Truth 12 on YouTube. I
[02:32:12] bet he's also got this on his ex
[02:32:13] channel. It's just easier to find here.
[02:32:15] And you go to where's colon Bangkok,
[02:32:16] Thailand. this whole where's Waldo
[02:32:19] graphic here and he explains the
[02:32:21] interpersonal drama and the strange set
[02:32:24] of circumstances
[02:32:26] that led to John Coen disappearing.
[02:32:29] Um, there's a lot of backstory you need
[02:32:32] to know about Jason Goodman and John
[02:32:33] Cullen and their
[02:32:36] personalities
[02:32:38] and their long history of working
[02:32:40] together, but I think that Jason's
[02:32:43] probably got the best sense of where
[02:32:45] John Cullen is. And you need to have
[02:32:48] watched that video to have the context
[02:32:50] of what happened around the time that
[02:32:52] John Cullen disappeared off the
[02:32:53] internet. And I don't know, maybe that
[02:32:56] is why, maybe it's not. But
[02:33:00] context,
[02:33:02] I think John Cullen is probably fine.
[02:33:06] I have questions about who John Coen is,
[02:33:09] to be honest.
[02:33:11] Diane K. Lacy, the way Brass ejects, I'd
[02:33:15] expect to find some outside below the
[02:33:16] windows. Did they find any there? Thanks
[02:33:18] for debunking the fake conspiracy
[02:33:19] theories. Not to my knowledge. And
[02:33:22] you're right. I would expect to find
[02:33:24] some there. I would also expect to find
[02:33:26] the broken glass down on the street
[02:33:28] below it, not in the room
[02:33:31] if he's smashing the window out with a
[02:33:33] sledgehammer from the inside.
[02:33:36] But what do I know?
[02:33:38] I'm just a crazy conspiracy theorist.
[02:33:40] And obviously, they didn't just dump all
[02:33:41] the evidence there before they took the
[02:33:43] photos. They would never. They would
[02:33:46] never.
[02:33:48] Jesus payw wall sacrifice freedom.
[02:33:53] I don't know what that means, Jimmy, but
[02:33:54] I appreciate the support.
[02:33:56] Jennifer Grover, Ian, I just wanted to
[02:33:58] see if you read your super chats before
[02:33:59] I send more. LOL. Yeah, I usually don't
[02:34:02] get to all of them, but I think that as
[02:34:04] people have learned that I don't I never
[02:34:05] can read all of them. It's trained
[02:34:06] people to send a few less and so it
[02:34:08] makes it easier to read more of them. Um
[02:34:11] cuz for a while there, I was getting so
[02:34:13] many that I just couldn't even read them
[02:34:14] all. And I do appreciate all the
[02:34:16] support. I appreciate the donations.
[02:34:17] they do make a difference but at the
[02:34:18] same time I am doing fine. Um I don't
[02:34:21] rely on your donations in order to you
[02:34:23] know get by and eat food. So if you if
[02:34:25] you got like take care of your people
[02:34:27] first, take care of your family. Take
[02:34:29] care of your loved ones. Um and if you
[02:34:30] want to give a donation, I do appreciate
[02:34:32] it, but by no means do you need to give
[02:34:34] a donation. Okay? I've considered
[02:34:37] turning off super chats many times. Um
[02:34:39] but it does make a concise and workable
[02:34:42] way to interact with the chat here a
[02:34:44] little bit. um and not just interact
[02:34:47] with trolls. So, I don't know. But thank
[02:34:50] you. Appreciate that.
[02:34:52] Mugsy bringing all the info from CO Ian,
[02:34:55] Jesse, Nate, Baron, and Milo. I'm
[02:34:57] starting to think Charlie isn't dead.
[02:35:01] Hey, Jesse on Fire put together a fire
[02:35:04] video about that angle of the theories
[02:35:07] just the other day,
[02:35:09] and I got to say,
[02:35:13] I cannot rule that out.
[02:35:15] It's awfully qy. It's awfully trust the
[02:35:18] plan. Like that very quickly takes me
[02:35:21] into theories that involve very
[02:35:24] sophisticated, competent, good guys in
[02:35:27] the government, which is hard to believe
[02:35:30] given everything we've seen.
[02:35:33] But it's it's a nice little white pill
[02:35:36] to kind of chew on for fun on the side
[02:35:38] of things.
[02:35:41] Personally, I don't believe that's the
[02:35:43] case yet, but who knows. Things are
[02:35:47] getting complicated and I'm watching
[02:35:49] closely.
[02:35:52] Interview George Webb on donor Pierre
[02:35:54] Dupont. I should talk to George. Uh, I
[02:35:56] know George. I've met him a few times. I
[02:35:58] don't know him well, but I've met him a
[02:35:59] few times. Um, he's a nice guy. I like
[02:36:01] him. He He's one of those guys that's
[02:36:04] like does a lot of reporting, but it's
[02:36:05] often [music] kind of like locked into
[02:36:07] long live streams. It's hard to kind of
[02:36:09] piece it all apart unless you watch it
[02:36:10] all. So, it's hard to follow his
[02:36:12] reporting unless you have time to follow
[02:36:13] all of it.
[02:36:16] Blessings to the truth seekers and
[02:36:17] educators. Thanks, Mountain Star
[02:36:19] Studios. Yeah, blessings to everybody.
[02:36:22] More of team Ian and Candace opening
[02:36:24] cans of whoop arce. Appreciate it.
[02:36:29] Always improve your source of
[02:36:30] information. Thanks. Dang straight.
[02:36:32] Always get back to primary sources.
[02:36:34] Whitney Webb is on point and
[02:36:36] knowledgeable in mucho. Yeah, you're
[02:36:37] dang straight. Whitney Webb is too smart
[02:36:39] for her own dang good. Please follow up
[02:36:42] on 911 forewarning. Odo pagers. Oh yeah,
[02:36:46] big time. Yeah, I think it's uh getting
[02:36:48] close to time to do a bunch more
[02:36:50] reporting on 911 here soon. Earth's
[02:36:52] surface is a level plane. Hey, I'm not
[02:36:54] convinced of it and I've looked at the
[02:36:56] evidence, but you do you, bro. I'm not
[02:36:58] going to tell you what to think.
[02:37:01] My point, no brass outside. Windows
[02:37:04] weren't broken. You're dang straight,
[02:37:05] Diane. You're dang straight. And I think
[02:37:08] we missed a few that came in later. Did
[02:37:09] you see Candace absolutely obliterate
[02:37:11] Ben today on her show? No, I haven't
[02:37:12] gotten to watch Candace yet because I
[02:37:14] was on InfoWars with Harrison and then I
[02:37:16] had to get back and I had to prep for
[02:37:17] this real hard. So, I haven't gotten to
[02:37:19] watch it yet. I'll hopefully go and
[02:37:20] watch that now.
[02:37:23] Fern's wife, please make an episode on
[02:37:25] your beliefs about Jesus. I
[02:37:27] wholeheartedly agree with what you said
[02:37:28] and want to hear how you got to your
[02:37:30] conclusion. I hesitate to make any
[02:37:32] content about Jesus because I'm not
[02:37:33] trying to tell anyone what to think
[02:37:34] about Jesus or about the Bible or about
[02:37:36] their beliefs. I am no pastor and I
[02:37:38] don't intend to be one. Um, maybe way
[02:37:41] down the line we'll talk spirituality a
[02:37:43] little bit, but I just feel like that's
[02:37:48] a conversation fraught with
[02:37:51] people of poor intentions and I don't
[02:37:53] intend to wade into it regardless of how
[02:37:55] pure my intentions are
[02:37:58] because I think part of the point of the
[02:38:01] journey of knowledge and the journey to
[02:38:02] truth and the journey to God is the
[02:38:05] journey.
[02:38:08] And if you just have other people
[02:38:10] telling you what to think and how to
[02:38:11] understand it and what to believe,
[02:38:13] you're skipping the journey. And the
[02:38:15] whole point is that you have to do that
[02:38:16] journey for yourself. You have to ask
[02:38:18] those questions for yourself. And if
[02:38:20] you're the kind of person that's just
[02:38:21] going to blindly consume what is given
[02:38:23] to you by whatever book or whatever
[02:38:27] pastor or whatever influencer, then
[02:38:30] you're only ever going to wind up
[02:38:32] wherever they put you. But if you're the
[02:38:34] kind of person that asks those questions
[02:38:35] for yourself and thinks for yourself and
[02:38:38] and and hears God for yourself and and
[02:38:40] and [music]
[02:38:41] works to kind of take the steps along
[02:38:43] that journey, then you'll wind up right
[02:38:45] where you're supposed to be. And there's
[02:38:47] really no shortcuts to it. Um, and so I
[02:38:50] don't think we really need people
[02:38:53] telling us how to get there quite so
[02:38:55] much.
[02:38:57] At least not as much as we need people
[02:38:59] thinking for themselves about how to get
[02:39:00] there. But I appreciate you. Thank you.
[02:39:03] Um, I do have a lot of thoughts about
[02:39:04] it. I think about it all the time and I
[02:39:06] try to think deeply about it, but for
[02:39:08] now I'm going to keep it to myself. Mama
[02:39:11] Bear 1995. What if Andrew is leaking
[02:39:13] stuff because he is trying to help and
[02:39:14] TPS USA is blaming everything on him
[02:39:16] because he isn't on their side. Just a
[02:39:17] thought. Hey, it could be. That's the
[02:39:19] thing about once you throw out the
[02:39:21] mainstream narrative, everything gets so
[02:39:23] complicated to try to decode because
[02:39:24] we're out here all on our own trying to
[02:39:26] figure it out and it's confusing. I have
[02:39:30] not heard the best things about Andrew
[02:39:31] from behind the scenes at all, but you
[02:39:34] never know. Captain Obvious,
[02:39:38] not sure you will get time to read this
[02:39:39] super sticker. However, wife and I truly
[02:39:41] appreciate all you do. Thank you. I
[02:39:43] appreciate you. Thank you to both of
[02:39:44] you. Um, yeah, I appreciate it. Thanks
[02:39:46] for the dono. Thanks for the support.
[02:39:48] And I do my best. It helps that I love
[02:39:51] this job and it's what I naturally it's
[02:39:53] just how my brain works and it's how I
[02:39:55] live my whole life. and the pursuit of
[02:39:57] knowledge is the only and most important
[02:39:59] thing in the world to me. So, it helps
[02:40:01] that I love it. But I appreciate that.
[02:40:04] One last scan. Oh, don't send anymore.
[02:40:06] We're done. I'm just going to do one
[02:40:08] last scan here. Ian, the Bird of Prey by
[02:40:09] Elbert Systems and Duke Robotics is
[02:40:12] seriously something to look into if not
[02:40:13] for the scary AI for potential
[02:40:15] assassinations.
[02:40:18] I don't know about the Bird of Prey by
[02:40:19] Elbert Systems. I don't know about this
[02:40:24] bird of prey. Elbit systems.
[02:40:31] Oh snap. Oh [ __ ] Yeah, it's drones with
[02:40:35] guns and [ __ ] on it. Drones. Modifiable
[02:40:37] drones and [ __ ] Agile, compact, fully
[02:40:40] stabilized weapon system for drone
[02:40:42] platforms. Yeah, [ __ ] not good.
[02:40:47] Potential assassinations. Yeah, you're
[02:40:49] dang straight. Nice super. Appreciate
[02:40:51] that.
[02:40:53] Cool. That's it. We're done. Sick. No
[02:40:56] more supers. Thanks, homies. Always
[02:40:59] appreciate it.
[02:41:01] Always appreciate it.
[02:41:07] Hey, I just don't Why'd you send in a
[02:41:09] $100 super now, bro? No more. I'll read
[02:41:13] this one last one because it's so big.
[02:41:15] My father passed in 911. Never believe
[02:41:17] the narrative. Thank you so much for
[02:41:19] being a trutht teller. You have taught
[02:41:20] me a lot with your videos. I appreciate
[02:41:22] all of your hard work. I hope us victims
[02:41:23] will get justice one day. Hey, you'll
[02:41:26] you'll never get justice. Unfortunately,
[02:41:28] there is no justice for something like
[02:41:29] that.
[02:41:32] But
[02:41:34] there is truth
[02:41:37] and there is good in this world and
[02:41:40] there is evil in this world. And
[02:41:41] hopefully we can fight back against evil
[02:41:43] with some good and some truth. And
[02:41:45] hopefully we can expose what really
[02:41:48] happened that day. And yeah, I do think
[02:41:50] it's high time that we do a little
[02:41:53] refresher on 911 and go a little deeper.
[02:41:55] Tucker did some really great work on
[02:41:57] 911, but I felt like he went deep on the
[02:42:00] surface, but there's so much more
[02:42:02] beneath that to go into,
[02:42:06] but it's a big one. There's a lot of
[02:42:07] these big these big cases like Vegas and
[02:42:10] 911 and in some ways Charlie Kirk,
[02:42:14] there's just so much to dig into that
[02:42:16] it's a lot of work to dig them up.
[02:42:19] Lucky Larry Silverstein. You're dang
[02:42:21] right, Zyoxy. Lucky Larry.
[02:42:27] Yeah, 911 is the case. It's the story.
[02:42:31] It's the big one. And in a lot of ways,
[02:42:33] I think we're living in like it's the
[02:42:35] world is pre 911 and post 911. And
[02:42:38] everything splits there, all of human
[02:42:40] history.
[02:42:42] But that's us for tonight. That's our
[02:42:45] show. Thanks for hanging out. Thanks for
[02:42:46] being here. Thanks for your donations.
[02:42:48] Thanks for your support. Thanks for
[02:42:49] liking the video. Thanks for subscribing
[02:42:50] to the channel. Thanks for sharing it.
[02:42:52] Um, go out there, eat some good food,
[02:42:56] drink some water, tell people you love
[02:42:57] them, do do good things, be a good
[02:42:59] person. The world is made up of people,
[02:43:03] and it's up to you to be a good person
[02:43:05] in order to make the world a better
[02:43:06] place. So,
[02:43:08] do your best,
[02:43:10] and we'll all do our best.
[02:43:14] And with that,
[02:43:16] we're done for the night.
[02:43:18] I'll be streaming all week on Twitch,
[02:43:21] twitch.tv/cancelian
[02:43:22] carroll. And we'll be posting some of
[02:43:24] the bangers to YouTube if you want to
[02:43:25] watch them there.
[02:43:27] And we'll see you here again, if not
[02:43:29] sooner than at least by next Friday for
[02:43:32] the next installment of Free Speech
[02:43:34] Friday. Thanks for tuning in.
[02:43:36] >> Conspiracy theories [music] are entering
[02:43:38] a danger.
[02:43:38] >> Information is the oxygen of the
[02:43:41] democracy. There's so much evidence out
[02:43:43] there that even if less [music] than 1%
[02:43:45] is true, will that be enough to collapse
[02:43:49] the current paradigm and change the
[02:43:52] whole planet?
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